From Bomba to Hip-hop

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Author :
Publisher : Columbia University Press
ISBN 13 : 9780231110778
Total Pages : 280 pages
Book Rating : 4.74/5 ( download)

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Book Synopsis From Bomba to Hip-hop by : Juan Flores

Download or read book From Bomba to Hip-hop written by Juan Flores and published by Columbia University Press. This book was released on 2000 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: Flores investigates the historical experience of Puerto Ricans in New York, reflecting their varied areas of cultural expression in the diaspora against the background of contemporary debates in Puerto Rico and recent developments in cultural theory. Close studies of urban space and performance, popular musical styles, and Nuyorican literature highlight the complexities and contradictions of Latino identity.

New York Ricans from the Hip Hop Zone

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Author :
Publisher : Springer
ISBN 13 : 1403981671
Total Pages : 279 pages
Book Rating : 4.77/5 ( download)

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Book Synopsis New York Ricans from the Hip Hop Zone by : R. Rivera

Download or read book New York Ricans from the Hip Hop Zone written by R. Rivera and published by Springer. This book was released on 2003-02-07 with total page 279 pages. Available in PDF, EPUB and Kindle. Book excerpt: New York Puerto Ricans have been an integral part of hip hop culture since day one: from 1970s pioneers like Rock Steady Crew's Jo-Jo, to recent rap mega-stars Big Punisher (R.I.P.) and Angie Martinez. Yet, Puerto Rican participation and contributions to hip hop have often been downplayed and even completely ignored. And when their presence has been acknowledged, it has frequently been misinterpreted as a defection from Puerto Rican culture and identity, into the African American camp. But nothing could be further from the truth. Through hip hop, Puerto Ricans have simply stretched the boundaries of Puerto Ricanness and latinidad.

Reggaeton

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Publisher : Duke University Press
ISBN 13 : 0822392321
Total Pages : 388 pages
Book Rating : 4.23/5 ( download)

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Book Synopsis Reggaeton by : Raquel Z. Rivera

Download or read book Reggaeton written by Raquel Z. Rivera and published by Duke University Press. This book was released on 2009-04-24 with total page 388 pages. Available in PDF, EPUB and Kindle. Book excerpt: A hybrid of reggae and rap, reggaeton is a music with Spanish-language lyrics and Caribbean aesthetics that has taken Latin America, the United States, and the world by storm. Superstars—including Daddy Yankee, Don Omar, and Ivy Queen—garner international attention, while aspiring performers use digital technologies to create and circulate their own tracks. Reggaeton brings together critical assessments of this wildly popular genre. Journalists, scholars, and artists delve into reggaeton’s local roots and its transnational dissemination; they parse the genre’s aesthetics, particularly in relation to those of hip-hop; and they explore the debates about race, nation, gender, and sexuality generated by the music and its associated cultural practices, from dance to fashion. The collection opens with an in-depth exploration of the social and sonic currents that coalesced into reggaeton in Puerto Rico during the 1990s. Contributors consider reggaeton in relation to that island, Panama, Jamaica, and New York; Cuban society, Miami’s hip-hop scene, and Dominican identity; and other genres including reggae en español, underground, and dancehall reggae. The reggaeton artist Tego Calderón provides a powerful indictment of racism in Latin America, while the hip-hop artist Welmo Romero Joseph discusses the development of reggaeton in Puerto Rico and his refusal to embrace the upstart genre. The collection features interviews with the DJ/rapper El General and the reggae performer Renato, as well as a translation of “Chamaco’s Corner,” the poem that served as the introduction to Daddy Yankee’s debut album. Among the volume’s striking images are photographs from Miguel Luciano’s series Pure Plantainum, a meditation on identity politics in the bling-bling era, and photos taken by the reggaeton videographer Kacho López during the making of the documentary Bling’d: Blood, Diamonds, and Hip-Hop. Contributors. Geoff Baker, Tego Calderón, Carolina Caycedo, Jose Davila, Jan Fairley, Juan Flores, Gallego (José Raúl González), Félix Jiménez, Kacho López, Miguel Luciano, Wayne Marshall, Frances Negrón-Muntaner, Alfredo Nieves Moreno, Ifeoma C. K. Nwankwo, Deborah Pacini Hernandez, Raquel Z. Rivera, Welmo Romero Joseph, Christoph Twickel, Alexandra T. Vazquez

Beyond Christian Hip Hop

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Author :
Publisher : Routledge
ISBN 13 : 0429589654
Total Pages : 269 pages
Book Rating : 4.52/5 ( download)

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Book Synopsis Beyond Christian Hip Hop by : Erika D. Gault

Download or read book Beyond Christian Hip Hop written by Erika D. Gault and published by Routledge. This book was released on 2019-11-18 with total page 269 pages. Available in PDF, EPUB and Kindle. Book excerpt: Christians and Christianity have been central to Hip Hop since its inception. This book explores the intersection of Christians and Hip Hop and the multiple outcomes of this intersection. It lays out the ways in which Christians and Hip Hop overlap and diverge. The intersection of Christians and Hip Hop brings together African diasporic cultures, lives, memories and worldviews. Moving beyond the focus on rappers and so-called "Christian Hip Hop," each chapter explores three major themes of the book: identifying Hip Hop, irreconcilable Christianity, and boundaries.There is a self-identified Christian Hip Hop (CHH) community that has received some scholarly attention. At the same time, scholars have analyzed Christianity and Hip Hop without focusing on the self-identified community. This book brings these various conversations together and show, through these three themes, the complexities of the intersection of Christians and Hip Hop. Hip Hop is more than rap music, it is an African diasporic phenomenon. These three themes elucidate the many characteristics of the intersection between Christians and Hip Hop and our reasoning for going beyond "Christian Hip Hop." This collection is a multi-faceted view of how religious belief plays a role in Hip Hoppas' lives and community. It will, therefore, be of great interest to scholars of Religion and Hip Hop, Hip Hop, African Diasporas, Religion and the Arts, Religion and Race and Black Theology as well as Religious Studies more generally.

El Entierro de Cortijo/Cortijo's Wake

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Publisher : Duke University Press
ISBN 13 : 9780822332169
Total Pages : 158 pages
Book Rating : 4.67/5 ( download)

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Book Synopsis El Entierro de Cortijo/Cortijo's Wake by : Edgardo Rodr-Guez Juli

Download or read book El Entierro de Cortijo/Cortijo's Wake written by Edgardo Rodr-Guez Juli and published by Duke University Press. This book was released on 2004 with total page 158 pages. Available in PDF, EPUB and Kindle. Book excerpt: DIVA lyrical narration and examination of the life and death of Rafael Cortijo, an Afro-Caribbean drummer whose group--Cortijo y su Combo--influenced Puerto Rican society and music./div

Delimitations of Latin American Philosophy

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Publisher : Indiana University Press
ISBN 13 : 0253044863
Total Pages : 222 pages
Book Rating : 4.60/5 ( download)

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Book Synopsis Delimitations of Latin American Philosophy by : Omar Rivera

Download or read book Delimitations of Latin American Philosophy written by Omar Rivera and published by Indiana University Press. This book was released on 2019-12-03 with total page 222 pages. Available in PDF, EPUB and Kindle. Book excerpt: “[An] original view of José Carlos Mariátegui’s role in Latin American philosophy and his relation to identity, liberation, and aesthetics (Elizabeth Millán Brusslan, editor of After the Avant-Gardes). In the nineteenth and twentieth centuries, Latin American philosophy focused on the convergence of identity formation and political liberation in ethnically and racially diverse postcolonial contexts. In this book, Omar Rivera interprets how a “we” is articulated and deployed in this robust philosophical tradition. With close readings of Peruvian political theorist José Carlos Mariátegui, he also examines texts by José Martí, Simón Bolívar, and others. Rivera critiques philosophies of liberation that frame the redemption of oppressed identities as a condition for bringing about radical social and political change. Shining a light on Latin America’s complex histories and socialities, he illustrates the power and shortcomings of these projects. Building on this critical approach, Rivera studies interrelated epistemological, transcultural, and aesthetic delimitations of Latin American philosophy in order to explore the possibility of social and political liberation “beyond redemption.”

Mambo Montage

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Publisher : Columbia University Press
ISBN 13 : 0231505442
Total Pages : 519 pages
Book Rating : 4.44/5 ( download)

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Book Synopsis Mambo Montage by : Agustín Laó-Montes

Download or read book Mambo Montage written by Agustín Laó-Montes and published by Columbia University Press. This book was released on 2001-06-13 with total page 519 pages. Available in PDF, EPUB and Kindle. Book excerpt: New York is the capital of mambo and a global factory of latinidad. This book covers the topic in all its multifaceted aspects, from Jim Crow baseball in the first half of the twentieth century to hip hop and ethno-racial politics, from Latinas and labor unions to advertising and Latino culture, from Cuban cuisine to the language of signs in New York City. Together the articles map out the main conceptions of Latino identity as well as the historical process of Latinization of New York. Mambo Montage is both a way of imagining latinidad and an angle of vision on the city.

Boricua Literature

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Publisher : NYU Press
ISBN 13 : 0814731465
Total Pages : 224 pages
Book Rating : 4.68/5 ( download)

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Book Synopsis Boricua Literature by : Lisa Sánchez-González

Download or read book Boricua Literature written by Lisa Sánchez-González and published by NYU Press. This book was released on 2001-08 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the invasion and colonization of Puerto Rico in 1898, all Puerto Ricans are both American citizens and colonial subjects by birth according to international law. Over a third of this population currently lives in the continental U.S. forming one of the nation's most significant "minority" communities. Yet no complete study of mainland Puerto Rican—or Boricua—literature has been written. Until now. Boricua Literature is the first literary history of the Puerto Rican colonial diaspora. The result of a decade of research in archives and special collections in the Caribbean and in the U.S., Lisa Sánchez González argues that the writing of the Puerto Rican diaspora should be considered an integral field of study. Covering 100 years of Boricua literary history, each chapter looks at the single writer or group of writers who are most emblematic of their respective generation, from William Carlos Williams and Arturo Schomburg, to latina feminism and salsa music. The story of an American community of color, Boricua Literature is also about contemporary critical race and gender studies. Unlike virtually all studies concerning mainland Puerto Rican writing, Lisa Sánchez González is less concerned with "cultural identity" than with unearthing a substantive cultural intellectual history. The first explicitly literary historical analysis of Boricua Literature, this definitive study proposes a new and discreet area of literary historical research in American studies.

Postnational Musical Identities

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Publisher : Lexington Books
ISBN 13 : 9780739118214
Total Pages : 260 pages
Book Rating : 4.18/5 ( download)

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Book Synopsis Postnational Musical Identities by : Ignacio Corona

Download or read book Postnational Musical Identities written by Ignacio Corona and published by Lexington Books. This book was released on 2008 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: Postnational Musical Identities gathers interdisciplinary essays that explore how music audiences and markets are imagined in a globalized scenario, how music reflects and reflects upon new understandings of citizenship beyond the nation-state, and how music works as a site of resistance against globalization. "Hybridity," "postnationalism," "transnationalism," "globalization," "diaspora," and similar buzzwords have not only informed scholarly discourse and analysis of music but also shaped the way musical productions have been marketed worldwide in recent times. While the construction of identities occupies a central position in this context, there are discrepancies between the conceptualization of music as an extremely fluid phenomenon and the traditionally monovalent notion of identity to which it has historically been incorporated. As such, music has always been linked to the construction of regional and national identities. The essays in this collection seek to explore the role of music, networks of music distribution, music markets, music consumption, music production, and music scholarship in the articulation of postnational sites of identification.

How Hip Hop Became Hit Pop

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Publisher : Univ of California Press
ISBN 13 : 0520383923
Total Pages : 226 pages
Book Rating : 4.20/5 ( download)

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Book Synopsis How Hip Hop Became Hit Pop by : Amy Coddington

Download or read book How Hip Hop Became Hit Pop written by Amy Coddington and published by Univ of California Press. This book was released on 2023 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt: "How did rap become the most popular genre in the United States, and what were the consequences of this subculture becoming part of the mainstream? In How Hip Hop Became Hit Pop, Amy Coddington examines the programming practices at commercial radio stations in the 1980s and early 1990s to uncover how this industry facilitated rap's introduction into the musical mainstream. Playing rap on the radio changed the sound of the genre, as artists negotiated expanding audiences and industry pressure to make songs that fit on the radio. But the effects of rap's mainstreaming were not one-sided. The genre altered the radio industry by bringing brought together large multicultural audiences, challenging the racial identity of the popular music mainstream. But within a few years, the very idea of the mainstream would be called into question, as radio programmers unsure of the genre's popularity wreaked havoc on the multicultural coalitions which rap had fostered"--