Film Noir And The Possibilities Of Hollywood

Author : Nathaniel Deyo
Publisher : Springer Nature
ISBN 13 : 3030370585
Total Pages : 217 pages
Book Rating : 4.89/5 ( download)

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Download or read book Film Noir and the Possibilities of Hollywood written by Nathaniel Deyo and published by Springer Nature. This book was released on 2020-05-23 with total page 217 pages. Available in PDF, EPUB and Kindle. Book excerpt: Built around close readings of 11 noir films, this book seeks to refresh our understanding of “film noir” by returning to the films themselves. Pushing against totalizing or generalizing approaches, which may have the unintended effect of flattening out significant distinctions and differences between individual approaches, Film Noir and the Possibilities of Hollywood argues for the importance of staying attuned the varied and variegated formal, aesthetic and thematic strategies at work in individual films. By focusing on these strategies, the book invites readers to consider anew the enabling possibilities of Hollywood filmmaking in the studio era.

Author : Dennis Broe
Publisher : University Press of Florida
ISBN 13 : 0813059089
Total Pages : 272 pages
Book Rating : 4.82/5 ( download)

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Download or read book Film Noir, American Workers, and Postwar Hollywood written by Dennis Broe and published by University Press of Florida. This book was released on 2009-01-25 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: Film noir, which flourished in 1940s and 50s, reflected the struggles and sentiments of postwar America. Dennis Broe contends that the genre, with its emphasis on dark subject matter, paralleled the class conflict in labor and union movements that dominated the period. By following the evolution of film noir during the years following World War II, Broe illustrates how the noir figure represents labor as a whole. In the 1940s, both radicalized union members and protagonists of noir films were hunted and pursued by the law. Later, as labor unions achieve broad acceptance and respectability, the central noir figure shifts from fugitive criminal to law-abiding cop. Expanding his investigation into the Cold War and post-9/11 America, Broe extends his analysis of the ways film noir is intimately connected to labor history. A brilliant, interdisciplinary examination, this is a work that will appeal to a broad spectrum of readers.

Author : Raymond Borde
Publisher : City Lights Books
ISBN 13 : 9780872864122
Total Pages : 284 pages
Book Rating : 4.2X/5 ( download)

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Download or read book A Panorama of American Film Noir (1941-1953) written by Raymond Borde and published by City Lights Books. This book was released on 2002 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: This first book published on film noir established the genre--a classic, at last in translation.

Author : R. Barton Palmer
Publisher :
ISBN 13 :
Total Pages : 232 pages
Book Rating : 4.21/5 ( download)

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Download or read book Hollywood's Dark Cinema written by R. Barton Palmer and published by . This book was released on 1994 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: These morbid tales of criminality, fatal attraction, and social failure are now the subject of scholarly writing, international film festivals, and high-ticket Hollywood remakes.

Author : William Hare
Publisher : McFarland
ISBN 13 : 9780786483648
Total Pages : 228 pages
Book Rating : 4.44/5 ( download)

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Download or read book Early Film Noir written by William Hare and published by McFarland. This book was released on 2010-07-27 with total page 228 pages. Available in PDF, EPUB and Kindle. Book excerpt: The name is French and it has connections to German expressionist cinema, but film noir was inspired by the American Raymond Chandler, whose prose was marked by the gripping realism of seedy hotels, dimly lit bars, main streets, country clubs, mansions, cul-de-sac apartments, corporate boardrooms, and flop houses of America. Chandler and the other writers and directors, including James M. Cain, Dashiell Hammett, Jane Greer, Ken Annakin, Rouben Mamoulian and Mike Mazurki, who were primarily responsible for the creation of the film noir genre and its common plots and themes, are the main focus of this work. It correlates the rise of film noir with the new appetites of the American public after World War II and explains how it was developed by smaller studios and filmmakers as a result of the emphasis on quality within a deliberately restricted element of cities at night. The author also discusses how RKO capitalized on films such as Murder, My Sweet and Out of the Past--two of film noir's most famous titles--and film noir's connection to British noir and the great international triumph of Sir Carol Reed in The Third Man.

Author : David J. Hogan
Publisher : Hal Leonard Corporation
ISBN 13 : 1480343056
Total Pages : 430 pages
Book Rating : 4.54/5 ( download)

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Download or read book Film Noir FAQ written by David J. Hogan and published by Hal Leonard Corporation. This book was released on 2013-03-01 with total page 430 pages. Available in PDF, EPUB and Kindle. Book excerpt: (FAQ). Film Noir FAQ celebrates and reappraises some 200 noir thrillers representing 20 years of Hollywood's Golden Age. Noir pulls us close to brutal cops and scheming dames, desperate heist men and hardboiled private eyes, and the unlucky innocent citizens that get in their way. These are exciting movies with tough guys in trench coats and hot tomatoes in form-fitting gowns. The moon is a streetlamp and the narrow streets are prowled by squad cars and long black limousines. Lives are often small but people's plans are big sometimes too big. Robbery, murder, gambling; the gun and the fist; the grift and the con game; the hard kiss and the brutal brush-off. Film Noir FAQ brings lively attention to story, mood, themes, and technical detail, plus behind-the-scenes stories of the production of individual films. Featuring numerous stills and posters many never before published in book form highlighting key moments of great noir movies. Film Noir FAQ serves up insights into many of the most popular and revered names in Hollywood history, including noir's greatest stars, supporting players, directors, writers, and cinematographers. Pour a Scotch, light up a smoke, and lean back with your private guide to film noir.

Author : Robert Arnett
Publisher : Springer Nature
ISBN 13 : 3030436683
Total Pages : 208 pages
Book Rating : 4.81/5 ( download)

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Download or read book Neo-Noir as Post-Classical Hollywood Cinema written by Robert Arnett and published by Springer Nature. This book was released on 2020-08-31 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: Neo-Noir as Post-Classical Hollywood Cinema suggests the terms “noir” and “neo-noir” have been rendered almost meaningless by overuse. The book seeks to re-establish a purpose for neo-noir films and re-consider the organization of 60 years of neo-noir films. Using the notion of post-classical, the book establishes how neo-noir breaks into many movements, some based on time and others based on thematic similarities. The combined movements then form a mosaic of neo-noir. The time-based movements examine Transitional Noir (1960s-early 1970s), Hollywood Renaissance Noir in the 1970s, Eighties Noir, Nineties Noir, and Digital Noir of the 2000s. The thematic movements explore Nostalgia Noir, Hybrid Noir, and Remake and Homage Noir. Academics as well as film buffs will find this book appealing as it deconstructs popular films and places them within new contexts.

Author : Edward Dimendberg
Publisher : Harvard University Press
ISBN 13 : 0674261577
Total Pages : 342 pages
Book Rating : 4.70/5 ( download)

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Download or read book Film Noir and the Spaces of Modernity written by Edward Dimendberg and published by Harvard University Press. This book was released on 2004-06-15 with total page 342 pages. Available in PDF, EPUB and Kindle. Book excerpt: Film noir remains one of the most enduring legacies of 1940s and ’50s Hollywood. Populated by double-crossing, unsavory characters, this pioneering film style explored a shadow side of American life during a period of tremendous prosperity and optimism. Edward Dimendberg compellingly demonstrates how film noir is preoccupied with modernity—particularly the urban landscape. The originality of Dimendberg’s approach lies in his examining these films in tandem with historical developments in architecture, city planning, and modern communications systems. He confirms that noir is not simply a reflection of modernity but a virtual continuation of the spaces of the metropolis. He convincingly shows that Hollywood’s dark thrillers of the postwar decades were determined by the same forces that shaped the city itself. Exploring classic examples of film noir such as The Asphalt Jungle, Double Indemnity, Kiss Me Deadly, and The Naked City alongside many lesser-known works, Dimendberg masterfully interweaves film history and urban history while perceptively analyzing works by Raymond Chandler, Edward Hopper, Siegfried Kracauer, and Henri Lefebvre. A bold intervention in cultural studies and a major contribution to film history, Film Noir and the Spaces of Modernity will provoke debate by cinema scholars, urban historians, and students of modern culture—and will captivate admirers of a vital period in American cinema.

Author : Nicholas Christopher
Publisher : Simon and Schuster
ISBN 13 : 1439137617
Total Pages : 312 pages
Book Rating : 4.11/5 ( download)

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Download or read book Somewhere in the Night written by Nicholas Christopher and published by Simon and Schuster. This book was released on 2010-05-11 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: Film noir is more than a cinematic genre. It is an essential aspect of American culture. Along with the cowboy of the Wild West, the denizen of the film noir city is at the very center of our mythological iconography. Described as the style of an anxious victor, film noir began during the post-war period, a strange time of hope and optimism mixed with fear and even paranoia. The shadow of this rich and powerful cinematic style can now be seen in virtually every artistic medium. The spectacular success of recent neo-film noirs is only the tip of an iceberg. In the dead-on, nocturnal jazz of Charlie Parker and Miles Davis, the chilled urban landscapes of Edward Hopper, and postwar literary fiction from Nelson Algren and William S. Burroughs to pulp masters like Horace McCoy, we find an unsettling recognition of the dark hollowness beneath the surface of the American Dream. Acclaimed novelist and poet Nicholas Christopher explores the cultural identity of film noir in a seamless, elegant, and enchanting work of literary prose. Examining virtually the entire catalogue of film noir, Christopher identifies the central motif as the urban labyrinth, a place infested with psychosis, anxiety, and existential dread in which the noir hero embarks on a dangerously illuminating quest. With acute sensitivity, he shows how technical devices such as lighting, voice over, and editing tempo are deployed to create the film noir world. Somewhere in the Night guides us through the architecture of this imaginary world, be it shot in New York or Los Angeles, relating its elements to the ancient cultural archetypes that prefigure it. Finally, Christopher builds an explanation of why film noir not only lives on but is currently enjoying a renaissance. Somewhere in the Night can be appreciated as a lucid introduction to a fundamental style of American culture, and also as a guide to film noir's heyday. Ultimately, though, as the work of a bold talent adeptly manipulating poetic cadence and metaphor, it is itself a superb aesthetic artifact.

Author : Robert B. Pippin
Publisher : University of Virginia Press
ISBN 13 : 0813931894
Total Pages : 136 pages
Book Rating : 4.90/5 ( download)

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Download or read book Fatalism in American Film Noir written by Robert B. Pippin and published by University of Virginia Press. This book was released on 2012 with total page 136 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book reveals the ways in which American film noir explore the declining credibility of individuals as causal centers of agency, and how we live with the acknowledgment of such limitations.