Film Language

Author : Daniel Arijon
Publisher :
ISBN 13 :
Total Pages : 650 pages
Book Rating : 4.63/5 ( download)

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Download or read book Grammar of the Film Language written by Daniel Arijon and published by . This book was released on 1991 with total page 650 pages. Available in PDF, EPUB and Kindle. Book excerpt: A unique guide to the visual narrative techniques that form the "language" of filmmaking. This language is basic to the very positioning and moving of players and cameras, as well as the sequencing and pacing of images. It does not date as new technologies alter the means of capturing images on film and tape. The guidelines offered here will inform almost every choice that the director, the cinematographer, and the editor will make. Through lucid text and more than 1,500 illustrations, Arijon presents visual narrative formulas that will enlighten anyone involved in the motion picture and television industry (including producers, writers, and animators).--From publisher description.

Author : Robert Edgar
Publisher : Bloomsbury Publishing
ISBN 13 : 1472575253
Total Pages : 216 pages
Book Rating : 4.58/5 ( download)

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Download or read book The Language of Film written by Robert Edgar and published by Bloomsbury Publishing. This book was released on 2015-08-27 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: An effective filmmaker needs to have a good understanding of how film language works, and more importantly, how to actively influence an audience's thoughts and feelings and guide their gaze around the screen. Packed with examples from classic and contemporary cinema, The Language of Film reveals the essential building blocks of film and explains how the screen communicates meaning to its audience. You will learn about fundamental theories and concepts, including film semiotics, narrative structures, ideology, and genre, as well as how elements such as shot size, camera movement, editing technique, and color come together to create the cinematic image. With insightful case studies and discussion questions, dozens of practical tips and exercises, and a new chapter on film sound, this new edition of The Language of Film is a must-have guide for aspiring filmmakers.

Author : Sheldon H. Lu
Publisher : University of Hawaii Press
ISBN 13 :
Total Pages : 444 pages
Book Rating : 4.29/5 ( download)

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Download or read book Chinese-language Film written by Sheldon H. Lu and published by University of Hawaii Press. This book was released on 2005 with total page 444 pages. Available in PDF, EPUB and Kindle. Book excerpt: A comprehensive work on Chinese film, this text explores the manifold dimensions of the subject and highlights areas overlooked in previous studies. Leading scholars take up issues and topics covering the entire range of Chinese cinema.

Author : Jean-Claude Carrière
Publisher : Pantheon
ISBN 13 :
Total Pages : 248 pages
Book Rating : 4.16/5 ( download)

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Download or read book The Secret Language of Film written by Jean-Claude Carrière and published by Pantheon. This book was released on 1994 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: Carriere, whose screenwriting credits include The Tin Drum, The Unbearable Lightness of Being, and Cyrano de Bergerac, explores the vocabulary of the visual language of film. Filled with anecdote and insight, this book provides readers with an illuminating new way to see and enjoy the movies.

Author : James Monaco
Publisher : New York : Oxford University Press
ISBN 13 :
Total Pages : 568 pages
Book Rating : 4.44/5 ( download)

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Download or read book How to Read a Film written by James Monaco and published by New York : Oxford University Press. This book was released on 1981 with total page 568 pages. Available in PDF, EPUB and Kindle. Book excerpt: Now thoroughly revised and updated, the book discusses recent breakthroughs in media technology, including such exciting advances as video discs and cassettes, two-way television, satellites, cable and much more.

Author : Gautam Kundu
Publisher : McFarland
ISBN 13 : 0786431342
Total Pages : 205 pages
Book Rating : 4.42/5 ( download)

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Download or read book Fitzgerald and the Influence of Film written by Gautam Kundu and published by McFarland. This book was released on 2007-10-08 with total page 205 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work explores the many ways in which the developing film industry of the early twentieth century influenced the writings of F. Scott Fitzgerald, focusing specifically on his novels This Side of Paradise, The Great Gatsby, Tender Is the Night, and the incomplete The Last Tycoon. The Beautiful and the Damned is also discussed briefly. Early chapters examine Fitzgerald's literary adaptation of visual film techniques (pans, freeze frames, slow motion) and aural cinematic concepts (sound effects, diegetic sound) within his most popular novels. The final chapter summarizes the effect such techniques had in augmenting and defining Fitzgerald's unique literary style.

Author : Andrew Klevan
Publisher : Taylor & Francis
ISBN 13 : 1136728295
Total Pages : 209 pages
Book Rating : 4.97/5 ( download)

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Download or read book The Language and Style of Film Criticism written by Andrew Klevan and published by Taylor & Francis. This book was released on 2011-04-26 with total page 209 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Language and Style of Film Criticism brings together original essays from an international range of academics and film critics highlighting the achievements, complexities and potential of film criticism. In recent years, in contrast to the theoretical, historical and cultural study of film, film criticism has been relatively marginalised, especially within the academy. This book highlights the distinctiveness of film criticism and addresses ways in which it can take a more central place within the academy and develop in dynamic ways outside it. The Language and Style of Film Criticism is essential reading for academics, teachers, students and journalists who wish to understand and appreciate the language and style of film criticism.

Author : Christian Metz
Publisher : University of Chicago Press
ISBN 13 : 9780226521305
Total Pages : 290 pages
Book Rating : 4.03/5 ( download)

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Download or read book Film Language written by Christian Metz and published by University of Chicago Press. This book was released on 1991 with total page 290 pages. Available in PDF, EPUB and Kindle. Book excerpt: A pioneer in the field, Christian Metz applies insights of structural linguistics to the language of film. "The semiology of film . . . can be held to date from the publication in 1964 of the famous essay by Christian Metz, 'Le cinéma: langue ou langage?'"—Geoffrey Nowell-Smith, Times Literary Supplement "Modern film theory begins with Metz."—Constance Penley, coeditor of Camera Obscura "Any consideration of semiology in relation to the particular field signifying practice of film passes inevitably through a reference to the work of Christian Metz. . . . The first book to be written in this field, [Film Language] is important not merely because of this primacy but also because of the issues it raises . . . issues that have become crucial to the contemporary argument."—Stephen Heath, Screen

Author : Andy Hill
Publisher : Rowman & Littlefield
ISBN 13 : 1540004821
Total Pages : 424 pages
Book Rating : 4.26/5 ( download)

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Download or read book Scoring the Screen written by Andy Hill and published by Rowman & Littlefield. This book was released on 2017-07-01 with total page 424 pages. Available in PDF, EPUB and Kindle. Book excerpt: SCORING THE SCREEN: THE SECRET LANGUAGE OF FILM MUSIC Today, musical composition for films is more popular than ever. In professional and academic spheres, media music study and practice are growing; undergraduate and postgraduate programs in media scoring are offered by dozens of major colleges and universities. And increasingly, pop and contemporary classical composers are expanding their reach into cinema and other forms of screen entertainment. Yet a search on Amazon reveals at least 50 titles under the category of film music, and, remarkably, only a meager few actually allow readers to see the music itself, while none of them examine landmark scores like Vertigo, To Kill a Mockingbird, Patton, The Untouchables, or The Matrix in the detail provided by Scoring the Screen: The Secret Language of Film Music. This is the first book since Roy M. Prendergast's 1977 benchmark, Film Music: A Neglected Art, to treat music for motion pictures as a compositional style worthy of serious study. Through extensive and unprecedented analyses of the original concert scores, it is the first to offer both aspiring composers and music educators with a view from the inside of the actual process of scoring-to-picture. The core thesis of Scoring the Screen is that music for motion pictures is indeed a language, developed by the masters of the craft out of a dramatic and commercial necessity to communicate ideas and emotions instantaneously to an audience. Like all languages, it exists primarily to convey meaning. To quote renowned orchestrator Conrad Pope (who has worked with John Williams, Howard Shore, and Alexandre Desplat, among others): “If you have any interest in what music 'means' in film, get this book. Andy Hill is among the handful of penetrating minds and ears engaged in film music today.”

Author : David Wharton
Publisher :
ISBN 13 :
Total Pages : 124 pages
Book Rating : 4.32/5 ( download)

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Download or read book Teaching Analysis of Film Language written by David Wharton and published by . This book was released on 2005-09-30 with total page 124 pages. Available in PDF, EPUB and Kindle. Book excerpt: Combining the creative perspectives of filmmakers with more analytic academic methods, this study invites film students to take an active approach in learning to understand how audiovisual language is used to create meaning in films. While the main focus is on the concept of film language, case study readings of The Warrior (2002) and Traffic (2001) place these films in their institutional contexts to demonstrate the multifaceted nature of how meaning is created. This study gives particular emphasis to understanding cinemaphotography, editing, music, and setting. Students are encouraged to reflect on their own responses and develop reading skills through a range of online classroom activities that demonstrate how audience interaction works to create meaning in film. Technical terms and techniques are explained in an extensive glossary and in special explanatory sections illustrated by a range of films.