French Motets In The Thirteenth Century

Author : Mark Everist
Publisher : Cambridge University Press
ISBN 13 : 9780521612043
Total Pages : 220 pages
Book Rating : 4.47/5 ( download)

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Download or read book French Motets in the Thirteenth Century written by Mark Everist and published by Cambridge University Press. This book was released on 2004-11-11 with total page 220 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first full-length study of the vernacular motet in thirteenth-century France. The motet was the most prestigious type of music of that period, filling a gap between the music of the so-called Notre-Dame School and the Ars Nova of the early fourteenth century. This book takes the music and the poetry of the motet as its starting-point and attempts to come to grips with the ways in which musicians and poets treated pre-existing material, creating new artefacts. The book reviews the processes of texting and retexting, and the procedures for imparting structure to the works; it considers the way we conceive genre in the thirteenth-century motet, and supplements these with principles derived from twentieth-century genre theory. The motet is viewed as the interaction of literary and musical modes whose relationships give meaning to individual musical compositions.

Author : Jared C. Hartt
Publisher : Boydell & Brewer
ISBN 13 : 1783273070
Total Pages : 422 pages
Book Rating : 4.72/5 ( download)

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Download or read book A Critical Companion to Medieval Motets written by Jared C. Hartt and published by Boydell & Brewer. This book was released on 2018 with total page 422 pages. Available in PDF, EPUB and Kindle. Book excerpt: First full comprehensive guide to one of the most important genres of music in the Middle Ages.

Author : Hans Tischler
Publisher :
ISBN 13 :
Total Pages : 784 pages
Book Rating : 4.08/5 ( download)

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Download or read book The Motet in Thirteenth Century France written by Hans Tischler and published by . This book was released on 1942 with total page 784 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Author : Mark Everist
Publisher : Cambridge University Press
ISBN 13 : 1108577075
Total Pages : pages
Book Rating : 4.76/5 ( download)

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Download or read book The Cambridge History of Medieval Music written by Mark Everist and published by Cambridge University Press. This book was released on 2018-08-09 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: Spanning a millennium of musical history, this monumental volume brings together nearly forty leading authorities to survey the music of Western Europe in the Middle Ages. All of the major aspects of medieval music are considered, making use of the latest research and thinking to discuss everything from the earliest genres of chant, through the music of the liturgy, to the riches of the vernacular song of the trouvères and troubadours. Alongside this account of the core repertory of monophony, The Cambridge History of Medieval Music tells the story of the birth of polyphonic music, and studies the genres of organum, conductus, motet and polyphonic song. Key composers of the period are introduced, such as Leoninus, Perotinus, Adam de la Halle, Philippe de Vitry and Guillaume de Machaut, and other chapters examine topics ranging from musical theory and performance to institutions, culture and collections.

Author : Sylvia Huot
Publisher : Stanford University Press
ISBN 13 : 9780804727174
Total Pages : 264 pages
Book Rating : 4.71/5 ( download)

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Download or read book Allegorical Play in the Old French Motet written by Sylvia Huot and published by Stanford University Press. This book was released on 1997 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book focuses on the literary artistry of the texts of Old French and bilingual motets, notably the special feature of motets that distinguished them from other medieval lyric forms: the phenomenon of polytextuality.

Author : Linda Jean Speck
Publisher :
ISBN 13 :
Total Pages : 756 pages
Book Rating : 4.55/5 ( download)

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Download or read book Relationships Between Music and Text in the Late Thirteenth-century French Motet written by Linda Jean Speck and published by . This book was released on 1977 with total page 756 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Author : Catherine A. Bradley
Publisher : Cambridge University Press
ISBN 13 : 1108311180
Total Pages : 301 pages
Book Rating : 4.82/5 ( download)

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Download or read book Polyphony in Medieval Paris written by Catherine A. Bradley and published by Cambridge University Press. This book was released on 2018-08-09 with total page 301 pages. Available in PDF, EPUB and Kindle. Book excerpt: Polyphony associated with the Parisian cathedral of Notre Dame marks a historical turning point in medieval music. Yet a lack of analytical or theoretical systems has discouraged close study of twelfth- and thirteenth-century musical objects, despite the fact that such creations represent the beginnings of musical composition as we know it. Is musical analysis possible for such medieval repertoires? Catherine A. Bradley demonstrates that it is, presenting new methodologies to illuminate processes of musical and poetic creation, from monophonic plainchant and vernacular French songs, to polyphonic organa, clausulae, and motets in both Latin and French. This book engages with questions of text-music relationships, liturgy, and the development of notational technologies, exploring concepts of authorship and originality as well as practices of quotation and musical reworking.

Author : Robert de Reims
Publisher : Penn State Press
ISBN 13 : 0271088265
Total Pages : 190 pages
Book Rating : 4.66/5 ( download)

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Download or read book Robert de Reims written by Robert de Reims and published by Penn State Press. This book was released on 2021-11-22 with total page 190 pages. Available in PDF, EPUB and Kindle. Book excerpt: Robert de Reims, also known as “La Chievre de Rains,” was among the earliest trouvères—poet-composers who were contemporaries of the troubadours but who wrote in the dialects of northern France. This critical edition provides new translations into English and modern French of all the songs and motets ascribed to him, along with the original texts, the extant music, and a substantive introduction. Active sometime between 1190 and 1220, Robert was an influential figure in the literary circles of Arras. Thirteen compositions set to music are here attributed to him, including nine chansons and four polyphonic motets that were broadly disseminated in the thirteenth century and beyond. Robert’s work is exceptional on a number of fronts. He lavished particular care on the phonic harmony of his words. Acoustic luxuriance and expertise in rhyming, grounded in the play of echoes and variation (often extending into the music), constitute the hallmark of his poetry. Moreover, he is the earliest trouvère known to have composed a parodic sotte chanson contre Amours (silly song against Love). Located clearly at the nexus of monophonic song and polyphony, Robert’s corpus also poses the intriguing question of trouvère participation in the development of the polyphonic repertory. The case of Robert de Reims jostles and tempers the standard history of the chanson and motet. Accessible and instructive, this trilingual critical edition of his complete works makes the oeuvre of this innovative and consequential trouvère available in one volume for the first time.

Author : Benjamin Brand
Publisher : Cambridge University Press
ISBN 13 : 131679895X
Total Pages : 379 pages
Book Rating : 4.59/5 ( download)

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Download or read book Music and Culture in the Middle Ages and Beyond written by Benjamin Brand and published by Cambridge University Press. This book was released on 2016-10-27 with total page 379 pages. Available in PDF, EPUB and Kindle. Book excerpt: It has become widely accepted among musicologists that medieval music is most profitably studied from interdisciplinary perspectives that situate it within broad cultural contexts. The origins of this consensus lie in a decisive reorientation of the field that began approximately four decades ago. For much of the twentieth century, research on medieval music had focused on the discovery and evaluation of musical and theoretical sources. The 1970s and 1980s, by contrast, witnessed calls for broader methodologies and more fully contextual approaches that in turn anticipated the emergence of the so-called 'New Musicology'. The fifteen essays in the present collection explore three interrelated areas of inquiry that proved particularly significant: the liturgy, sources (musical and archival), and musical symbolism. In so doing, these essays not only acknowledge past achievements but also illustrate how this broad, interdisciplinary approach remains a source for scholarly innovation.

Author : Dolores Pesce
Publisher : Taylor & Francis
ISBN 13 : 1000826619
Total Pages : 159 pages
Book Rating : 4.16/5 ( download)

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Download or read book The Malmariée in the Thirteenth-Century Motet written by Dolores Pesce and published by Taylor & Francis. This book was released on 2023-02-08 with total page 159 pages. Available in PDF, EPUB and Kindle. Book excerpt: This monograph offers a comprehensive study of the topos of the malmariée or the unhappily married woman within the thirteenth-century motet repertory, a vocal genre characterized by several different texts sounding simultaneously over a foundational Latin chant. Part I examines the malmariée motets from three vantage points: (1) in light of contemporaneous canonist views on marriage; (2) to what degree the French malmariée texts in the upper voices treat the messages inherent in the underlying Latin chant through parody and/or allegory; and (3) interactions among upper-voice texts that invite additional interpretations focused on gender issues. Part II investigates the transmission profile of the motets, as well as of their refrains, revealing not only intertextual refrain usage between the motets and other genres, but also a significant number of shared refrains between malmariée motets and other motets. Part II furthermore offers insights on the chronology of composition within a given intertextual refrain nexus, and examines how a refrain’s meaning can change in a new context. Finally, based on the transmission profile, Part II argues for a lively interest in the topos in the 1270s and 1280s, both through composition of new motets and compilation of earlier ones, with Paris and Arras playing a prominent role.