The French Cinema Book

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Publisher : Bloomsbury Publishing
ISBN 13 : 1838718869
Total Pages : 743 pages
Book Rating : 4.62/5 ( download)

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Book Synopsis The French Cinema Book by : Michael Temple

Download or read book The French Cinema Book written by Michael Temple and published by Bloomsbury Publishing. This book was released on 2019-07-25 with total page 743 pages. Available in PDF, EPUB and Kindle. Book excerpt: This thoroughly revised and expanded edition of a key textbook offers an innovative and accessible account of the richness and diversity of French film history and culture from the 1890s to the present day. The contributors, who include leading historians and film scholars, provide an indispensable introduction to key topics and debates in French film history. Each chronological section addresses seven key themes – people, business, technology, forms, representations, spectators and debates, providing an essential overview of the cinema industry, the people who worked in it, including technicians and actors as well as directors, and the culture of cinema going in France from the beginnings of cinema to the contemporary period.

Contemporary Sino-French Cinemas

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Publisher : University of Hawaii Press
ISBN 13 : 0824875117
Total Pages : 289 pages
Book Rating : 4.14/5 ( download)

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Book Synopsis Contemporary Sino-French Cinemas by : Michelle E. Bloom

Download or read book Contemporary Sino-French Cinemas written by Michelle E. Bloom and published by University of Hawaii Press. This book was released on 2017-11-30 with total page 289 pages. Available in PDF, EPUB and Kindle. Book excerpt: Transnational cinemas are eclipsing national cinemas in the contemporary world, and Sino-French films exemplify this phenomenon through the cinematic coupling of the Sinophone and the Francophone, linking France not just with the Chinese mainland but also with the rest of the Chinese-speaking world. Sinophone directors most often reach out to French cinema by referencing and adapting it. They set their films in Paris and metropolitan France, cast French actors, and sometimes use French dialogue, even when the directors themselves don't understand it. They tend to view France as mysterious, sexy, and sophisticated, just as the French see China and Taiwan as exotic. As Michelle E. Bloom makes clear, many films move past a simplistic opposition between East and West and beyond Orientalist and Occidentalist cross-cultural interplay. Bloom focuses on films that have appeared since 2000 such as Tsai Ming-liang's What Time Is It There? , Hou Hsiao-hsien's Flight of the Red Balloon, and Dai Sijie's Balzac and the Little Chinese Seamstress. She views the work of these well-known directors through a Sino-French optic, applying the tropes of métissage (or biraciality), intertextuality, adaptation and remake, translation, and imitation to shed new light on their work. She also calls attention to important, lesser studied films: Taiwanese director Cheng Yu-chieh's Yang Yang, which depicts the up-and-coming Taiwanese star Sandrine Pinna as a mixed race beauty; and Emily Tang Xiaobai's debut film Conjugation, which contrasts Paris and post-Tiananmen Square Beijing, the one an incarnation of liberty, the other a place of entrapment. Bloom's insightful analysis also probes what such films reveal about their Taiwanese and Chinese creators. Scholars have long studied Sino-French literature, but this inaugural full-length work on Sino-French cinema maps uncharted territory, offering a paradigm for understanding other cross-cultural interminglings and tools to study transnational cinema and world cinema. The Sino-French, rich and multifaceted, linguistically, culturally, and ethnically, constitutes an important part of film studies, Francophone studies, Sinophone studies and myriad other fields. This is a must-read for students, scholars, and lovers of film.

French Queer Cinema

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Publisher : Edinburgh University Press
ISBN 13 : 0748634193
Total Pages : 176 pages
Book Rating : 4.94/5 ( download)

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Book Synopsis French Queer Cinema by : Nick Rees-Roberts

Download or read book French Queer Cinema written by Nick Rees-Roberts and published by Edinburgh University Press. This book was released on 2008-10-27 with total page 176 pages. Available in PDF, EPUB and Kindle. Book excerpt: French Queer Cinema examines the representation of queer identities and sexualities in contemporary French filmmaking. This groundbreaking volume is the first comprehensive study of the cultural formation and critical reception of contemporary queer film and video in France. French Queer Cinema addresses the emergence of a gay cinema in the French context since the late 1990s, including critical coverage of films by important contemporary directors such as Francois Ozon, Sebastien Lifshitz, Patrice Chereau, Andre Techine and Christophe Honore. Nick Rees-Roberts transposes contemporary Anglo-American Queer Theory to the study of French screen culture, drawing particular attention to issues of race and migration such as problematic fantasies of Arab masculinities in queer cinematic production. This theoretically-informed book engages with a number of fault-lines running through queer cultural representation in France including transgender dissent and the effects of AIDS and loss on the formation of queer identities and sexualities.

French Cinema

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Publisher : Bloomsbury Publishing USA
ISBN 13 : 1501303090
Total Pages : 632 pages
Book Rating : 4.98/5 ( download)

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Book Synopsis French Cinema by : Rémi Fournier Lanzoni

Download or read book French Cinema written by Rémi Fournier Lanzoni and published by Bloomsbury Publishing USA. This book was released on 2015-10-22 with total page 632 pages. Available in PDF, EPUB and Kindle. Book excerpt: To a large extent, the story of French filmmaking is the story of moviemaking. From the earliest flickering images of the late nineteenth century through the silent era, Surrealist influences, the Nazi Occupation, the glories of the New Wave, the rebirth of the industry in the 1990s with the exception culturelle, and the present, Rémi Lanzoni examines a considerable number of the world's most beloved films. Building upon his 2004 best-selling edition, the second edition of French Cinema maintains the chronological analysis, factual reliability, ease of use, and accessible prose, while at once concentrating more on the current generation of female directors, mainstream productions such as The Artist and The Intouchables, and the emergence of minority filmmakers (Beur cinema).

French Cinema

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Publisher : Hodder Arnold
ISBN 13 : 9780340760031
Total Pages : 212 pages
Book Rating : 4.36/5 ( download)

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Book Synopsis French Cinema by : Phil Powrie

Download or read book French Cinema written by Phil Powrie and published by Hodder Arnold. This book was released on 2002 with total page 212 pages. Available in PDF, EPUB and Kindle. Book excerpt: The study of French cinema has greatly expanded in recent years, as it is increasingly taught alongside literature in modern language departments. This book, written by two leading scholars of French film, offers students an introduction to the history and theory of French cinema.

French Cinema

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Publisher :
ISBN 13 : 9780691008134
Total Pages : 672 pages
Book Rating : 4.32/5 ( download)

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Book Synopsis French Cinema by : Richard Abel

Download or read book French Cinema written by Richard Abel and published by . This book was released on 1987 with total page 672 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Description for this book, French Cinema: The First Wave, 1915-1929, will be forthcoming.

The Bressonians

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Publisher : Berghahn Books
ISBN 13 : 180539424X
Total Pages : 285 pages
Book Rating : 4.42/5 ( download)

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Book Synopsis The Bressonians by : Codruţa Morari

Download or read book The Bressonians written by Codruţa Morari and published by Berghahn Books. This book was released on 2017-07-01 with total page 285 pages. Available in PDF, EPUB and Kindle. Book excerpt: How should we understand film authorship in an era when the idea of the solitary and sovereign auteur has come under attack, with critics proclaiming the death of the author and the end of cinema? The Bressonians provides an answer in the form of a strikingly original study of Bresson and his influence on the work of filmmakers Jean Eustache and Maurice Pialat. Extending the discourse of authorship beyond the idea of a singular visionary, it explores how the imperatives of excellence function within cinema’s pluralistic community. Bresson’s example offered both an artistic legacy and a creative burden within which filmmakers reckoned in different, often arduous, and altogether compelling ways.

The Companion to French Cinema

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Publisher : Burns & Oates
ISBN 13 :
Total Pages : 254 pages
Book Rating : 4.13/5 ( download)

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Book Synopsis The Companion to French Cinema by : Ginette Vincendeau

Download or read book The Companion to French Cinema written by Ginette Vincendeau and published by Burns & Oates. This book was released on 1996 with total page 254 pages. Available in PDF, EPUB and Kindle. Book excerpt: A handbook of French cinema

A History of the French New Wave Cinema

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Publisher : Univ of Wisconsin Press
ISBN 13 : 0299217035
Total Pages : 442 pages
Book Rating : 4.37/5 ( download)

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Book Synopsis A History of the French New Wave Cinema by : Richard Neupert

Download or read book A History of the French New Wave Cinema written by Richard Neupert and published by Univ of Wisconsin Press. This book was released on 2007-04-20 with total page 442 pages. Available in PDF, EPUB and Kindle. Book excerpt: The French New Wave cinema is arguably the most fascinating of all film movements, famous for its exuberance, daring, and avant-garde techniques. A History of the French New Wave Cinema offers a fresh look at the social, economic, and aesthetic mechanisms that shaped French film in the 1950s, as well as detailed studies of the most important New Wave movies of the late 1950s and early 1960s. Richard Neupert first tracks the precursors to New Wave cinema, showing how they provided blueprints for those who would follow. He then demonstrates that it was a core group of critics-turned-directors from the magazine Cahiers du Cinéma—especially François Truffaut, Claude Chabrol, and Jean-Luc Godard—who really revealed that filmmaking was changing forever. Later, their cohorts Eric Rohmer, Jacques Rivette, Jacques Doniol-Valcroze, and Pierre Kast continued in their own unique ways to expand the range and depth of the New Wave. In an exciting new chapter, Neupert explores the subgroup of French film practice known as the Left Bank Group, which included directors such as Alain Resnais and Agnès Varda. With the addition of this new material and an updated conclusion, Neupert presents a comprehensive review of the stunning variety of movies to come out of this important era in filmmaking.

Studying French Cinema

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Publisher : Liverpool University Press
ISBN 13 : 1906733910
Total Pages : 404 pages
Book Rating : 4.19/5 ( download)

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Book Synopsis Studying French Cinema by : Isabelle Vanderschelden

Download or read book Studying French Cinema written by Isabelle Vanderschelden and published by Liverpool University Press. This book was released on 2013-04-22 with total page 404 pages. Available in PDF, EPUB and Kindle. Book excerpt: Taking a text-led approach, with the emphasis on more recent popular films, Studying French Cinema is directed at non-specialists such as students of French, Film Studies, and the general reader with an interest in post-war French cinema. Each of the chapters focuses on one or more key films from the ground-breaking films of the nouvelle vague (Les 400 coups, 1959) to contemporary documentary (Etre et avoir, 2002) and puts them into their relevant contexts. Depending on the individual film, these include explorations of childhood, adolescence and coming of age (Les 400 coups, L'Argent de poche); auteur ideology and individual style (the films of Jean-Luc Godard and Agnes Varda); the representation of recent French history (Lacombe Lucien and Au revoir les enfants); transnational production practices (Le Pacte des loups); and popular cinema, comedy and gender issues (e.g. Le Diner de cons). Each film is embedded in its cultural and political context. Together, the historical discussions provide an overview of post-war French history to the present. Useful suggestions are made as to studies of related films, both those discussed within the book and outside.