Forgery Replica Fiction

Author : Christopher S. Wood
Publisher : University of Chicago Press
ISBN 13 : 0226905977
Total Pages : 399 pages
Book Rating : 4.76/5 ( download)

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Download or read book Forgery, Replica, Fiction written by Christopher S. Wood and published by University of Chicago Press. This book was released on 2008-08-15 with total page 399 pages. Available in PDF, EPUB and Kindle. Book excerpt: Credulity -- Reference by artifact -- Germany and "Renaissance"--Forgery -- Replica -- Fiction -- Re-enactment.

Author : Robert F. Berkhofer, III
Publisher : Boydell & Brewer
ISBN 13 : 1783276916
Total Pages : 344 pages
Book Rating : 4.12/5 ( download)

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Download or read book Forgeries and Historical Writing in England, France, and Flanders, 900-1200 written by Robert F. Berkhofer, III and published by Boydell & Brewer. This book was released on 2022 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: A close analysis of forgeries and historical writings at Saint Peter''s, Ghent; Saint-Denis near Paris; and Christ Church, Canterbury, offering valuable access to why medieval people often rewrote their pasts.What modern scholars call "forgeries" (be they texts, seals, coins, or relics) flourished in the central Middle Ages. Although lying was considered wrong throughout the period, such condemnation apparently did not extend to forgeries. Rewriting documents was especially common among monks, who exploited their mastery of writing to reshape their records. Monastic scribes frequently rewrote their archives, using charters, letters, and narratives, to create new usable pasts for claiming lands and privileges in their present or future. Such imagined histories could also be deployed to "reform" their community or reshape its relationship with lay and ecclesiastical authorities. Although these creative rewritings were forgeries, they still can be valuable evidence of medieval mentalities. While forgeries cannot easily be used to reconstruct what did happen, forgeries embedded in historical narratives show what their composers believed should have happened and thus they offer valuable access to why medieval people rewrote their pasts.This book offers close analysis of three monastic archives over the long eleventh century: Saint Peter''s, Ghent; Saint-Denis near Paris; and Christ Church, Canterbury. These foci provide the basis for contextualizing key shifts in documentary culture in the twelfth century across Europe. Overall, the book argues that connections between monastic forgeries and historical writing in the tenth through twelfth centuries reveal attempts to reshape reality. Both sought to rewrite the past and thereby promote monks'' interests in their present or future. easily be used to reconstruct what did happen, forgeries embedded in historical narratives show what their composers believed should have happened and thus they offer valuable access to why medieval people rewrote their pasts.This book offers close analysis of three monastic archives over the long eleventh century: Saint Peter''s, Ghent; Saint-Denis near Paris; and Christ Church, Canterbury. These foci provide the basis for contextualizing key shifts in documentary culture in the twelfth century across Europe. Overall, the book argues that connections between monastic forgeries and historical writing in the tenth through twelfth centuries reveal attempts to reshape reality. Both sought to rewrite the past and thereby promote monks'' interests in their present or future. easily be used to reconstruct what did happen, forgeries embedded in historical narratives show what their composers believed should have happened and thus they offer valuable access to why medieval people rewrote their pasts.This book offers close analysis of three monastic archives over the long eleventh century: Saint Peter''s, Ghent; Saint-Denis near Paris; and Christ Church, Canterbury. These foci provide the basis for contextualizing key shifts in documentary culture in the twelfth century across Europe. Overall, the book argues that connections between monastic forgeries and historical writing in the tenth through twelfth centuries reveal attempts to reshape reality. Both sought to rewrite the past and thereby promote monks'' interests in their present or future. easily be used to reconstruct what did happen, forgeries embedded in historical narratives show what their composers believed should have happened and thus they offer valuable access to why medieval people rewrote their pasts.This book offers close analysis of three monastic archives over the long eleventh century: Saint Peter''s, Ghent; Saint-Denis near Paris; and Christ Church, Canterbury. These foci provide the basis for contextualizing key shifts in documentary culture in the twelfth century across Europe. Overall, the book argues that connections between monastic forgeries and historical writing in the tenth through twelfth centuries reveal attempts to reshape reality. Both sought to rewrite the past and thereby promote monks'' interests in their present or future.lose analysis of three monastic archives over the long eleventh century: Saint Peter''s, Ghent; Saint-Denis near Paris; and Christ Church, Canterbury. These foci provide the basis for contextualizing key shifts in documentary culture in the twelfth century across Europe. Overall, the book argues that connections between monastic forgeries and historical writing in the tenth through twelfth centuries reveal attempts to reshape reality. Both sought to rewrite the past and thereby promote monks'' interests in their present or future.

Author : Anne Orford
Publisher : Cambridge University Press
ISBN 13 : 1108574432
Total Pages : 395 pages
Book Rating : 4.33/5 ( download)

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Download or read book International Law and the Politics of History written by Anne Orford and published by Cambridge University Press. This book was released on 2021-08-05 with total page 395 pages. Available in PDF, EPUB and Kindle. Book excerpt: As the future of international law has become a growing site of struggle within and between powerful states, debates over the history of international law have become increasingly heated. International Law and the Politics of History explores the ideological, political, and material stakes of apparently technical disputes over how the legal past should be studied and understood. Drawing on a deep knowledge of the history, theory, and practice of international law, Anne Orford argues that there can be no impartial accounts of international law's past and its relation to empire and capitalism. Rather than looking to history in a doomed attempt to find a new ground for formalist interpretations of what past legal texts really mean or what international regimes are really for, she urges lawyers and historians to embrace the creative role they play in making rather than finding the meaning of international law.

Author : Thierry Lenain
Publisher : Reaktion Books
ISBN 13 : 1861899599
Total Pages : 386 pages
Book Rating : 4.90/5 ( download)

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Download or read book Art Forgery written by Thierry Lenain and published by Reaktion Books. This book was released on 2012-01-15 with total page 386 pages. Available in PDF, EPUB and Kindle. Book excerpt: With the recent advent of technologies that make detecting art forgeries easier, the art world has become increasingly obsessed with verifying and ensuring artistic authenticity. In this unique history, Thierry Lenain examines the genealogy of faking and interrogates the anxious, often neurotic, reactions triggered in the modern art world by these clever frauds. Lenain begins his history in the Middle Ages, when the issue of false relics and miracles often arose. But during this time, if a relic gave rise to a cult, it would be considered as genuine even if it obviously had been forged. In the Renaissance, forgery was initially hailed as a true artistic feat. Even Michelangelo, the most revered artist of the time, copied drawings by other masters, many of which were lent to him by unsuspecting collectors. Michelangelo would keep the originals himself and return the copies in their place. As Lenain shows, authenticity, as we think of it, is a purely modern concept. And the recent innovations in scientific attribution, archaeology, graphology, medical science, and criminology have all contributed to making forgery more detectable—and thus more compelling and essential to detect. He also analyzes the work of master forgers like Eric Hebborn, Thomas Keating, and Han van Meegeren in order to describe how pieces baffled the art world. Ultimately, Lenain argues that the science of accurately deciphering an individual artist’s unique characteristics has reached a level of forensic sophistication matched only by the forger’s skill and the art world’s paranoia.

Author : Sally Foster
Publisher : Windgather Press
ISBN 13 : 1911188607
Total Pages : 351 pages
Book Rating : 4.05/5 ( download)

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Download or read book My Life as a Replica written by Sally Foster and published by Windgather Press. This book was released on 2020-04-29 with total page 351 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 1970 a concrete replica of the St John’s Cross arrived in Iona sitting incongruously on the deck of a puffer delivering the island’s annual supply of coal. What is the story behind this intriguing replica? How does it relate to the world’s first ringed ‘Celtic cross’, an artistic and technical masterpiece, which has been at the heart of the Iona experience since the eighth century? What does it tell us about the authenticity and value of replicas? In this fascinating book, Foster and Jones draw on extensive interdisciplinary research to reveal the composite biography of the St John’s Cross, its concrete replica, and its many other scale copies. They show that replicas can acquire rich forms of authenticity and value, informed by social relations, craft practices, creativity, place and materiality. Thus, the book challenges traditional precepts that seek authenticity in qualities intrinsic to original historic objects. Replicas are shown to be important objects in their own right, with their own creative, human histories — biographies that people can connect with. The story of the St John’s Cross celebrates how replicas can ‘work’ for us if we let them, particularly if clues are available about their makers’ passion, creativity and craft.

Author :
Publisher : BRILL
ISBN 13 : 9004106901
Total Pages : 378 pages
Book Rating : 4.01/5 ( download)

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Download or read book Faking It! written by and published by BRILL. This book was released on 2022-12-28 with total page 378 pages. Available in PDF, EPUB and Kindle. Book excerpt: A collection of eleven chapters which explore the question of forgery from different disciplinary angles and in varied national contexts, using the concept of performance to gain greater insight.

Author : Thomas F. Reese
Publisher : Getty Publications
ISBN 13 : 1606068342
Total Pages : 274 pages
Book Rating : 4.42/5 ( download)

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Download or read book George A. Kubler and the Shape of Art History written by Thomas F. Reese and published by Getty Publications. This book was released on 2023-04-04 with total page 274 pages. Available in PDF, EPUB and Kindle. Book excerpt: An illuminating intellectual biography of a pioneering and singular figure in American art history. Art historian George A. Kubler (1912–1996) was a foundational scholar of ancient American art and archaeology as well as Spanish and Portuguese architecture. During over five decades at Yale University, he published seventeen books that included innovative monographs, major works of synthesis, and an influential theoretical treatise. In this biography, Thomas F. Reese analyzes the early formation, broad career, and writings of Kubler, casting nuanced light on the origins and development of his thinking. Notable in Reese’s discussion and contextualization of Kubler’s writings is a revealing history and analysis of his Shape of Time—a book so influential to students, scholars, artists, and curious readers in multiple disciplines that it has been continuously in print since 1962. Reese reveals how pivotal its ideas were in Kubler’s own thinking: rather than focusing on problems of form as an ordering principle, he increasingly came to sequence works by how they communicate meaning. The author demonstrates how Kubler, who professed to have little interest in theory, devoted himself to the craft of art history, discovering and charting the rules that guided the propagation of structure and significance through time.

Author : Dominic Smith
Publisher : Sarah Crichton Books
ISBN 13 : 0374714045
Total Pages : 304 pages
Book Rating : 4.48/5 ( download)

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Download or read book The Last Painting of Sara de Vos written by Dominic Smith and published by Sarah Crichton Books. This book was released on 2016-04-05 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: “Written in prose so clear that we absorb its images as if by mind meld, “The Last Painting” is gorgeous storytelling: wry, playful, and utterly alive, with an almost tactile awareness of the emotional contours of the human heart. Vividly detailed, acutely sensitive to stratifications of gender and class, it’s fiction that keeps you up at night — first because you’re barreling through the book, then because you’ve slowed your pace to a crawl, savoring the suspense.” —Boston Globe A New York Times Bestseller A New York Times Book Review Editor's Choice A RARE SEVENTEENTH-CENTURY PAINTING LINKS THREE LIVES, ON THREE CONTINENTS, OVER THREE CENTURIES IN THE LAST PAINTING OF SARA DE VOS, AN EXHILARATING NEW NOVEL FROM DOMINIC SMITH. Amsterdam, 1631: Sara de Vos becomes the first woman to be admitted as a master painter to the city’s Guild of St. Luke. Though women do not paint landscapes (they are generally restricted to indoor subjects), a wintry outdoor scene haunts Sara: She cannot shake the image of a young girl from a nearby village, standing alone beside a silver birch at dusk, staring out at a group of skaters on the frozen river below. Defying the expectations of her time, she decides to paint it. New York City, 1957: The only known surviving work of Sara de Vos, At the Edge of a Wood, hangs in the bedroom of a wealthy Manhattan lawyer, Marty de Groot, a descendant of the original owner. It is a beautiful but comfortless landscape. The lawyer’s marriage is prominent but comfortless, too. When a struggling art history grad student, Ellie Shipley, agrees to forge the painting for a dubious art dealer, she finds herself entangled with its owner in ways no one could predict. Sydney, 2000: Now a celebrated art historian and curator, Ellie Shipley is mounting an exhibition in her field of specialization: female painters of the Dutch Golden Age. When it becomes apparent that both the original At the Edge of a Wood and her forgery are en route to her museum, the life she has carefully constructed threatens to unravel entirely and irrevocably.

Author : John North Hopkins
Publisher : Oxford University Press
ISBN 13 : 0192869582
Total Pages : 462 pages
Book Rating : 4.86/5 ( download)

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Download or read book Forgery Beyond Deceit written by John North Hopkins and published by Oxford University Press. This book was released on 2023-04-30 with total page 462 pages. Available in PDF, EPUB and Kindle. Book excerpt: What do forgeries do? Forgery Beyond Deceit: Fabrication, Value, and the Desire for Ancient Rome explores that question with a focus on forgery in ancient Rome and of ancient Rome. Its chapters reach from antiquity to the twentieth century and cover literature and art, the two areas thatpredominate in forgery studies, as well as the forgery of physical books, coins, and religious relics. The book examines the cultural, historical, and rhetorical functions of forgery that extend beyond the desire to deceive and profit. It analyses forgery in connection with related phenomena likepseudepigraphy, fakes, and copies; and it investigates the aesthetic and historical value that forgeries possess when scholarship takes seriously their form, content, and varied uses within and across cultures. Of particular interest is the way that forgeries embody a desire for the ancient and forthe recovery of the fragmentary past of ancient Rome.

Author : Michael Gaudio
Publisher : Routledge
ISBN 13 : 1351545957
Total Pages : 221 pages
Book Rating : 4.52/5 ( download)

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Download or read book The Bible and the Printed Image in Early Modern England written by Michael Gaudio and published by Routledge. This book was released on 2017-07-05 with total page 221 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first book-length study of the fifteen surviving Little Gidding bible concordances, this book examines the visual culture of print in seventeenth-century England through the lens of one extraordinary family and their hand-made biblical manuscripts. The volumes were created by the women of the Ferrar-Collet family of Little Gidding, who selected works from the family's collection of Catholic religious prints, and then cut and pasted prints and print fragments, along with verses excised from the bible, and composed them in artful arrangements on the page in the manner of collage. Gaudio shows that by cutting, recombining, and pasting multi-scaled print fragments, the Ferrar-Collet family put into practice a remarkably flexible pictorial language. The Little Gidding concordances provide an occasion to explore how the manipulation of print could be a means of thinking through some of the most pressing religious and political questions of the pre-civil war period: the coherence of printed scripture, the nature of sovereignty, the relevance of the Mosaic law, and the protestant reform of images. By foregrounding the Ferrar-Collets' engagement with the print fragment, this book extends the scope of early modern print history beyond the printmaker's studio and expands our understanding of the ways an early modern Protestant community could productively engage with the religious image. Contrary to the long-held view that the English Reformation led to a decline in the importance of the religious image, this study demonstrates the ongoing vitality of religious prints in early modern England as instruments for thinking.