Existentialism and Contemporary Cinema

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Publisher : Berghahn Books
ISBN 13 : 0857457292
Total Pages : 199 pages
Book Rating : 4.95/5 ( download)

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Book Synopsis Existentialism and Contemporary Cinema by : Jean-Pierre Boulé

Download or read book Existentialism and Contemporary Cinema written by Jean-Pierre Boulé and published by Berghahn Books. This book was released on 2012-09-15 with total page 199 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a volume of essays which addresses a relatively neglected topic and conceptual approach, and is of relevance across a range of interrelated areas, specifically film studies, French studies, existentialist studies, philosophy, modern cultural and media studies.

Existentialism and Contemporary Cinema

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Publisher : Berghahn Books
ISBN 13 : 9781782384946
Total Pages : 200 pages
Book Rating : 4.44/5 ( download)

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Book Synopsis Existentialism and Contemporary Cinema by : Jean-Pierre Boulé

Download or read book Existentialism and Contemporary Cinema written by Jean-Pierre Boulé and published by Berghahn Books. This book was released on 2014-03-03 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt: At the heart of this volume is the assertion that Sartrean existentialism, most prominent in the 1940s, particularly in France, is still relevant as a way of interpreting the world today. Film, by reflecting philosophical concerns in the actions and choices of characters, continues and extends a tradition in which art exemplifies the understanding of existentialist philosophy. In a scholarly yet accessible style, the contributors exploit the rich interplay between Sartre's philosophy, plays and novels, and a number of contemporary films including No Country for Old Men, Lost in Translation and The Truman Show, with film-makers including the Dardenne brothers, Michael Haneke, and Mike Leigh. This volume will be of interest to students who are coming to Sartre's work for the first time and to those who would like to read films within an existentialist perspective.

Existentialist Cinema

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Publisher : Springer
ISBN 13 : 0230235468
Total Pages : 244 pages
Book Rating : 4.65/5 ( download)

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Book Synopsis Existentialist Cinema by : W. Pamerleau

Download or read book Existentialist Cinema written by W. Pamerleau and published by Springer. This book was released on 2009-03-31 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: An exploration of the relationship between cinema and existentialism, in terms of their mutual ability to describe the human condition, this book combines analyses of topics in the philosophy of film with an exploration of specific existentialist themes expressed in the films of Fellini, Bergman and Woody Allen, among others.

Existentialism, Film Noir, and Hard-Boiled Fiction

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Publisher : Cambria Press
ISBN 13 : 1621969282
Total Pages : 218 pages
Book Rating : 4.80/5 ( download)

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Book Synopsis Existentialism, Film Noir, and Hard-Boiled Fiction by :

Download or read book Existentialism, Film Noir, and Hard-Boiled Fiction written by and published by Cambria Press. This book was released on with total page 218 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Existentialism and Social Engagement in the Films of Michael Mann

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Publisher : Palgrave Macmillan
ISBN 13 : 9780230301054
Total Pages : 0 pages
Book Rating : 4.53/5 ( download)

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Book Synopsis Existentialism and Social Engagement in the Films of Michael Mann by : Vincent M. Gaine

Download or read book Existentialism and Social Engagement in the Films of Michael Mann written by Vincent M. Gaine and published by Palgrave Macmillan. This book was released on 2011-10-27 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Michael Mann's films receive a detailed analysis as existential dramas, including Heat, Collateral , The Last of the Mohicans and Public Enemies. The book demonstrates that Mann's films perform critical engagement with existentialism, illustrating the problems and opportunities of living according to this philosophy.

Steven Spielberg and Philosophy

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Publisher : University Press of Kentucky
ISBN 13 : 0813138701
Total Pages : 254 pages
Book Rating : 4.01/5 ( download)

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Book Synopsis Steven Spielberg and Philosophy by : Dean A. Kowalski

Download or read book Steven Spielberg and Philosophy written by Dean A. Kowalski and published by University Press of Kentucky. This book was released on 2008-11-21 with total page 254 pages. Available in PDF, EPUB and Kindle. Book excerpt: “This lively collection of essays on the ideas underpinning his films enriches and enlarges our understanding of Spielberg’s complex body of work.” —Joseph McBride, author of Steven Spielberg: A Biography Few directors have had as powerful an influence on the film industry and the movie-going public as Steven Spielberg. Whatever the subject—dinosaurs, war, extra-terrestrials, slavery, the Holocaust, or terrorism—one clear and consistent touchstone is present in all of Spielberg’s films: an interest in the human condition. In movies ranging from Jaws to Schindler’s List to Amistad to Jurassic Park, he has brought to life some of the most popular heroes—and most despised villains—of all time. In Steven Spielberg and Philosophy, Dean A. Kowalski and some of the nation’s most respected philosophers investigate Spielberg’s art to illuminate the nature of humanity. The book explores rich themes such as cinematic realism, fictional belief, terrorism, family ethics, consciousness, virtue and moral character, human rights, and religion in Spielberg’s work. Avid moviegoers and deep thinkers will discover plenty to enjoy in this collection.

The French Road Movie

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Publisher : Berghahn Books
ISBN 13 : 0857457705
Total Pages : 205 pages
Book Rating : 4.07/5 ( download)

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Book Synopsis The French Road Movie by : Neil Archer

Download or read book The French Road Movie written by Neil Archer and published by Berghahn Books. This book was released on 2012 with total page 205 pages. Available in PDF, EPUB and Kindle. Book excerpt: The traditionally American genre of the road movie has been explored and reconfigured in the French context since the later 1960s. Comparative in its approach, this book studies the inter-relationship between American and French culture and cinemas, and in the process considers and challenges histories of the road movie. It combines film history with film theory methodologies, analysing transformations in social, political and film-industrial contexts alongside changing perspectives on the meaning and possibilities of film. At once chronological and thematic in structure, The French Road Movie provides in each chapter a comprehensive introduction to key themes emerging from the genre in the French context - liberty, identity and citizenship, masculinity, femininity, border-crossing - followed by detailed, innovative and often revisionist readings of the chosen films. Through these readings the author justifies the place of the road genre within French cinema histories and reinvigorates this often neglected and misunderstood area of study.

Concentrationary Cinema

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Publisher : Berghahn Books
ISBN 13 : 0857453521
Total Pages : 355 pages
Book Rating : 4.25/5 ( download)

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Book Synopsis Concentrationary Cinema by : Griselda Pollock

Download or read book Concentrationary Cinema written by Griselda Pollock and published by Berghahn Books. This book was released on 2012-01-01 with total page 355 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since its completion in 1955, Alain Resnais’s Night and Fog (Nuit et Brouillard) has been considered one of the most important films to confront the catastrophe and atrocities of the Nazi era. But was it a film about the Holocaust that failed to recognize the racist genocide? Or was the film not about the Holocaust as we know it today but a political and aesthetic response to what David Rousset, the French political prisoner from Buchenwald, identified on his return in 1945 as the ‘concentrationary universe’ which, now actualized, might release its totalitarian plague any time and anywhere? What kind of memory does the film create to warn us of the continued presence of this concentrationary universe? This international collection re-examines Resnais’s benchmark film in terms of both its political and historical context of representation of the camps and of other instances of the concentrationary in contemporary cinema. Through a range of critical readings, Concentrationary Cinema explores the cinematic aesthetics of political resistance not to the Holocaust as such but to the political novelty of absolute power represented by the concentrationary system and its assault on the human condition.

Expanded Cinema

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Publisher : Fordham University Press
ISBN 13 : 0823287432
Total Pages : 464 pages
Book Rating : 4.37/5 ( download)

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Book Synopsis Expanded Cinema by : Gene Youngblood

Download or read book Expanded Cinema written by Gene Youngblood and published by Fordham University Press. This book was released on 2020-03-03 with total page 464 pages. Available in PDF, EPUB and Kindle. Book excerpt: Fiftieth anniversary reissue of the founding media studies book that helped establish media art as a cultural category. First published in 1970, Gene Youngblood’s influential Expanded Cinema was the first serious treatment of video, computers, and holography as cinematic technologies. Long considered the bible for media artists, Youngblood’s insider account of 1960s counterculture and the birth of cybernetics remains a mainstay reference in today’s hypermediated digital world. This fiftieth anniversary edition includes a new Introduction by the author that offers conceptual tools for understanding the sociocultural and sociopolitical realities of our present world. A unique eyewitness account of burgeoning experimental film and the birth of video art in the late 1960s, this far- ranging study traces the evolution of cinematic language to the end of fiction, drama, and realism. Vast in scope, its prescient formulations include “the paleocybernetic age,” “intermedia,” the “artist as design scientist,” the “artist as ecologist,” “synaesthetics and kinesthetics,” and “the technosphere: man/machine symbiosis.” Outstanding works are analyzed in detail. Methods of production are meticulously described, including interviews with artists and technologists of the period, such as Nam June Paik, Jordan Belson, Andy Warhol, Stan Brakhage, Carolee Schneemann, Stan VanDerBeek, Les Levine, and Frank Gillette. An inspiring Introduction by the celebrated polymath and designer R. Buckminster Fuller—a perfectly cut gem of countercultural thinking in itself—places Youngblood’s radical observations in comprehensive perspective. Providing an unparalleled historical documentation, Expanded Cinema clarifies a chapter of countercultural history that is still not fully represented in the arthistorical record half a century later. The book will also inspire the current generation of artists working in ever-newer expansions of the cinematic environment and will prove invaluable to all who are concerned with the technologies that are reshaping the nature of human communication.

The Philosophy of David Lynch

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Publisher : University Press of Kentucky
ISBN 13 : 0813133963
Total Pages : 258 pages
Book Rating : 4.66/5 ( download)

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Book Synopsis The Philosophy of David Lynch by : William Devlin

Download or read book The Philosophy of David Lynch written by William Devlin and published by University Press of Kentucky. This book was released on 2011-03-25 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt: From his cult classic television series Twin Peaks to his most recent film Inland Empire (2006), David Lynch is best known for his unorthodox narrative style. An award-winning director, producer, and writer, Lynch distorts and disrupts traditional storylines and offers viewers a surreal, often nightmarish perspective. His unique approach to filmmaking has made his work familiar to critics and audiences worldwide, and he earned Academy Award nominations for Best Director for The Elephant Man (1980), Blue Velvet (1986), and Mulholland Drive (2001). Lynch creates a new reality for both characters and audience by focusing on the individual and embracing existentialism. In The Philosophy of David Lynch, editors William J. Devlin and Shai Biderman have compiled an impressive list of contributors to explore the philosophy at the core of the filmmaker’s work. Lynch is examined as a postmodern artist, and the themes of darkness, logic, and time are discussed in depth. Other prominent issues in Lynch’s films, such as Bad faith and freedom, ethics, politics, and religion, are also considered. Investigating myriad aspects of Lynch’s influential and innovative work, The Philosophy of David Lynch provides a fascinating look at the philosophical underpinnings of the famous cult director.