Eros Plus Massacre

Author : David Desser
Publisher : Indiana University Press
ISBN 13 : 9780253204691
Total Pages : 260 pages
Book Rating : 4.90/5 ( download)

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Download or read book Eros Plus Massacre written by David Desser and published by Indiana University Press. This book was released on 1988-05-22 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: The decade of the 1960s encompassed a "New Wave" of films whose makers were rebels, challenging cinematic traditions and the culture at large. The films of the New Wave in Japan have, until now, been largely overlooked. Eros plus Massacre (taking its title from a 1969 Yoshida Yoshishige film) is the first major study devoted to the examination and explanation of Japanese New Wave film. Desser organizes his volume around the defining motifs of the New Wave. Chapters examine in depth such themes as youth, identity, sexuality, and women, as they are revealed in the Japanese film of the sixties. Desser's research in Japanese film archives, his interviews with major figures of the movement, and his keen insight into Japanese culture combine to offer a solid and balanced analysis of films by Oshima, Shinoda, Imamura, Yoshida, Suzuki, and others.

Author : Isolde Standish
Publisher : Bloomsbury Publishing USA
ISBN 13 : 1441161546
Total Pages : 415 pages
Book Rating : 4.43/5 ( download)

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Download or read book A New History of Japanese Cinema written by Isolde Standish and published by Bloomsbury Publishing USA. This book was released on 2006-05-08 with total page 415 pages. Available in PDF, EPUB and Kindle. Book excerpt: In A New History of Japanese Cinema Isolde Standish focuses on the historical development of Japanese film. She details an industry and an art form shaped by the competing and merging forces of traditional culture and of economic and technological innovation. Adopting a thematic, exploratory approach, Standish links the concept of Japanese cinema as a system of communication with some of the central discourses of the twentieth century: modernism, nationalism, humanism, resistance, and gender. After an introduction outlining the earliest years of cinema in Japan, Standish demonstrates cinema's symbolic position in Japanese society in the 1930s - as both a metaphor and a motor of modernity. Moving into the late thirties and early forties, Standish analyses cinema's relationship with the state-focusing in particular on the war and occupation periods. The book's coverage of the post-occupation period looks at "romance" films in particular. Avant-garde directors came to the fore during the 1960s and early seventies, and their work is discussed in depth. The book concludes with an investigation of genre and gender in mainstream films of recent years. In grappling with Japanese film history and criticism, most western commentators have concentrated on offering interpretations of what have come to be considered "classic" films. A New History of Japanese Cinema takes a genuinely innovative approach to the subject, and should prove an essential resource for many years to come.

Author : Isolde Standish
Publisher : Bloomsbury Publishing USA
ISBN 13 : 1441125183
Total Pages : 216 pages
Book Rating : 4.87/5 ( download)

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Download or read book Politics, Porn and Protest written by Isolde Standish and published by Bloomsbury Publishing USA. This book was released on 2011-06-02 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: Out of a background of war, occupation and the legacies of Japan's post-defeat politics there emerged a dissentient group of avant-garde filmmakers who created a counter-cinema that addressed a newly constituted, politically conscious audience. While there was no formal manifesto for this movement and the various key filmmakers of the period (Oshima Nagisa, Imamura Shohei, Yoshida Yoshishige, Hani Susumu, Wakamatsu Koji and Okamoto Kihachi) experimented with very different conceptions of visual style, it is possible to identify a sensibility that motivated many of these filmmakers: a generational consciousness based on political opposition that was intimately linked to the student movements of the 1950s, and shared experiences as Japan's first generation of post-war filmmakers artistically stifled by a monopolistic and hierarchal commercial studio system that had emerged reinvigorated in the wake of the 'red purges' of the late-1940s. Politics, Porn and Protest: Japanese Avant-Garde Cinema in the 1960s and 1970s provides a much needed overview of these filmmakers and reconsiders the question of dissent in the cultural landscape of Japan in the post-war period.

Author : Jack Hunter
Publisher :
ISBN 13 : 9781871592931
Total Pages : 248 pages
Book Rating : 4.33/5 ( download)

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Download or read book Eros in Hell written by Jack Hunter and published by . This book was released on 1998 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: An illustrated guide to sex, blood and madness in Japanese exploitation cinema, including over 200 explicit and rare photographs.

Author : Alexander Zahlten
Publisher : Duke University Press
ISBN 13 : 0822372460
Total Pages : 320 pages
Book Rating : 4.62/5 ( download)

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Download or read book The End of Japanese Cinema written by Alexander Zahlten and published by Duke University Press. This book was released on 2017-09-15 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: In The End of Japanese Cinema Alexander Zahlten moves film theory beyond the confines of film itself, attending to the emergence of new kinds of aesthetics, politics, temporalities, and understandings of film and media. He traces the evolution of a new media ecology through deep historical analyses of the Japanese film industry from the 1960s to the 2000s. Zahlten focuses on three popular industrial genres: Pink Film (independently distributed softcore pornographic films), Kadokawa (big-budget productions as part of a transmedia strategy), and V-Cinema (direct-to-video films). He examines the conditions of these films' production to demonstrate how the media industry itself becomes part of the politics of the media text and to highlight the complex negotiation between media and politics, culture, and identity in Japan. Zahlten points to a different history of film, one in which a once-powerful film industry transformed into becoming only one component within a complex media-mix ecology. In so doing, Zahlten opens new paths for uncovering similar broad processes in other large media societies. A Study of the Weatherhead East Asian Institute, Columbia University

Author : Donald Richie
Publisher : Oxford University Press, USA
ISBN 13 :
Total Pages : 124 pages
Book Rating : 4.83/5 ( download)

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Download or read book Japanese Cinema written by Donald Richie and published by Oxford University Press, USA. This book was released on 1990 with total page 124 pages. Available in PDF, EPUB and Kindle. Book excerpt: Donald Richie, whose earlier works have done so much to introduce Japanese cinema to the West, has here written the first introduction to Japanese film. Written in a highly accessible style, this up-to-date history offers a study of those qualities which make a film distinctly Japanese. It will be an invaluable resource to students of film appreciation, as well as to readers with an interest in Japan.

Author : Yuriko Furuhata
Publisher : Duke University Press
ISBN 13 : 0822355043
Total Pages : 277 pages
Book Rating : 4.45/5 ( download)

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Download or read book Cinema of Actuality written by Yuriko Furuhata and published by Duke University Press. This book was released on 2013-09-13 with total page 277 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the 1960s and early 1970s, Japanese avant-garde filmmakers intensely explored the shifting role of the image in political activism and media events. Known as the "season of politics," the era was filled with widely covered dramatic events from hijackings and hostage crises to student protests. This season of politics was, Yuriko Furuhata argues, the season of image politics. Well-known directors, including Oshima Nagisa, Matsumoto Toshio, Wakamatsu Kōji, and Adachi Masao, appropriated the sensationalized media coverage of current events, turning news stories into material for timely critique and intermedial experimentation. Cinema of Actuality analyzes Japanese avant-garde filmmakers' struggle to radicalize cinema in light of the intensifying politics of spectacle and a rapidly changing media environment, one that was increasingly dominated by television. Furuhata demonstrates how avant-garde filmmaking intersected with media history, and how sophisticated debates about film theory emerged out of dialogues with photography, television, and other visual arts.

Author : Dudley Andrew
Publisher : Hall Reference Books
ISBN 13 :
Total Pages : 362 pages
Book Rating : 4.56/5 ( download)

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Download or read book Kenji Mizoguchi, a Guide to References and Resources written by Dudley Andrew and published by Hall Reference Books. This book was released on 1981 with total page 362 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Author : Ioan P. Culianu
Publisher : University of Chicago Press
ISBN 13 : 0226123162
Total Pages : 286 pages
Book Rating : 4.65/5 ( download)

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Download or read book Eros and Magic in the Renaissance written by Ioan P. Culianu and published by University of Chicago Press. This book was released on 1987-11-15 with total page 286 pages. Available in PDF, EPUB and Kindle. Book excerpt: It is a widespread prejudice of modern, scientific society that "magic" is merely a ludicrous amalgam of recipes and methods derived from primitive and erroneous notions about nature. Eros and Magic in the Renaissance challenges this view, providing an in-depth scholarly explanation of the workings of magic and showing that magic continues to exist in an altered form even today. Renaissance magic, according to Ioan Couliano, was a scientifically plausible attempt to manipulate individuals and groups based on a knowledge of motivations, particularly erotic motivations. Its key principle was that everyone (and in a sense everything) could be influenced by appeal to sexual desire. In addition, the magician relied on a profound knowledge of the art of memory to manipulate the imaginations of his subjects. In these respects, Couliano suggests, magic is the precursor of the modern psychological and sociological sciences, and the magician is the distant ancestor of the psychoanalyst and the advertising and publicity agent. In the course of his study, Couliano examines in detail the ideas of such writers as Giordano Bruno, Marsilio Ficino, and Pico della Mirandola and illuminates many aspects of Renaissance culture, including heresy, medicine, astrology, alchemy, courtly love, the influence of classical mythology, and even the role of fashion in clothing. Just as science gives the present age its ruling myth, so magic gave a ruling myth to the Renaissance. Because magic relied upon the use of images, and images were repressed and banned in the Reformation and subsequent history, magic was replaced by exact science and modern technology and eventually forgotten. Couliano's remarkable scholarship helps us to recover much of its original significance and will interest a wide audience in the humanities and social sciences.

Author : Keiko I. McDonald
Publisher : Fairleigh Dickinson Univ Press
ISBN 13 : 9780838635025
Total Pages : 372 pages
Book Rating : 4.24/5 ( download)

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Download or read book Japanese Classical Theater in Films written by Keiko I. McDonald and published by Fairleigh Dickinson Univ Press. This book was released on 1994 with total page 372 pages. Available in PDF, EPUB and Kindle. Book excerpt: Noh, Kabuki, and Bunraku are the three distinct genres of classical theater that have made Japan's dramatic art unique. The audience steeped in these traditional theatrical forms sees many aspects of stage conventions in Japanese cinema. This intimacy makes the aesthetic/intellectual experience of films more enriching. Japanese Classical Theater in Films aims at heightening such awareness in the West, the awareness of the influence that these three major dramatic genres have had on Japan's cinematic tradition. Using an eclectic critical framework - a solid combination of historical and cultural approaches reinforced with formalist and auteurist perspectives - Keiko I. McDonald undertakes this much needed, ambitious task.