Film In The Third Reich

Author : Sabine Hake
Publisher : University of Texas Press
ISBN 13 : 9780292734586
Total Pages : 292 pages
Book Rating : 4.81/5 ( download)

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Download or read book Popular Cinema of the Third Reich written by Sabine Hake and published by University of Texas Press. This book was released on 2001 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: Too often dismissed as escapist entertainment or vilified as mass manipulation, popular cinema in the Third Reich was in fact sustained by well-established generic conventions, cultural traditions, aesthetic sensibilities, social practices, and a highly developed star system—not unlike its Hollywood counterpart in the 1930s. This pathfinding study contributes to the ongoing reassessment of Third Reich cinema by examining it as a social, cultural, economic, and political practice that often conflicted with, contradicted, and compromised the intentions of the Propaganda Ministry. Nevertheless, by providing the illusion of a public sphere presumably free of politics, popular cinema helped to sustain the Nazi regime, especially during the war years. Rather than examining Third Reich cinema through overdetermined categories such as propaganda, ideology, or fascist aesthetics, Sabine Hake concentrates on the constituent elements shared by most popular cinemas: famous stars, directors, and studios; movie audiences and exhibition practices; popular genres and new trends in set design; the reception of foreign films; the role of film criticism; and the representation of women. She pays special attention to the forced coordination of the industry in 1933, the changing demands on cinema during the war years, and the various ways of coming to terms with these filmic legacies after the war. Throughout, Hake's findings underscore the continuities among Weimar, Third Reich, and post-1945 West German cinema. They also emphasize the codevelopment of German and other national cinemas, especially the dominant Hollywood model.

Author : David Stewart Hull
Publisher : Univ of California Press
ISBN 13 :
Total Pages : 314 pages
Book Rating : 4./5 ( download)

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Download or read book Film in the Third Reich written by David Stewart Hull and published by Univ of California Press. This book was released on 1969 with total page 314 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Author : Linda Schulte-Sasse
Publisher : Duke University Press
ISBN 13 : 9780822318248
Total Pages : 372 pages
Book Rating : 4.45/5 ( download)

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Download or read book Entertaining the Third Reich written by Linda Schulte-Sasse and published by Duke University Press. This book was released on 1996 with total page 372 pages. Available in PDF, EPUB and Kindle. Book excerpt: On Nazi cinema

Author : Laura Heins
Publisher : University of Illinois Press
ISBN 13 : 0252095022
Total Pages : 257 pages
Book Rating : 4.23/5 ( download)

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Download or read book Nazi Film Melodrama written by Laura Heins and published by University of Illinois Press. This book was released on 2013-09-16 with total page 257 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cultural productions in the Third Reich often served explicit propaganda functions of legitimating racism and glorifying war and militarism. Likewise, the proliferation of domestic and romance films in Nazi Germany also represented an ideological stance. Rather than reinforcing traditional gender role divisions and the status quo of the nuclear family, these films were much more permissive about desire and sexuality than previously assumed. Focusing on German romance films, domestic melodramas, and home front films from 1933 to 1945, Nazi Film Melodrama shows how melodramatic elements in Nazi cinema functioned as part of a project to move affect, body, and desire beyond the confines of bourgeois culture and participate in a curious modernization of sexuality engineered to advance the imperialist goals of the Third Reich. Offering a comparative analysis of Nazi productions with classical Hollywood films of the same era, Laura Heins argues that German fascist melodramas differed from their American counterparts in their negative views of domesticity and in their use of a more explicit antibourgeois rhetoric. Nazi melodramas, film writing, and popular media appealed to viewers by promoting liberation from conventional sexual morality and familial structures, presenting the Nazi state and the individual as dynamic and revolutionary. Some spectators objected to the eroticization and modernization of the public sphere under Nazism, however, pitting Joseph Goebbels' Ministry of Propaganda against more conservative film audiences in a war over the very status of domesticity and the shape of the family. Drawing on extensive archival research, this perceptive study highlights the seemingly contradictory aspects of gender representation and sexual morality in Nazi-era cinema.

Author : David Stewart Hull
Publisher :
ISBN 13 :
Total Pages : 312 pages
Book Rating : 4.27/5 ( download)

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Download or read book Film in the Third Reich written by David Stewart Hull and published by . This book was released on 1973 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Author : William L. Shirer
Publisher :
ISBN 13 :
Total Pages : 1272 pages
Book Rating : 4.27/5 ( download)

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Download or read book The Rise and Fall of the Third Reich written by William L. Shirer and published by . This book was released on 2011-10-11 with total page 1272 pages. Available in PDF, EPUB and Kindle. Book excerpt: History of Nazi Germany.

Author : Eric Kurlander
Publisher : Yale University Press
ISBN 13 : 0300190379
Total Pages : 411 pages
Book Rating : 4.73/5 ( download)

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Download or read book Hitler's Monsters written by Eric Kurlander and published by Yale University Press. This book was released on 2017-06-06 with total page 411 pages. Available in PDF, EPUB and Kindle. Book excerpt: “A dense and scholarly book about . . . the relationship between the Nazi party and the occult . . . reveals stranger-than-fiction truths on every page.”—Daily Telegraph The Nazi fascination with the occult is legendary, yet today it is often dismissed as Himmler’s personal obsession or wildly overstated for its novelty. Preposterous though it was, however, supernatural thinking was inextricable from the Nazi project. The regime enlisted astrology and the paranormal, paganism, Indo-Aryan mythology, witchcraft, miracle weapons, and the lost kingdom of Atlantis in reimagining German politics and society and recasting German science and religion. In this eye-opening history, Eric Kurlander reveals how the Third Reich’s relationship to the supernatural was far from straightforward. Even as popular occultism and superstition were intermittently rooted out, suppressed, and outlawed, the Nazis drew upon a wide variety of occult practices and esoteric sciences to gain power, shape propaganda and policy, and pursue their dreams of racial utopia and empire. “[Kurlander] shows how swiftly irrational ideas can take hold, even in an age before social media.”—The Washington Post “Deeply researched, convincingly authenticated, this extraordinary study of the magical and supernatural at the highest levels of Nazi Germany will astonish.”—The Spectator “A trustworthy [book] on an extraordinary subject.”—The Times “A fascinating look at a little-understood aspect of fascism.”—Kirkus Reviews “Kurlander provides a careful, clear-headed, and exhaustive examination of a subject so lurid that it has probably scared away some of the serious research it merits.”—National Review

Author : Bill Niven
Publisher : Yale University Press
ISBN 13 : 0300235399
Total Pages : 321 pages
Book Rating : 4.95/5 ( download)

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Download or read book Hitler and Film written by Bill Niven and published by Yale University Press. This book was released on 2018-04-24 with total page 321 pages. Available in PDF, EPUB and Kindle. Book excerpt: An exposé of Hitler’s relationship with film and his influence on the film industry A presence in Third Reich cinema, Adolf Hitler also personally financed, ordered, and censored films and newsreels and engaged in complex relationships with their stars and directors. Here, Bill Niven offers a powerful argument for reconsidering Hitler’s fascination with film as a means to further the Nazi agenda. In this first English-language work to fully explore Hitler’s influence on and relationship with film in Nazi Germany, the author calls on a broad array of archival sources. Arguing that Hitler was as central to the Nazi film industry as Goebbels, Niven also explores Hitler’s representation in Third Reich cinema, personally and through films focusing on historical figures with whom he was associated, and how Hitler’s vision for the medium went far beyond “straight propaganda.” He aimed to raise documentary film to a powerful art form rivaling architecture in its ability to reach the masses.

Author : Karl-Heinz Schoeps
Publisher : Camden House
ISBN 13 : 9781571132529
Total Pages : 400 pages
Book Rating : 4.2X/5 ( download)

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Download or read book Literature and Film in the Third Reich written by Karl-Heinz Schoeps and published by Camden House. This book was released on 2004 with total page 400 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is the first survey in English of literature and film in Nazi Germany. It treats not only works sympathetic to National Socialism, but also works of the so-called Inner Emigration, of the resistance, and those written in prisons and concentration camps. Much of this literature is not easily accessible in German, and not available at all in English translation. Historical and ideological context is provided in chapters covering influential works of the time such as Alfred Rosenberg's The Myth of the Twentieth Century and Houston Stewart Chamberlain's The Foundations of the Nineteenth Century. Schoeps also analyzes Nazi cultural policies, fascist histories of literature, and the role of German studies and Germanists in the Nazi movement. A major section of the book is devoted to film, then a relatively new medium of communication whose propaganda value was clearly recognized by Goebbels, the minister for propaganda and president of the Reich's Chamber of Culture. One of the most interesting areas of research in recent years is the relationship between Hitler's cultural commissars, in particular Goebbels, and the literature and film production of the Nazi years. This book is based on the revised and expanded second German edition, Literatur im Dritten Reich (1933-1945), but has again been revised and expanded, especially the chapter on film and Nazi policies toward the film industry. The chapter on cultural policies has also been expanded to include Himmler's efforts to meddle in this area. New also are sections dealing with Jewish entertainers in concentration camps (for example, Kurt Gerron) and activities of the Jewish Cultural League. Karl-Heinz Schoeps is professor of German at the University of Illinois at Urbana-Champaign.

Author : Wladyslaw Szpilman
Publisher : Macmillan + ORM
ISBN 13 : 1466837624
Total Pages : 219 pages
Book Rating : 4.21/5 ( download)

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Download or read book The Pianist written by Wladyslaw Szpilman and published by Macmillan + ORM. This book was released on 2000-09-02 with total page 219 pages. Available in PDF, EPUB and Kindle. Book excerpt: The memoir that inspired Roman Polanski's Oscar-winning film, which won the Cannes Film Festival's most prestigious prize—the Palme d'Or. Named one of the Best Books of 1999 by the Los Angeles Times On September 23, 1939, Wladyslaw Szpilman played Chopin's Nocturne in C-sharp minor live on the radio as shells exploded outside—so loudly that he couldn't hear his piano. It was the last live music broadcast from Warsaw: That day, a German bomb hit the station, and Polish Radio went off the air. Though he lost his entire family, Szpilman survived in hiding. In the end, his life was saved by a German officer who heard him play the same Chopin Nocturne on a piano found among the rubble. Written immediately after the war and suppressed for decades, The Pianist is a stunning testament to human endurance and the redemptive power of fellow feeling.