Introducing American Folk Music

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Publisher : McGraw-Hill Humanities, Social Sciences & World Languages
ISBN 13 : 9780072512663
Total Pages : 302 pages
Book Rating : 4.60/5 ( download)

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Book Synopsis Introducing American Folk Music by : Christopher Lornell

Download or read book Introducing American Folk Music written by Christopher Lornell and published by McGraw-Hill Humanities, Social Sciences & World Languages. This book was released on 2002 with total page 302 pages. Available in PDF, EPUB and Kindle. Book excerpt:

American Folk Music and Left-wing Politics, 1927-1957

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Publisher : Scarecrow Press
ISBN 13 : 9780810836846
Total Pages : 332 pages
Book Rating : 4.4X/5 ( download)

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Book Synopsis American Folk Music and Left-wing Politics, 1927-1957 by : Richard A. Reuss

Download or read book American Folk Music and Left-wing Politics, 1927-1957 written by Richard A. Reuss and published by Scarecrow Press. This book was released on 2000 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: The 1930s and 1940s represented an era in United States history when large groups of citizens took political action in response to their social and economic circumstances. The vision, attitudes, beliefs and purposes of participants before, during, and after this time period played an important part of American cultural history. Richard and JoAnne Reuss expertly capture the personality of this era and the fascinating chronology of events in American Folk Music and Left-Wing Politics, 1927-1957, a historical analysis of singers, writers, union members and organizers and their connection to left-wing politics and folk music during this revolutionary time period. While scholarship on folk music, history, and politics is not unique in and of itself, Reuss' approach is noteworthy for its folklorist perspective and its long, encompassing assessment of a broad cross-section of participants and their interactions. An innovative and informative look into one of the most evocative and challenging eras in American history, American Folk Music and Left-Wing Politics, 1927-1957 stands as a historic milestone in this period's scholarship and evolution.

Political Folk Music in America from Its Origins to Bob Dylan

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Publisher : McFarland
ISBN 13 : 0786456019
Total Pages : 214 pages
Book Rating : 4.17/5 ( download)

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Book Synopsis Political Folk Music in America from Its Origins to Bob Dylan by : Lawrence J. Epstein

Download or read book Political Folk Music in America from Its Origins to Bob Dylan written by Lawrence J. Epstein and published by McFarland. This book was released on 2010-03-08 with total page 214 pages. Available in PDF, EPUB and Kindle. Book excerpt: Many American folk singers have tried to leave their world a better place by writing songs of social protest. Musicians like Woody Guthrie, Leadbelly, Pete Seeger, Bob Dylan, and Joan Baez sang with fierce moral voices to transform what they saw as an uncaring society. But the personal tales of these guitar-toting idealists were often more tangled than the comparatively pure vision their art would suggest. Many singers produced work in the midst of personal failure and deeply troubled relationships, and under the influence of radical ideas and organizations. This provocative work examines both the long tradition of folk music in its American political context and the lives of those troubadours who wrote its most enduring songs.

Romancing the Folk

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Publisher : UNC Press Books
ISBN 13 : 9780807848623
Total Pages : 344 pages
Book Rating : 4.2X/5 ( download)

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Book Synopsis Romancing the Folk by : Benjamin Filene

Download or read book Romancing the Folk written by Benjamin Filene and published by UNC Press Books. This book was released on 2000 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: In American music, the notion of "roots" has been a powerful refrain, but just what constitutes our true musical traditions has often been a matter of debate. As Benjamin Filene reveals, a number of competing visions of America's musical past have vied fo

Folk-Songs of the Southern United States

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Publisher : University of Texas Press
ISBN 13 : 0292772718
Total Pages : 283 pages
Book Rating : 4.17/5 ( download)

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Book Synopsis Folk-Songs of the Southern United States by : Josiah H. Combs

Download or read book Folk-Songs of the Southern United States written by Josiah H. Combs and published by University of Texas Press. This book was released on 2014-07-03 with total page 283 pages. Available in PDF, EPUB and Kindle. Book excerpt: “The spirit of balladry is not dead, but slowly dying. The instincts, sentiments, and feelings which it represents are indeed as immortal as romance itself, but their mode of expression, the folksong, is fighting with its back to the wall, with the odds against it in our introspective age.” This statement by Josiah Henry Combs is that of a man who grew up among the members of a singing family in one of the last strongholds of the ballad-making tradition, the Southern Highlands of the United States. Combs was born in 1886 in Hazard, Kentucky, the heart of the mountain feud area—a significant background for one who was to take a prominent part in the “ballad war” of the 1900s. Combs’s intimate knowledge of folk culture and his grasp of the scholarly literature enabled him to approach the ballad controversy with common sense as well as with some of the heat generated by the dispute. Although in the early twentieth century there was probably no more controversy about the nature of the folk and folksong than there is today, it was a different kind of controversy. Many theories of the origins of folksong current at that time, such as the alleged relationship of traditional ballads to “primitive poetry,” did not take into account contemporary evidence. Combs said, “Here as elsewhere, I go directly to the folk for much of my information, allowing the songs, language, names, customs . . . of the people to help settle the problem of ancestry. . . . In brief, a conscientious study of the lore of the folk cannot be separated from the folk itself.” Folk-Songs du Midi des États-Unis, published as a doctoral dissertation at the University of Paris in 1925, was an introduction to the study of the folksong of the Southern Appalachians, together with a selection of folksong texts collected by Combs. Folk-Songs of the Southern United States, the first publication of that work in English, is based on the French text and Combs’s English draft. To this edition is appended an annotated listing of all songs in the Josiah H. Combs Collection in the Western Kentucky Folklore Archive at the University of California, Los Angeles. The appendix also includes the texts of selected songs. The aim of this edition is to make the contents of the original volume more readily available in English and to provide an index to the Combs Collection that may be drawn upon by students of folksong. The book also offers texts of over fifty songs of British and American origin as sung in the Southern Highlands.

Exploring American Folk Music

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Publisher : Univ. Press of Mississippi
ISBN 13 : 1617032646
Total Pages : 410 pages
Book Rating : 4.46/5 ( download)

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Book Synopsis Exploring American Folk Music by : Kip Lornell

Download or read book Exploring American Folk Music written by Kip Lornell and published by Univ. Press of Mississippi. This book was released on 2012-05-29 with total page 410 pages. Available in PDF, EPUB and Kindle. Book excerpt: The perfect introduction to the many strains of American-made music

Negro Folk Music U. S. A.

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Publisher : Courier Dover Publications
ISBN 13 : 0486836495
Total Pages : 339 pages
Book Rating : 4.92/5 ( download)

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Book Synopsis Negro Folk Music U. S. A. by : Harold Courlander

Download or read book Negro Folk Music U. S. A. written by Harold Courlander and published by Courier Dover Publications. This book was released on 2019-09-18 with total page 339 pages. Available in PDF, EPUB and Kindle. Book excerpt: This thorough, well-researched exploration of the origins and development of a rich and varied African American musical tradition features authentic versions of over 40 folk songs. These include such time-honored selections as "Wake Up Jonah," "Rock Chariot," "Wonder Where Is My Brother Gone," "Traveling Shoes," "It's Getting Late in the Evening," "Dark Was the Night," "I'm Crossing Jordan River," "Russia, Let That Moon Alone," "Long John," "Rosie," "Motherless Children," three versions of "John Henry," and many others. One of the first and best surveys in its field, Negro Folk Music, U.S.A. has long been admired for its perceptive history and analysis of the origins and musical qualities of typical forms, ranging from simple cries and calls to anthems and spirituals, ballads, and the blues. Traditional dances and musical instruments are examined as well. The author — a well-known novelist, folklorist, journalist, and specialist in African and African American cultures — offers a discerning study of the influence of this genre on popular music, with particular focus on how jazz developed out of folk traditions.

Depression Folk

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Publisher : UNC Press Books
ISBN 13 : 1469628821
Total Pages : 219 pages
Book Rating : 4.20/5 ( download)

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Book Synopsis Depression Folk by : Ronald D. Cohen

Download or read book Depression Folk written by Ronald D. Cohen and published by UNC Press Books. This book was released on 2016-08-26 with total page 219 pages. Available in PDF, EPUB and Kindle. Book excerpt: While music lovers and music historians alike understand that folk music played an increasingly pivotal role in American labor and politics during the economic and social tumult of the Great Depression, how did this relationship come to be? Ronald D. Cohen sheds new light on the complex cultural history of folk music in America, detailing the musicians, government agencies, and record companies that had a lasting impact during the 1930s and beyond. Covering myriad musical styles and performers, Cohen narrates a singular history that begins in nineteenth-century labor politics and popular music culture, following the rise of unions and Communism to the subsequent Red Scare and increasing power of the Conservative movement in American politics--with American folk and vernacular music centered throughout. Detailing the influence and achievements of such notable musicians as Pete Seeger, Big Bill Broonzy, and Woody Guthrie, Cohen explores the intersections of politics, economics, and race, using the roots of American folk music to explore one of the United States' most troubled times. Becoming entangled with the ascending American left wing, folk music became synonymous with protest and sharing the troubles of real people through song.

A History of Folk Music Festivals in the United States

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Publisher : Scarecrow Press
ISBN 13 : 9780810862029
Total Pages : 192 pages
Book Rating : 4.26/5 ( download)

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Book Synopsis A History of Folk Music Festivals in the United States by : Ronald D. Cohen

Download or read book A History of Folk Music Festivals in the United States written by Ronald D. Cohen and published by Scarecrow Press. This book was released on 2008 with total page 192 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book presents a history of folk music festivals in the United States, beginning in the 19th century and ending in the early 21st century. The focus is on the proliferation and diversity of festivals in the 20th century.

The North American Folk Music Revival: Nation and Identity in the United States and Canada, 1945–1980

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Author :
Publisher : Routledge
ISBN 13 : 1317022505
Total Pages : 259 pages
Book Rating : 4.03/5 ( download)

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Book Synopsis The North American Folk Music Revival: Nation and Identity in the United States and Canada, 1945–1980 by : Gillian Mitchell

Download or read book The North American Folk Music Revival: Nation and Identity in the United States and Canada, 1945–1980 written by Gillian Mitchell and published by Routledge. This book was released on 2016-02-17 with total page 259 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work represents the first comparative study of the folk revival movement in Anglophone Canada and the United States and combines this with discussion of the way folk music intersected with, and was structured by, conceptions of national affinity and national identity. Based on original archival research carried out principally in Toronto, Washington and Ottawa, it is a thematic, rather than general, study of the movement which has been influenced by various academic disciplines, including history, musicology and folklore. Dr Gillian Mitchell begins with an introduction that provides vital context for the subject by tracing the development of the idea of 'the folk', folklore and folk music since the nineteenth century, and how that idea has been applied in the North American context, before going on to examine links forged by folksong collectors, artists and musicians between folk music and national identity during the early twentieth century. With the 'boom' of the revival in the early sixties came the ways in which the movement in both countries proudly promoted a vision of nation that was inclusive, pluralistic and eclectic. It was a vision which proved compatible with both Canada and America, enabling both countries to explore a diversity of music without exclusiveness or narrowness of focus. It was also closely linked to the idealism of the grassroots political movements of the early 1960s, such as integrationist civil rights, and the early student movement. After 1965 this inclusive vision of nation in folk music began to wane. While the celebrations of the Centennial in Canada led to a re-emphasis on the 'Canadianness' of Canadian folk music, the turbulent events in the United States led many ex-revivalists to turn away from politics and embrace new identities as introspective singer-songwriters. Many of those who remained interested in traditional folk music styles, such as Celtic or Klezmer music, tended to be very insular and conservative in their approach, rather than linking their chosen genre to a wider world of folk music; however, more recent attempts at 'fusion' or 'world' music suggest a return to the eclectic spirit of the 1960s folk revival. Thus, from 1945 to 1980, folk music in Canada and America experienced an evolving and complex relationship with the concepts of nation and national identity. Students will find the book useful as an introduction, not only to key themes in the folk revival, but also to concepts in the study of national identity and to topics in American and Canadian cultural history. Academic specialists will encounter an alternative perspective from the more general, broad approach offered by earlier histories of the folk revival movement.