Films And British National Identity

Author : Jeffrey Richards
Publisher : Manchester University Press
ISBN 13 : 9780719047435
Total Pages : 404 pages
Book Rating : 4.39/5 ( download)

DOWNLOAD NOW!

Download or read book Films and British National Identity written by Jeffrey Richards and published by Manchester University Press. This book was released on 1997-09-15 with total page 404 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book seeks to examine the ways in which the cinema has defined, mythified and disseminated British national identity during the course of the twentieth century. It takes the form of a series of linked essays which examine chronologically, thematically and by specific case studies of films, stars and genres the complexities and ambiguities in the process of evolution and definition of the national identity. It argues for the creation of a distinctive British national identity both in cinema and the wider culture. But it also assesses the creation of alternative identities both ethnic and regional and examines the interaction of cinema and other cultural forms (music, literature and television).

Author : Homer B. Pettey
Publisher : State University of New York Press
ISBN 13 : 1438471130
Total Pages : 366 pages
Book Rating : 4.36/5 ( download)

DOWNLOAD NOW!

Download or read book Rule, Britannia! written by Homer B. Pettey and published by State University of New York Press. This book was released on 2018-10-09 with total page 366 pages. Available in PDF, EPUB and Kindle. Book excerpt: Assesses how cinematic biographies of key figures reflect and shape what it means to be British. Winner of the 2019 SAMLA Studies Book Award for Edited Collections presented by the South Atlantic Modern Language Association Rule, Britannia! surveys the British biopic, a genre crucial to understanding how national cinema engages with the collective experience and values of its intended audience. Offering a provocative take on an aspect of filmmaking with profound cultural significance, the volume focuses on how screen biographies of prominent figures in British history and culture can be understood as involved, if unofficially, in the shaping and promotion of an ever-protean national identity. The contributors engage with the vexed concept of British nationality, especially as this sense of collective belonging is problematized by the ethnically oriented alternatives of English, Scottish, Welsh, and Irish nations. They explore the critical and historiographical issues raised by the biopic, demonstrating that celebration of conventional virtue is not the genre’s only natural subject. Filmic depictions of such personalities as Elizabeth I, Victoria, George VI, Elizabeth II, Margaret Thatcher, Iris Murdoch, and Jack the Ripper are covered. Homer B. Pettey is Professor of Film and Comparative Literature at the University of Arizona. His books include Film Noir and International Noir, both coedited with Palmer. R. Barton Palmer is Calhoun Lemon Professor of Literature and Director of the World Cinema program at Clemson University. His books include Invented Lives, Imagined Communities: The Biopic and American National Identity (coedited with William H. Epstein); Hitchcock at the Source: The Auteur as Adaptor (coedited with David Boyd); and Hitchcock’s Moral Gaze (coedited with Pettey and Steven M. Sanders), all published by SUNY Press.

Author : Maxi Kirchner
Publisher : GRIN Verlag
ISBN 13 : 3638765431
Total Pages : 38 pages
Book Rating : 4.35/5 ( download)

DOWNLOAD NOW!

Download or read book How Identity is Reflected in British Working Class Films written by Maxi Kirchner and published by GRIN Verlag. This book was released on 2007-11 with total page 38 pages. Available in PDF, EPUB and Kindle. Book excerpt: Seminar paper from the year 2003 in the subject English Language and Literature Studies - Culture and Applied Geography, grade: 1,3, Dresden Technical University (Anglistik), 9 entries in the bibliography, language: English, abstract: This thesis compares several working class films such as "Brassed Off" and "Billy Elliot" with reference to the theoretical concept of national identity, ie. the British national identity. The analysis of such a diverse cultural term like "identity" and its treatment in British working class related films will be the topic of this research paper. After having defined the term on its several levels, I want to show how identity is treated differently in, firstly, a popular film called "Brassed Off" and, secondly, an independent film produced by Amber Films called "Like Father". Both films are set in the 1990′s and deal with the problem of pit closure and unemployment of miners. Both films deal with the consequences of unemployment and poverty of the working class than with work per se. Concerning class consciousness, both films show people who wish to escape the constrictions of their class. Since identity is not only a question of class, gender roles are considered in both films as well. The motif of identity is shown very differently in these films. This thesis analyzes how these films represent the construction, the maintenance and the loss of identity.

Author : Kenton Bamford
Publisher :
ISBN 13 :
Total Pages : 256 pages
Book Rating : 4.17/5 ( download)

DOWNLOAD NOW!

Download or read book Distorted Images written by Kenton Bamford and published by . This book was released on 1999 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Author : Linnie Blake
Publisher : Manchester University Press
ISBN 13 : 1847796850
Total Pages : 263 pages
Book Rating : 4.51/5 ( download)

DOWNLOAD NOW!

Download or read book The wounds of nations written by Linnie Blake and published by Manchester University Press. This book was released on 2013-07-19 with total page 263 pages. Available in PDF, EPUB and Kindle. Book excerpt: The wounds of nations: Horror cinema, historical trauma and national identity explores the ways in which the unashamedly disturbing conventions of international horror cinema allow audiences to engage with the traumatic legacy of the recent past in a manner that has serious implications for the ways in which we conceive of ourselves both as gendered individuals and as members of a particular nation-state. Exploring a wide range of stylistically distinctive and generically diverse film texts, its analysis ranges from the body horror of the American 1970s to the avant-garde proclivities of German Reunification horror, from the vengeful supernaturalism of recent Japanese chillers and their American remakes to the post-Thatcherite masculinity horror of the UK and the resurgence of 'hillbilly' horror in the period following September 11th 2001. In each case, it is argued, horror cinema forces us to look again at the wounds inflicted on individuals, families, communities and nations by traumatic events such as genocide and war, terrorist outrage and seismic political change, wounds that are all too often concealed beneath ideologically expedient discourses of national cohesion. By proffering a radical critique of the nation-state and the ideologies of identity it promulgates, horror cinema is seen to offer us a disturbing, yet perversely life affirming, means of working through the traumatic legacy of recent times.

Author : C. Celli
Publisher : Springer
ISBN 13 : 0230117171
Total Pages : 315 pages
Book Rating : 4.74/5 ( download)

DOWNLOAD NOW!

Download or read book National Identity in Global Cinema written by C. Celli and published by Springer. This book was released on 2016-02-02 with total page 315 pages. Available in PDF, EPUB and Kindle. Book excerpt: When themes of historical and cultural identity appear and repeat in popular film, it is possible to see the real pulse of a nation and comprehend a people, their culture and their history. National Identity in Global Cinema describes how national cultures as reflected in popular cinema can truly explain the world, one country at a time.

Author : James Chapman
Publisher : Bloomsbury Publishing
ISBN 13 : 0857715577
Total Pages : 417 pages
Book Rating : 4.79/5 ( download)

DOWNLOAD NOW!

Download or read book Past and Present written by James Chapman and published by Bloomsbury Publishing. This book was released on 2005-09-23 with total page 417 pages. Available in PDF, EPUB and Kindle. Book excerpt: This ground-breaking book takes as its focal point director Ken Loach's view that 'The only reason to make films that are a reflection on history is to talk about the present.' In the first book to take on this major genre in all its complexity, James Chapman argues that historical films say as much about the times in which they are made as about the past they purport to portray. Through in-depth case studies of fourteen key films spanning the 1930s up to the turn of the twenty first century, from The Private Life of Henry VIII and Zulu to Chariots of Fire and Elizabeth, Chapman examines the place of historical films in British cinema history and film culture. Looking closely at the issues that they present, from gender, class and ethnicity to militarism and imperialism, he also discusses controversies over historical accuracy, and the ways in which devices such as voice overs, title captions, and visual references to photographs and paintings assert a sense of historical verisimilitude. Exploring throughout the book the dialectical relationship between past and present, Chapman reveals how such films promote British achievements - but also sometimes question them - and how they project images of 'Britishness' to audiences both in the UK and internationally.

Author : Philip Gillett
Publisher : Manchester University Press
ISBN 13 : 1526141809
Total Pages : 241 pages
Book Rating : 4.04/5 ( download)

DOWNLOAD NOW!

Download or read book The British working class in postwar film written by Philip Gillett and published by Manchester University Press. This book was released on 2019-01-04 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: An incidental pleasure of watching a film is what it tells us about the society in which it is made. Using a sociological model, The British working class in postwar film looks at how working-class people were portrayed in British feature films in the decade after the Second World War. Though some of the films examined are well known, others have been forgotten and deserve reassessment. Original statistical data is used to assess the popularity of the films with audiences. With its interdisciplinary approach and the avoidance of jargon, this book seeks to broaden the approach to film studies. Students of media and cultural studies are introduced to the skills of other disciplines, while sociologists and historians are encouraged to consider the value of film evidence in their own fields. This work should appeal to all readers interested in social history and in how cinema and society works.

Author : Christine Geraghty
Publisher : Routledge
ISBN 13 : 1134694644
Total Pages : 248 pages
Book Rating : 4.48/5 ( download)

DOWNLOAD NOW!

Download or read book British Cinema in the Fifties written by Christine Geraghty and published by Routledge. This book was released on 2002-01-04 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the fifties British cinema won large audiences with popular war films and comedies, creating stars such as Dirk Bogarde and Kay Kendall, and introducing the stereotypes of war hero, boffin and comic bureaucrat which still help to define images of British national identity. In British Cinema in the Fifties, Christine Geraghty examines some of the most popular films of this period, exploring the ways in which they approached contemporary social issues such as national identity, the end of empire, new gender roles and the care of children. Through a series of case studies on films as diverse as It Always Rains on Sunday and Genevieve, Simba and The Wrong Arm of the Law, Geraghty explores some of the key debates about British cinema and film theory, contesting current emphases on contradiction, subversion and excess and exploring the curious mix of rebellion and conformity which marked British cinema in the post-war era.

Author : Sumita S. Chakravarty
Publisher : University of Texas Press
ISBN 13 : 0292789858
Total Pages : 347 pages
Book Rating : 4.52/5 ( download)

DOWNLOAD NOW!

Download or read book National Identity in Indian Popular Cinema, 1947-1987 written by Sumita S. Chakravarty and published by University of Texas Press. This book was released on 2011-05-18 with total page 347 pages. Available in PDF, EPUB and Kindle. Book excerpt: Although Indian popular cinema has a long history and is familiar to audiences around the world, it has rarely been systematically studied. This book offers the first detailed account of the popular film as it has grown and changed during the tumultuous decades of Indian nationhood. The study focuses on the cinema’s characteristic forms, its range of meanings and pleasures, and, above all, its ideological construction of Indian national identity. Informed by theoretical developments in film theory, cultural studies, postcolonial discourse, and “Third World” cinema, the book identifies the major genres and movements within Bombay cinema since Independence and uses them to enter larger cultural debates about questions of identity, authenticity, citizenship, and collectivity. Chakravarty examines numerous films of the period, including Guide (Vijay Anand, 1965), Shri 420 [The gentleman cheat] (Raj Kapoor, 1955), and Bhumika [The role] (Shyam Benegal, 1977). She shows how “imperso-nation,” played out in masquerade and disguise, has characterized the representation of national identity in popular films, so that concerns and conflicts over class, communal, and regional differences are obsessively evoked, explored, and neutralized. These findings will be of interest to film and area specialists, as well as general readers in film studies.