English Art 1860 1914

Author : David Peters Corbett
Publisher : Manchester University Press
ISBN 13 : 9780719055201
Total Pages : 296 pages
Book Rating : 4.02/5 ( download)

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Download or read book English Art, 1860-1914 written by David Peters Corbett and published by Manchester University Press. This book was released on 2000 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: In one of the first studies of its kind, Orphan texts seeks to insert the orphan, and the problems its existence poses, in the larger critical areas of the family and childhood in Victorian culture. In doing so, Laura Peters considers certain canonical texts alongside lesser known works from popular culture in order to establish the context in which discourses of orphanhood operated.The study argues that the prevalence of the orphan figure can be explained by considering the family. The family and all it came to represent - legitimacy, race and national belonging - was in crisis. In order to reaffirm itself the family needed a scapegoat: it found one in the orphan figure. As one who embodied the loss of the family, the orphan figure came to represent a dangerous threat to the family; and the family reaffirmed itself through the expulsion of this threatening difference. Orphan texts will be of interest to final year undergraduates, postgraduates, academics and those interested in the areas of Victorian literature, Victorian studies, postcolonial studies, history and popular culture.

Author : David Peters Corbett
Publisher : Manchester University Press
ISBN 13 : 9780719037337
Total Pages : 260 pages
Book Rating : 4.36/5 ( download)

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Download or read book The Modernity of English Art, 1914-30 written by David Peters Corbett and published by Manchester University Press. This book was released on 1997 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The modernity of English art reconceptualises the history of English painting from 1914 to the end of the 1920s. Whereas most accounts have tended to see the period as marked by a tension between the native tradition and Modernism, this ground-breaking book rethinks the 1920s by situating both Modernist and non-Modernist painters within a wider cultural history. Established figures such as Paul Nash, Edward Wadsworth and Wyndham Lewis, as well as lesser-known artists like Charles Sims, John Armstrong and Ethelbert White, are discussed and illustrated in a series of innovative readings within this context. The modernity of English art offers a new account of painting in England after 1914 and argues for a strongly revisionist view of the significance of the modern during this important but neglected period in English art." --

Author : James Fox
Publisher : Cambridge University Press
ISBN 13 : 1107105870
Total Pages : 259 pages
Book Rating : 4.74/5 ( download)

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Download or read book British Art and the First World War, 1914-1924 written by James Fox and published by Cambridge University Press. This book was released on 2015-07-30 with total page 259 pages. Available in PDF, EPUB and Kindle. Book excerpt: Overturning decades of scholarly orthodoxies, James Fox makes a bold new argument about the First World War's cultural consequences.

Author : KarenE. Brown
Publisher : Routledge
ISBN 13 : 1351536419
Total Pages : 200 pages
Book Rating : 4.17/5 ( download)

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Download or read book "Women's Contributions to Visual Culture, 1918?939 " written by KarenE. Brown and published by Routledge. This book was released on 2017-07-05 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt: An exploration of women?s contributions to visual culture in major urban centres between the wars (1918-1939), this collection sheds new light on women?s relationships with the processes of modernism and modernization. Women?s work in a variety of mediums is explored, including design, print, illustration, murals, poster art, and costume design, as well as more conventional forms of painting and sculpture. International in scope, the volume discusses artists and exhibitions from the United Kingdom, Greece, Mexico, France, Ireland and the United States. The contributors place a strong emphasis on archival research yet each addresses contemporary concerns in feminist art history. By focusing on a very specific time period, the essays place a central concern on the history and theory of art and gender and are united by their coherent focus on women?s role in the agency and mediation of artistic production in the interwar period.

Author : Pamela M. Fletcher
Publisher : Routledge
ISBN 13 : 1351771574
Total Pages : 229 pages
Book Rating : 4.73/5 ( download)

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Download or read book Narrating Modernity: The British Problem Picture, 1895-1914 written by Pamela M. Fletcher and published by Routledge. This book was released on 2018-02-05 with total page 229 pages. Available in PDF, EPUB and Kindle. Book excerpt: This title was first published in 2003. Problem pictures were very popular during the Edwardian period. These pictures invited multiple interpretations of modern life and were often slightly risque. Pamela Fletcher explores how these works of art engaged with questions of gender, sexuality and identity during their heyday.

Author : Mengting Yu
Publisher : Springer Nature
ISBN 13 : 9811557055
Total Pages : 220 pages
Book Rating : 4.57/5 ( download)

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Download or read book London’s Women Artists, 1900-1914 written by Mengting Yu and published by Springer Nature. This book was released on 2020-09-16 with total page 220 pages. Available in PDF, EPUB and Kindle. Book excerpt: Drawing on untapped archives, as well as aggregating a wide range of existing published sources, this book recalibrates the understanding of women artists’ roles, outputs and receptions in London during what was indubitably a vibrant and innovative period in the history of British art, and in which the work of their male contemporaries is so well understood. The book takes its starting point from Alicia Foster’s article “Gwen John’s Self-Portrait: Art, Identity and Women Students at the Slade School,” published in 2000, where the expression “a talented and decorative group” was coined to describe common attitudes towards women artists in the late 19th and early 20th century London. This pejorative attribution strongly implied a status less significant to that of their male counterparts. The author challenges this statement's basic tenet by casting a wide net in examining women’s art education from the Slade School of Fine Art, through to the role of its graduates within a selection of London’s exhibition groups, societies and publications. This book also reconstructs ‘from scratch’ the role of the Women’s International Art Club (WIAC), hitherto entirely overlooked in art historical studies of the era. This book will be of interest to students and researchers in art and cultural history, gender studies,and in sociological studies of pre-War World War Britain.

Author : Matthew C. Potter
Publisher : Routledge
ISBN 13 : 0429752679
Total Pages : 262 pages
Book Rating : 4.74/5 ( download)

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Download or read book British Art for Australia, 1860-1953 written by Matthew C. Potter and published by Routledge. This book was released on 2018-12-21 with total page 262 pages. Available in PDF, EPUB and Kindle. Book excerpt: Traditional postcolonial scholarship on art and imperialism emphasises tensions between colonising cores and subjugated peripheries. The ties between London and British white settler colonies have been comparatively neglected. Artworks not only reveal the controlling intentions of imperialist artists in their creation but also the uses to which they were put by others in their afterlives. In many cases they were used to fuel contests over cultural identity which expose a mixture of rifts and consensuses within the British ranks which were frequently assumed to be homogeneous. British Art for Australia, 1860–1953: The Acquisition of Artworks from the United Kingdom by Australian National Galleries represents the first systematic and comparative study of collecting British art in Australia between 1860 and 1953 using the archives of the Australian national galleries and other key Australian and UK institutions. Multiple audiences in the disciplines of art history, cultural history, and museology are addressed by analysing how Australians used British art to carve a distinct identity, which artworks were desirable, economically attainable, and why, and how the acquisition of British art fits into a broader cultural context of the British world. It considers the often competing roles of the British Old Masters (e.g. Romney and Constable), Victorian (e.g. Madox Brown and Millais), and modern artists (e.g. Nash and Spencer) alongside political and economic factors, including the developing global art market, imperial commerce, Australian Federation, the First World War, and the coming of age of the Commonwealth.

Author : Alice Eden
Publisher : Taylor & Francis
ISBN 13 : 135100428X
Total Pages : 323 pages
Book Rating : 4.82/5 ( download)

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Download or read book Spirituality, Feminism, and Pre-Raphaelitism in Modern British Art and Culture written by Alice Eden and published by Taylor & Francis. This book was released on 2024-04-17 with total page 323 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book proposes new understandings of modern life in Britain by bringing constructs of female spirituality centre stage and examining three ‘forgotten’ artists identified with the Pre-Raphaelites and Victorianism. Thomas Cooper Gotch, Robert Anning Bell and Frederick Cayley Robinson are resituated squarely within the tumultuous social and cultural changes of the period. Becoming visible again, in more inclusive histories, allows such artists not only to re-inhabit but to reshape narratives of modernism, reanimating the scholarly discourse and creating a dynamic cultural history of modern Britain expressed through their striking visions of womanhood. This book will be of interest to scholars in art history, gender studies and British studies.

Author : David Peters Corbett
Publisher : John Wiley & Sons
ISBN 13 : 1119170117
Total Pages : 599 pages
Book Rating : 4.12/5 ( download)

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Download or read book A Companion to British Art written by David Peters Corbett and published by John Wiley & Sons. This book was released on 2016-02-16 with total page 599 pages. Available in PDF, EPUB and Kindle. Book excerpt: This companion is a collection of newly-commissioned essays written by leading scholars in the field, providing a comprehensive introduction to British art history. A generously-illustrated collection of newly-commissioned essays which provides a comprehensive introduction to the history of British art Combines original research with a survey of existing scholarship and the state of the field Touches on the whole of the history of British art, from 800-2000, with increasing attention paid to the periods after 1500 Provides the first comprehensive introduction to British art of the eighteenth, nineteenth, and twentieth centuries, one of the most lively and innovative areas of art-historical study Presents in depth the major preoccupations that have emerged from recent scholarship, including aesthetics, gender, British art’s relationship to Modernity, nationhood and nationality, and the institutions of the British art world

Author : Polly Gould
Publisher : Bloomsbury Publishing
ISBN 13 : 1350158356
Total Pages : 320 pages
Book Rating : 4.51/5 ( download)

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Download or read book Antarctica, Art and Archive written by Polly Gould and published by Bloomsbury Publishing. This book was released on 2020-12-10 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: Antarctica, that icy wasteland and extreme environment at the ends of the earth, was - at the beginning of the 20th century - the last frontier of Victorian imperialism, a territory subjected to heroic and sometimes desperate exploration. Now, at the start of the 21st century, Antarctica is the vulnerable landscape behind iconic images of climate change. In this genre-crossing narrative Gould takes us on a journey to the South Pole, through art and archive. Through the life and tragic death of Edward Wilson, polar explorer, doctor, scientist and artist, and his watercolours, and through the work of a pioneer of modern anthropology and opponent of scientific racism, Franz Boas, Gould exposes the legacies of colonialism and racial and gendered identities of the time. Antarctica, the White Continent, far from being a blank - and white - canvas, is revealed to be full of colour. Gould argues that the medium matters and that the practices of observation in art, anthropology and science determine how we see and what we know. Stories of exploration and open-air watercolour painting, of weather experiments and ethnographic collecting, of evolution and extinction, are interwoven to raise important questions for our times. Revisiting Antarctica through the archive becomes the urgent endeavour to imagine an inhabitable planetary future.