Foretastes Of Heaven In Lutheran Church Music Tradition

Author :
Publisher : Rowman & Littlefield
ISBN 13 : 1442232641
Total Pages : 214 pages
Book Rating : 4.48/5 ( download)

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Download or read book Foretastes of Heaven in Lutheran Church Music Tradition written by and published by Rowman & Littlefield. This book was released on 2015-01-16 with total page 214 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the two centuries after Martin Luther’s affirmation that music stood second only to theology, Lutheran theologians and musicians formulated a theological defense of music that validated this exalted status. Against Calvinist rivals and Pietist critics, the orthodox Lutheran position further claimed that both instrumental and vocal music were commanded by God. Joyce Irwin’s earlier work, Neither Voice nor Heart Alone: German Lutheran Theology of Music in the Age of the Baroque, traced this development in Lutheran theological thought. In this current work, Foretastes of Heavenly Music: Johann Mattheson and Christoph Raupach on Music in Time and Eternity, Irwin provides translations and commentary for two eighteenth-century texts that illuminate the musico-theological foundation underlying the work of Lutheran composers such as Bach and Telemann. A Truth Lover’s Clear Reasonings on Which the Correct Use of Music Rests (1717) by Christoph Raupach, with an introduction by Johann Mattheson, serves as a cumulative statement of Lutheran advocacy of music. Mattheson’s Affirmation of Heavenly Music (1747) goes a step further in defending the reality of music in heaven and even the ultimate superiority of music over theology and sermons. Irwin’s introduction traces the centrality of Mattheson’s belief in heavenly music throughout the course of his life, even while he was writing works of music theory that earned him a reputation as an Enlightenment thinker. Though influenced by Enlightenment philosophy, specifically British empiricism, he rejected the rationalist philosophies of his German contemporaries and expressed no sympathy for the emerging school of biblical criticism. This work is ideal for music historians, Bach scholars, theologians, and researchers in the field of sacred music.

Author : Carl Schalk
Publisher :
ISBN 13 :
Total Pages : 64 pages
Book Rating : 4.74/5 ( download)

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Download or read book Luther on Music written by Carl Schalk and published by . This book was released on 1988 with total page 64 pages. Available in PDF, EPUB and Kindle. Book excerpt: The purpose of this volume is to: (1) establish the importance of music--especially in Luther's early life, in his education in the schools, and in his life in the monastery--in shaping his understanding of the role of music in the Christian life; (2) show how Luther's developing understanding of music in Christian life and worship led him to a practical and many-faceted involvement in a variety of music's aspects; (3) bring into sharp relief several distinct paradigms, or patterns of thought, that dominated Luther's theological understanding of the role of music in the church's life and ministry.

Author : Joyce L. Irwin
Publisher : Wipf and Stock Publishers
ISBN 13 : 1725239221
Total Pages : 220 pages
Book Rating : 4.27/5 ( download)

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Download or read book Neither Voice nor Heart Alone written by Joyce L. Irwin and published by Wipf and Stock Publishers. This book was released on 2018-01-09 with total page 220 pages. Available in PDF, EPUB and Kindle. Book excerpt: In tracing theological approaches to music in the era between Luther and Bach, the author reveals the variety and tension in German Lutheran theology. Both dogmatism and devotionalism helped shape Lutheran spirituality. The introduction of Italian Baroque style into church music, however, evoked controversies which pitted Pietism against Orthodoxy and preachers against musicians.

Author : Mattias Lundberg
Publisher : Walter de Gruyter GmbH & Co KG
ISBN 13 : 3110680955
Total Pages : 332 pages
Book Rating : 4.59/5 ( download)

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Download or read book Lutheran Music Culture written by Mattias Lundberg and published by Walter de Gruyter GmbH & Co KG. This book was released on 2021-10-25 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume presents a novel and distinct contribution to previous research on the rich Lutheran heritage of music. It builds upon a current surge of interest in the field, which resonates with a wider interest in connections between music and religion, as well as with cultural and aesthetic dimensions of faith at large. The book situates the topic in relation to recent developments within historical and cultural studies that have developed a more nuanced and positive view of the interplay between theologians and other cultural agents in the evolution of Western modernity during post Reformation processes of ‘confessionalization’. It combines conceptual discussions of key terms relevant to the study of the development and significance of an Early Modern Lutheran Music Culture with theological readings of central texts on music, analytic approaches to historical repertoires and material perspectives on its dissemination.

Author : Markus Rathey
Publisher : Oxford University Press
ISBN 13 : 0190275251
Total Pages : 433 pages
Book Rating : 4.59/5 ( download)

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Download or read book Johann Sebastian Bach's Christmas Oratorio written by Markus Rathey and published by Oxford University Press. This book was released on 2016 with total page 433 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the last decades of the 17th century, the feast of Christmas in Lutheran Germany underwent a major transformation when theologians and local governments waged an early modern "war on Christmas," discouraging riotous pageants and carnivalesque rituals in favor of more personal and internalized expressions of piety. Christmas rituals, such as the "Heilig Christ" plays and the rocking of the child (Kindelwiegen) were abolished, and Christian devotion focused increasingly on the metaphor of a birth of Christ in the human heart. John Sebastian Bach's Christmas Oratorio, composed in 1734, both reflects this new piety and conveys the composer's experience living through this tumult during his own childhood and early career. Markus Rathey's book is the first thorough study of this popular masterpiece in English. While giving a comprehensive overview of the Christmas Oratorio as a whole, the book focuses on two themes in particular: the cultural and theological understanding of Christmas in Bach's time and the compositional process that led Bach from the earliest concepts to the completed piece. The cultural and religious context of the oratorio provides the backdrop for Rathey's detailed analysis of the composition, in which he explores Bach's compositional practices, for example, his reuse and parodies of movements that had originally been composed for secular cantatas. The book analyzes Bach's original score and sheds new light on the way Bach wrote the piece, how he shaped musical themes, and how he revised his initial ideas into the final composition.

Author : Robin A. Leaver
Publisher : University of Illinois Press
ISBN 13 : 0252050711
Total Pages : 144 pages
Book Rating : 4.18/5 ( download)

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Download or read book Bach Perspectives, Volume 12 written by Robin A. Leaver and published by University of Illinois Press. This book was released on 2018-10-24 with total page 144 pages. Available in PDF, EPUB and Kindle. Book excerpt: Johann Sebastian Bach was a Lutheran and much of his music was for Lutheran liturgical worship. As these insightful essays in the twelfth volume of Bach Perspectives demonstrate, he was also influenced by--and in turn influenced--different expressions of religious belief. The vocal music, especially the Christmas Oratorio, owes much to medieval Catholic mysticism, and the evolution of the B minor Mass has strong Catholic connections. In Leipzig, Catholic and Lutheran congregations sang many of the same vernacular hymns. Internal squabbles were rarely missing within Lutheranism, for example Pietists' dislike of concerted church music, especially if it employed specific dance forms. Also investigated here are broader issues such as the close affinity between Bach's cantata libretti and the hymns of Charles Wesley; and Bach's music in the context of the Jewish Enlightenment as shaped by Protestant Rationalism in Berlin. Contributors: Rebecca Cypess, Joyce L. Irwin, Robin A. Leaver, Mark Noll, Markus Rathey, Derek Stauff, and Janice B. Stockigt.

Author : Ruth Tatlow
Publisher : Cambridge University Press
ISBN 13 : 1107088607
Total Pages : 431 pages
Book Rating : 4.03/5 ( download)

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Download or read book Bach's Numbers written by Ruth Tatlow and published by Cambridge University Press. This book was released on 2015-08-06 with total page 431 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the eighteenth century the universal harmony of God's creation and the perfection of the unity (1:1) were philosophically, morally and devotionally significant. Ruth Tatlow employs theoretical evidence and practical demonstrations to explain how and why Bach used numbers in his published compositions.

Author : Szymon Paczkowski
Publisher : Rowman & Littlefield
ISBN 13 : 0810888947
Total Pages : 419 pages
Book Rating : 4.44/5 ( download)

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Download or read book Polish Style in the Music of Johann Sebastian Bach written by Szymon Paczkowski and published by Rowman & Littlefield. This book was released on 2017-03-21 with total page 419 pages. Available in PDF, EPUB and Kindle. Book excerpt: Now appearing in an English translation, this book by Szymon Paczkowski is the first in-depth exploration of the Polish style in the music of Johann Sebastian Bach. Bach spent almost thirty years living and working in Leipzig in Saxony, a country ruled by Friedrich August I and his son Friedrich August II, who were also kings of Poland (as August II and August III). This period of close Polish-Saxon relations left a significant imprint on Bach’s music. Paczkowski’s meticulous account of this complex political and cultural dynamic sheds new light on many of Bach’s familiar pieces. The book explores the semantic and rhetorical functions that undergird the symbolism of the Polish style in Baroque music. It demonstrates how the notion of a Polish style in music was developed in German music theory, and conjectures that Bach’s successful application for the title of Court Composer at the court of the Elector of Saxony and King of Poland would induce the composer to deliberately use elements of the Polish style. This comprehensive study of the way Bach used the Polish style in his music moves beyond technical analysis to place the pieces within the context of Baroque customs and discourse. This ambitious and inspiring study is an original contribution to the scholarly conversation concerning Bach’s music, focusing on the symbolism of the polonaise, the most popular and recognizable Polish dance in 18th-century Saxony. In Saxony at this time the polonaise was associated with the ceremonies of the royal-electoral court in Dresden, and Saxon musicians regarded it as a musical symbol of royalty. Paczkowski explores this symbolism of the Polish royal dance in Bach’s instrumental music and, which is also to be found to an even greater extent, in his vocal works. The Polish Style in the Music of Johann Sebastian Bach provides wide-ranging interpretations based on a careful analysis of the sources explored within historical and theological context. The book is a valuable source for both teaching and further research, and will find readers not only among musicologists, but also historians, art historians, and readers in cultural studies. All lovers of Bach’s music will appreciate this lucid and intriguing study.

Author :
Publisher : Lexington Books
ISBN 13 : 1498566359
Total Pages : 175 pages
Book Rating : 4.53/5 ( download)

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Download or read book Andreas Werckmeister’s Musicalische Paradoxal-Discourse written by and published by Lexington Books. This book was released on 2017-11-22 with total page 175 pages. Available in PDF, EPUB and Kindle. Book excerpt: Andreas Werckmeister (1645 – 1706), a late seventeenth-century German Lutheran organist, composer, and music theorist, is the last great advocate and defender of the Great Tradition in music, with its assumptions that music is a divine gift to humanity, spiritually charged yet rationally accessible, the key being a complex of mathematical proportions which govern and are at the root of the entire universe and all which that embraces. Thus understood, music is the audible manifestation of the order of the universe, allowing glimpses, sound-bites of the very Creator of a well-tempered universe, and of our relationship to each other, our environment, and the divine powers which placed us here. This is the subject matter of the conversation which Werckmeister wishes to have with us, his readers, particularly in his last treatise, the Musicalische Paradoxal-Discourse. But he does not make it easy for today’s readers. He assumes certain proficiencies from his readers, including detailed biblical knowledge, a fluency in Latin, and a familiarity with treatises and publications concerning music, theology, and a number of related disciplines. He writes in a rather archaic German, riddled with obscure references which require a thorough explanation. With its extensive commentary and translation of the treatise, this book seeks to bridge Werckmeister’s world with that of the twenty-first century. Werckmeister wrote for novice and professional musicians alike, an author who wanted to consider with his readers the basic and existential questions and issues regarding the wondrous art of music, questions as relevant then as they are now.

Author : Mark A. Peters
Publisher : Rowman & Littlefield
ISBN 13 : 1498554962
Total Pages : 355 pages
Book Rating : 4.61/5 ( download)

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Download or read book Compositional Choices and Meaning in the Vocal Music of J. S. Bach written by Mark A. Peters and published by Rowman & Littlefield. This book was released on 2020-07-06 with total page 355 pages. Available in PDF, EPUB and Kindle. Book excerpt: Compositional Choices and Meaning in the Vocal Music of J. S. Bach collects seventeen essays by leading Bach scholars. The authors each address in some way such questions of meaning in J. S. Bach’s vocal compositions—including his Passions, Masses, Magnificat, and cantatas—with particular attention to how such meaning arises out of the intentionality of Bach’s own compositional choices or (in Part IV in particular) how meaning is discovered, and created, through the reception of Bach’s vocal works. And the authors do not consider such compositional choices in a vacuum, but rather discuss Bach’s artistic intentions within the framework of broader cultural trends—social, historical, theological, musical, etc. Such questions of compositional choice and meaning frame the four primary approaches to Bach’s vocal music taken by the authors in this volume, as seen across the book’s four parts: Part I: How might the study of historical theology inform our understanding of Bach’s compositional choices in his music for the church (cantatas, Passions, masses)? Part II: How can we apply traditional analytical tools to understand better how Bach’s compositions were created and how they might have been heard by his contemporaries? Part III: What we can understand anew through the study of Bach’s self-borrowing (i.e., parody), which always changed the earlier meaning of a composition through changes in textual content, compositional characteristics, the work’s context within a larger composition, and often the performance context (from court to church, for example)? Part IV: What can the study of reception teach us about a work’s meaning(s) in Bach’s time, during the time of his immediate successors, and at various points since then (including our present)? The chapters in this volume thus reflect the breadth of current Bach research in its attention not only to source study and analysis, but also to meanings and contexts for understanding Bach’s compositions.