Feminist Discourse and Spanish Cinema

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Publisher : Oxford University Press, USA
ISBN 13 : 9780198159797
Total Pages : 334 pages
Book Rating : 4.9X/5 ( download)

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Book Synopsis Feminist Discourse and Spanish Cinema by : Susan Martin-Márquez

Download or read book Feminist Discourse and Spanish Cinema written by Susan Martin-Márquez and published by Oxford University Press, USA. This book was released on 1999 with total page 334 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work provides a detailed consideration of women directors working before the Civil War and during Franco's dictatorship, and an exploration of the impact of feminism on filmmaking in Spain.

Women's Narrative and Film in 20th Century Spain

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Publisher : Routledge
ISBN 13 : 1135348235
Total Pages : 332 pages
Book Rating : 4.36/5 ( download)

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Book Synopsis Women's Narrative and Film in 20th Century Spain by : Kathleen Glenn

Download or read book Women's Narrative and Film in 20th Century Spain written by Kathleen Glenn and published by Routledge. This book was released on 2017-09-25 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: Women's Narrative and Film in 20th Century Spain examines the development of the feminine cultural tradition in spain and how this tradition reshaped and defined a Spanish national identity. Each chapter focuses on representation of autobiography, alienation and exile, marginality, race, eroticism, political activism, and feminism within the ever-changing nationalisms in different regions of Spain. The book describes how concepts of gender and difference shaped the individual, collective, and national identities of Spanish women and significantly modified the meaning and representation of female sexuality.

Gender and Spanish Cinema

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Publisher :
ISBN 13 :
Total Pages : 248 pages
Book Rating : 4.32/5 ( download)

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Book Synopsis Gender and Spanish Cinema by : Steven Marsh

Download or read book Gender and Spanish Cinema written by Steven Marsh and published by . This book was released on 2004-10 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: This examination of twentieth-century Spanish film explores the portrayal of gender and its interaction with national identity, ethnicity, class, politics and history.

Adapting Gender

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Publisher : SUNY Press
ISBN 13 : 143846827X
Total Pages : 314 pages
Book Rating : 4.73/5 ( download)

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Book Synopsis Adapting Gender by : Ilana Dann Luna

Download or read book Adapting Gender written by Ilana Dann Luna and published by SUNY Press. This book was released on 2018-01-01 with total page 314 pages. Available in PDF, EPUB and Kindle. Book excerpt: Demonstrates how film adaptations intersect with feminist discourse in neoliberal Mexico. Adapting Gender offers a cogent introduction to Mexico’s film industry, the history of women’s filmmaking in Mexico, a new approach to adaptation as a potential feminist strategy, and a cultural history of generational changes in Mexico.Ilana Dann Luna examines how adapted films have the potential to subvert not only the intentions of the source text, but how they can also interrupt the hegemony of gender stereotypes in a broader socio-political context. Luna follows the industrial shifts that began with Salinas de Gortari’s presidency, which made the long 1990s the precise moment in which subversive filmmakers, particularly women, were able to participate more fully in the industry and portrayed the lived experiences of women and non-gender-conforming men. The analysis focuses on Busi Cortés’s El secreto de Romelia (1988), an adaptation of Rosario Castellanos’s short novel El viudo Román (1964); Sabina Berman and Isabelle Tardán’s Entre Pancho Villa y una mujer desnuda (1996), an adaptation of Berman’s own play, Entre Villa y una mujer desnuda (1992); Guita Schyfter’s Novia que te vea (1993), an adaptation of Rosa Nissán’s eponymous novel (1992); and Jaime Humberto Hermosillo’s De noche vienes, Esmeralda (1997), an adaptation of Elena Poniatowska’s short story “De noche vienes” (1979). These adapted texts established a significant alternative to monolithic notions of national (gendered) identity, while critiquing, updating, and even queering, notions of feminism in the Mexican context. “Adapting Gender demonstrates Luna’s considerable skills as a scholar. She deftly carries out a careful analysis of the literary and cinematic texts, putting them in the context of the evolving publishing and film industries. Written in a lively and engaging style, this is a unique synthesis of the evolution of feminism and the roles women have had—indeed, at times, been limited to—in Mexico and what this has meant for their creative output.” — Niamh Thornton, author of Revolution and Rebellion in Mexican Film

Women in Iberian Filmic Culture

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Publisher : Intellect (UK)
ISBN 13 : 9781789381528
Total Pages : 0 pages
Book Rating : 4.25/5 ( download)

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Book Synopsis Women in Iberian Filmic Culture by : Elena Cordero-Hoyo

Download or read book Women in Iberian Filmic Culture written by Elena Cordero-Hoyo and published by Intellect (UK). This book was released on 2020 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Though cinema arrived in Spain and Portugal at the end of the nineteenth century, national and industrial problems as well as the dictatorships of Salazar and Caetano (in Portugal) and Franco (in Spain) meant Iberian cinemas were isolated from European cultural trends. The strict censorship in both countries limited the themes and artistic practices adopted. A specific cinematographic language, in many cases full of metaphors and symbolism, sought alternatives to the imposed official discourse and preconceived definitions of supposed national identities. By contrast, from the 1970s onwards, Spain and Portugal experienced a great change in their societies: the arrival of democracy widened not just the panorama of film production and criticism, but also opened the film industry to women participation in areas historically assigned to men. Focusing on Portuguese and Spanish cinema, this collection brings together research about women and their status in relation to Iberian visual culture. The volume contributes to ongoing debates about the position of women in the cinemas of Portugal and Spain through a revision of feminist theory as well as new accounts of film history. It also aims to promote comparisons between Iberian cinemas and visual culture from different regions, a topic that is almost unexplored in academia, despite the similar histories of the two Iberian countries, particularly throughout the twentieth century.

New Mythological Figures in Spanish Cinema

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Publisher : Amsterdam University Press
ISBN 13 : 9089643044
Total Pages : 331 pages
Book Rating : 4.49/5 ( download)

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Book Synopsis New Mythological Figures in Spanish Cinema by : Pietsie Feenstra

Download or read book New Mythological Figures in Spanish Cinema written by Pietsie Feenstra and published by Amsterdam University Press. This book was released on 2011 with total page 331 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the 1970s, especially after Franco's death in 1975, Spanish cinema was bursting at the seams. Numerous film directors broke free from the ancient taboos which had reigned under the dictatorship. They introduced characters who, through their bodies, transgress the traditional borders of social, cultural and sexual identities. Post- Franco cinema exhibits women, homosexuals, transsexuals, and delinquents in new and challenging ways.Under Franco rule, all of these dissident bodies were 'lost'. Here, they reflect new mythological figures, inhabiting an idealised body form (a prototypical body).

A New Gaze

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Publisher : Cambridge Scholars Publishing
ISBN 13 : 1443883980
Total Pages : 240 pages
Book Rating : 4.86/5 ( download)

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Book Synopsis A New Gaze by : Concepción Cascajosa Virino

Download or read book A New Gaze written by Concepción Cascajosa Virino and published by Cambridge Scholars Publishing. This book was released on 2015-10-05 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book deepens the understanding of the work carried out by professional women in Spanish film and television since the arrival of democracy, a period of radical changes that saw an emergence of female talent. Although most of the literature on women and media deals with female film directors, this book also addresses television, a medium where the presence of women was significant throughout this period. This book makes an important contribution to the study of the history of women in Spanish media, focusing on the work of some well-known names, while also rescuing from oblivion others now forgotten. It brings together scholars from Spain, the United States and Ireland to analyze films and television programs written or directed by female professionals such as Pilar Miró, Josefina Molina, Cecilia Bartolomé, Rosa Montero, Carmen Martín Gaite, Cristina Andreu, Isabel Coixet and Paloma Chamorro. The book also includes four interviews with screenwriter Esmeralda Adam, television executive Carmen Caffarel, filmmaker Ana Díez and television director Matilde Fernández. Their reflections on personal and professional experiences shed light on the changes that took place in Spanish society during this period and the challenges they have faced in their careers.

Refiguring Spain

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Publisher : Duke University Press
ISBN 13 : 9780822319382
Total Pages : 388 pages
Book Rating : 4.81/5 ( download)

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Book Synopsis Refiguring Spain by : Marsha Kinder

Download or read book Refiguring Spain written by Marsha Kinder and published by Duke University Press. This book was released on 1997 with total page 388 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Refiguring Spain, Marsha Kinder has gathered a collection of new essays that explore the central role played by film, television, newspapers, and art museums in redefining Spain's national/cultural identity and its position in the world economy during the post-Franco era. By emphasizing issues of historical recuperation, gender and sexuality, and the marketing of Spain's peaceful political transformation, the contributors demonstrate that Spanish cinema and other forms of Spanish media culture created new national stereotypes and strengthened the nation's place in the global market and on the global stage. These essays consider a diverse array of texts, ranging from recent films by Almodóvar, Saura, Erice, Miró, Bigas Luna, Gutiérrez Aragón, and Eloy de la Iglesia to media coverage of the 1993 elections. Francoist cinema and other popular media are examined in light of strategies used to redefine Spain's cultural identity. The importance of the documentary, the appropriation of Hollywood film, and the significance of gender and sexuality in Spanish cinema are also discussed, as is the discourse of the Spanish media star--whether involving film celebrities like Rita Hayworth and Antonio Banderas or historical figures such as Cervantes. The volume concludes with an investigation of larger issues of government policy in relation to film and media, including a discussion of the financing of Spanish cinema and an exploration of the political dynamics of regional television and art museums. Drawing on a wide range of critical discourses, including feminist, postcolonial, and queer theory, political economy, cultural history, and museum studies, Refiguring Spain is the first comprehensive anthology on Spanish cinema in the English language. Contributors. Peter Besas, Marvin D'Lugo, Selma Reuben Holo, Dona M. Kercher, Marsha Kinder, Jaume Martí-Olivella, Richard Maxwell, Hilary L. Neroni, Paul Julian Smith, Roland B. Tolentino, Stephen Tropiano, Kathleen M. Vernon, Iñaki Zabaleta

Hispanic and Lusophone women filmmakers

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Publisher : Manchester University Press
ISBN 13 : 1526141477
Total Pages : 297 pages
Book Rating : 4.77/5 ( download)

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Book Synopsis Hispanic and Lusophone women filmmakers by : Parvati Nair

Download or read book Hispanic and Lusophone women filmmakers written by Parvati Nair and published by Manchester University Press. This book was released on 2019-01-04 with total page 297 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume examines the films of Hispanic and Lusophone women filmmakers from the 1930s to the present day. It establishes productive connections between film practices across these geographical areas by identifying common areas of concern on the part of these female filmmakers. Focusing on aesthetic, theoretical and socio-historical analyses, it questions the manifest or latent gender and sexual politics that inform and structure the emerging cinematic productions by women filmmakers in Portugal, Spain, Latin America and the US. With a combination of scholars from the UK, the US, Spain and Latin America, the volume documents and interprets a fascinating corpus of films made by Hispanic and Lusophone women and proposes research strategies and methodologies that can expand our understanding of socio-cultural and psychic constructions of gender and sexual politics. An essential resource to rethink notions of gender identity and subjectivity, it is a unique contribution to Spanish and Latin American Film Studies and Film Studies.

Spanish Film Policies and Gender

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Publisher : Taylor & Francis
ISBN 13 : 1040031315
Total Pages : 168 pages
Book Rating : 4.15/5 ( download)

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Book Synopsis Spanish Film Policies and Gender by : Jara Fernández Meneses

Download or read book Spanish Film Policies and Gender written by Jara Fernández Meneses and published by Taylor & Francis. This book was released on 2024-03-01 with total page 168 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book provides a comprehensive cultural and historical account of the key film policies put into place by the Spanish state between 1980 and 2010 through a gendered lens, framing these policies within the wider context of European film legislation. Departing from the belief that there is no such thing as an objective and value-neutral approach to policy analysis because our society is organised around gender, this volume builds upon Pierre Bourdieu’s theory of field to propose that film policies do not emerge in a vacuum because they respond to different demands from those agents involved in the field of the Spanish cinema. By so doing, it critically assesses how these policies have come into being, by whom, in response to what interests, how they have shaped the Spanish film industry, and how far and in what ways they have tackled gender inequality in the Spanish film industry. This book will be of great interest to scholars and students of Spanish cinema, gender studies, film industry studies, film policy, and feminist film studies.