Film Manifestos and Global Cinema Cultures

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Author :
Publisher : University of California Press
ISBN 13 : 0520377478
Total Pages : 674 pages
Book Rating : 4.79/5 ( download)

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Book Synopsis Film Manifestos and Global Cinema Cultures by : Scott MacKenzie

Download or read book Film Manifestos and Global Cinema Cultures written by Scott MacKenzie and published by University of California Press. This book was released on 2021-01-21 with total page 674 pages. Available in PDF, EPUB and Kindle. Book excerpt: Film Manifestos and Global Cinema Cultures is the first book to collect manifestoes from the global history of cinema, providing the first historical and theoretical account of the role played by film manifestos in filmmaking and film culture. Focusing equally on political and aesthetic manifestoes, Scott MacKenzie uncovers a neglected, yet nevertheless central history of the cinema, exploring a series of documents that postulate ways in which to re-imagine the cinema and, in the process, re-imagine the world. This volume collects the major European “waves” and figures (Eisenstein, Truffaut, Bergman, Free Cinema, Oberhausen, Dogme ‘95); Latin American Third Cinemas (Birri, Sanjinés, Espinosa, Solanas); radical art and the avant-garde (Buñuel, Brakhage, Deren, Mekas, Ono, Sanborn); and world cinemas (Iimura, Makhmalbaf, Sembene, Sen). It also contains previously untranslated manifestos co-written by figures including Bollaín, Debord, Hermosillo, Isou, Kieslowski, Painlevé, Straub, and many others. Thematic sections address documentary cinema, aesthetics, feminist and queer film cultures, pornography, film archives, Hollywood, and film and digital media. Also included are texts traditionally left out of the film manifestos canon, such as the Motion Picture Production Code and Pius XI's Vigilanti Cura, which nevertheless played a central role in film culture.

National Identity in Global Cinema

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Author :
Publisher : Springer
ISBN 13 : 0230117171
Total Pages : 178 pages
Book Rating : 4.74/5 ( download)

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Book Synopsis National Identity in Global Cinema by : C. Celli

Download or read book National Identity in Global Cinema written by C. Celli and published by Springer. This book was released on 2016-02-02 with total page 178 pages. Available in PDF, EPUB and Kindle. Book excerpt: When themes of historical and cultural identity appear and repeat in popular film, it is possible to see the real pulse of a nation and comprehend a people, their culture and their history. National Identity in Global Cinema describes how national cultures as reflected in popular cinema can truly explain the world, one country at a time.

Cross-Cultural Filmmaking

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Publisher : Univ of California Press
ISBN 13 : 0520915097
Total Pages : 572 pages
Book Rating : 4.91/5 ( download)

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Book Synopsis Cross-Cultural Filmmaking by : Ilisa Barbash

Download or read book Cross-Cultural Filmmaking written by Ilisa Barbash and published by Univ of California Press. This book was released on 2023-09-01 with total page 572 pages. Available in PDF, EPUB and Kindle. Book excerpt: This extraordinary handbook was inspired by the distinctive concerns of anthropologists and others who film people in the field. The authors cover the practical, technical, and theoretical aspects of filming, from fundraising to exhibition, in lucid and complete detail—information never before assembled in one place. The first section discusses filmmaking styles and the assumptions that frequently hide unacknowledged behind them, as well as the practical and ethical issues involved in moving from fieldwork to filmmaking. The second section concisely and clearly explains the technical aspects, including how to select and use equipment, how to shoot film and video, and the reasons for choosing one or the other, and how to record sound. Finally, the third section outlines the entire process of filmmaking: preproduction, production, postproduction, and distribution. Filled with useful illustrations and covering documentary and ethnographic filmmaking of all kinds, Cross-Cultural Filmmaking will be as essential to the anthropologist or independent documentarian on location as to the student in the classroom.

Policing Cinema

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Publisher : Univ of California Press
ISBN 13 : 0520937422
Total Pages : 363 pages
Book Rating : 4.20/5 ( download)

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Book Synopsis Policing Cinema by : Lee Grieveson

Download or read book Policing Cinema written by Lee Grieveson and published by Univ of California Press. This book was released on 2004-05-24 with total page 363 pages. Available in PDF, EPUB and Kindle. Book excerpt: White slave films, dramas documenting sex scandals, filmed prize fights featuring the controversial African-American boxer Jack Johnson, D.W. Griffith’s The Birth of a Nation—all became objects of public concern after 1906, when the proliferation of nickelodeons brought moving pictures to a broad mass public. Lee Grieveson draws on extensive original research to examine the controversies over these films and over cinema more generally. He situates these contestations in the context of regulatory concerns about populations and governance in an early-twentieth-century America grappling with the powerful forces of modernity, in particular, immigration, class formation and conflict, and changing gender roles. Tracing the discourses and practices of cultural and political elites and the responses of the nascent film industry, Grieveson reveals how these interactions had profound effects on the shaping of film content, form, and, more fundamentally, the proposed social function of cinema: how cinema should function in society, the uses to which it might be put, and thus what it could or would be. Policing Cinema develops new perspectives for the understanding of censorship and regulation and the complex relations between governance and culture. In this work, Grieveson offers a compelling analysis of the forces that shaped American cinema and its role in society.

Stan VanDerBeek

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Publisher : Contemporary Arts Museum Houston
ISBN 13 : 9781933619330
Total Pages : 0 pages
Book Rating : 4.33/5 ( download)

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Book Synopsis Stan VanDerBeek by : Stan Vanderbeek

Download or read book Stan VanDerBeek written by Stan Vanderbeek and published by Contemporary Arts Museum Houston. This book was released on 2011 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: American independent filmmaker Stan VanDerBeek (1927-1984) was one of the first to extend film projection into multimedia spectacle and to embrace video and computer technology: a supreme instance of what critic Gene Youngblood dubbed "Expanded Cinema."

Preface to Film

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Publisher :
ISBN 13 :
Total Pages : 152 pages
Book Rating : 4.57/5 ( download)

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Book Synopsis Preface to Film by : Raymond Williams

Download or read book Preface to Film written by Raymond Williams and published by . This book was released on 1954 with total page 152 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Southeast Asian Independent Cinema

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Publisher : Hong Kong University Press
ISBN 13 : 9888083600
Total Pages : 297 pages
Book Rating : 4.02/5 ( download)

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Book Synopsis Southeast Asian Independent Cinema by : Tilman Baumgärtel

Download or read book Southeast Asian Independent Cinema written by Tilman Baumgärtel and published by Hong Kong University Press. This book was released on 2012-01-01 with total page 297 pages. Available in PDF, EPUB and Kindle. Book excerpt: The rise of independent cinema in Southeast Asia, following the emergence of a new generation of filmmakers there, is among the most significant recent developments in global cinema. The advent of affordable and easy access to digital technology has empowered startling new voices from a part of the world rarely heard or seen in international film circles. The appearance of fresh, sharply alternative, and often very personal voices has had a tremendous impact on local film production. This book documents these developments as a genuine outcome of the democratization and liberalization of film production. Contributions from respected scholars, interviews with filmmakers, personal accounts and primary sources by important directors and screenwriters collectively provide readers with a lively account of dynamic film developments in Southeast Asia. Interviewees include Lav Diaz, Amir Muhammad, Apichatpong Weerasethakul, Eric Khoo, Nia Dinata and others. Tilman Baumgärtel taught film and media studies in Germany, Austria and the Philippines before joining Royal University of Phnom Penh in 2009. He has curated international film series and art exhibitions, and has also published books on independent cinema, Internet art, computer games and the German director Harun Farocki. His blog can be found at http://southeastasiancinema.wordpress.com

Pictures at a Revolution

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Publisher : Penguin
ISBN 13 : 9781594201523
Total Pages : 522 pages
Book Rating : 4.28/5 ( download)

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Book Synopsis Pictures at a Revolution by : Mark Harris

Download or read book Pictures at a Revolution written by Mark Harris and published by Penguin. This book was released on 2008 with total page 522 pages. Available in PDF, EPUB and Kindle. Book excerpt: Documents the cultural revolution behind the making of 1967's five Best Picture-nominated films, including Guess Who's Coming to Dinner, The Graduate, Doctor Doolittle, In the Heat of the Night, and Bonnie and Clyde, in an account that discusses how the movies reflected period beliefs about race, violence, and identity. 40,000 first printing.

Simultaneous Worlds

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Publisher : U of Minnesota Press
ISBN 13 : 1452944253
Total Pages : 313 pages
Book Rating : 4.58/5 ( download)

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Book Synopsis Simultaneous Worlds by : Jennifer L. Feeley

Download or read book Simultaneous Worlds written by Jennifer L. Feeley and published by U of Minnesota Press. This book was released on 2015-10-01 with total page 313 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the 1927 release of Fritz Lang’s pioneer film Metropolis, science fiction cinema has largely been regarded a Western genre. In Simultaneous Worlds, Jennifer L. Feeley and Sarah Ann Wells showcase authors who challenge this notion by focusing on cinemas and cultures, from Cuba to North Korea, not traditionally associated with science fiction. This collection introduces films about a metal-eating monster who helps peasants overthrow an exploitative court, an inflatable sex doll who comes to life, a desert planet where matchsticks are more valuable than money, and more. Simultaneous Worlds is the first volume to bring a transnational, interdisciplinary lens to science fiction cinema. Encountering some of the best emerging and established voices in the field, readers will become immersed in discussions of well-known works such as the Ghost in the Shell franchise and Neill Blomkamp’s District 9 alongside lesser-known but equally fascinating works by African, Asian, European, and South American filmmakers. Divided into five parts that cover theoretical concerns such as new media economies, translation, the Global South, cyborgs, and socialist and postsocialist cinema, these essays trace cinema’s role in imagining global communities and power struggles. Considering both individual films and the broader networks of production, distribution, and exhibition, Simultaneous Worlds illustrates how film industries across the globe take part in visualizing the perils of globalization and technological modernity. Ultimately, this book opens new ways of thinking about world cinema and our understanding of the world at large.

Third World Film Making and the West

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Publisher : Univ of California Press
ISBN 13 : 9780520908017
Total Pages : 406 pages
Book Rating : 4.15/5 ( download)

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Book Synopsis Third World Film Making and the West by : Roy Armes

Download or read book Third World Film Making and the West written by Roy Armes and published by Univ of California Press. This book was released on 1987-07-29 with total page 406 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume is the first fully comprehensive account of film production in the Third World. Although they are usually ignored or marginalized in histories of world cinema," Third World countries now produce well over half of the world’s films. Roy Armes sets out initially to place this huge output in a wider context, examining the forces of tradition and colonialism that have shaped the Third World--defined as those countries that have emerged from Western control but have not fully developed their economic potential or rejected the capitalist system in favor of some socialist alternative. He then considers the paradoxes of social structure and cultural life in the post-independence world, where even such basic concepts as "nation," "national culture," and "language" are problematic. The first experience of cinema for such countries has invariably been that of imported Western films, which created the audience and, in most cases, still dominate the market today. Thus, Third World film makers have had to ssert their identity against formidable outside pressures. The later sections of the book look at their output from a number of angles: in terms of the stages of overall growth and corresponding stages of cinematic development; from the point of view of regional evolution in Asia, Africa, and Latin America; and through a detailed examination of the work of some of the Third World’s most striking film innovators. In addition to charting the broad outlines of filmic developments too little known in Europe and the United States, the book calls into question many of the assumptions that shape conventional film history. It stresse the role of distribution in defining and limiting production, queries simplistic notions of independent "national cinemas," and points to the need to take social and economic factors into account when considering authorship in cinema. Above all, the book celebrates the achievements of a mass of largely unknown film makers who, in difficult circumstances, have distinctively expanded our definitions of the art of cinema. Roy Armes, who lives in London, has written nine books on film, his most recent being French Cinema. He spent more than three years researching this volume.