Elizabethan Music And Musical Criticism

Author : Morrison Comegys Boyd
Publisher : University of Pennsylvania Press
ISBN 13 : 1512800724
Total Pages : 396 pages
Book Rating : 4.22/5 ( download)

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Download or read book Elizabethan Music and Musical Criticism written by Morrison Comegys Boyd and published by University of Pennsylvania Press. This book was released on 2016-11-11 with total page 396 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas.

Author : Morrison Comegys Boyd
Publisher : Forgotten Books
ISBN 13 : 9780282495251
Total Pages : 396 pages
Book Rating : 4.58/5 ( download)

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Download or read book Elizabethan Music and Musical Criticism (Classic Reprint) written by Morrison Comegys Boyd and published by Forgotten Books. This book was released on 2017-07-21 with total page 396 pages. Available in PDF, EPUB and Kindle. Book excerpt: Excerpt from Elizabethan Music and Musical Criticism Bibliographies 1. Printed Tudor and Jacobean Music and Musical Trea tises 2. Some Modern Books on Elizabethan Music. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Author : Morrison Comegys Boyd
Publisher : University of Pennsylvania Press
ISBN 13 : 1512814652
Total Pages : 392 pages
Book Rating : 4.51/5 ( download)

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Download or read book Elizabethan Music and Musical Criticism written by Morrison Comegys Boyd and published by University of Pennsylvania Press. This book was released on 2016-11-11 with total page 392 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas.

Author : Michael Fleming
Publisher : Boydell & Brewer
ISBN 13 : 1783274212
Total Pages : 326 pages
Book Rating : 4.15/5 ( download)

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Download or read book Music and Instruments of the Elizabethan Age written by Michael Fleming and published by Boydell & Brewer. This book was released on 2021 with total page 326 pages. Available in PDF, EPUB and Kindle. Book excerpt: Uses the rare depictions of musical instruments and musical sources found on the Eglantine Table to understand the musical life of the Elizabethan age and its connection to aspects of culture now treated as separate disciplines ofhistorical study.

Author : Gary Taylor
Publisher : OUP Oxford
ISBN 13 : 0191568554
Total Pages : 1184 pages
Book Rating : 4.58/5 ( download)

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Download or read book Thomas Middleton and Early Modern Textual Culture written by Gary Taylor and published by OUP Oxford. This book was released on 2007-11-22 with total page 1184 pages. Available in PDF, EPUB and Kindle. Book excerpt: Thomas Middleton and Early Modern Textual Culture is not only a companion to The Collected Works of Thomas Middleton, which every scholar of Renaissance literature will find indispensable. It is also essential reading for anyone interested in the history of the book in early modern Europe. The book is divided into two parts. The first part, on 'The Culture', situates Middleton within an historical and theoretical overview of early modern textual production, reproduction, circulation, and reception. An introductory essay by Gary Taylor ('The Order of Persons') surveys lists of persons written by or connected to Middleton, using the complex relationship between textual and social orders to trace the evolution of textual culture in England during the 'Middleton century' (1580-1679). Ten original essays then focus on Middleton's connections to different aspects of textual culture in that century: authorship (by MacD. P. Jackson), manuscripts (Harold Love), legal texts (Edward Geiskes), censorship (Richard Burt), printing (Adrian Weiss), visual texts (John Astington), music (Andrew Sabol), stationers and living authors (Cyndia Clegg), posthumous publishing (Maureen Bell), and early readers (John Jowett). The second part, 'The Texts', supplies the documentation for claims made in the first part. This includes detailed evidence for the canon and chronology of Middleton's works in all genres, greatly extending previous scholarship, and using the latest corpus-based attribution techniques. A full editorial apparatus is supplied for each item in The Collected Works: an Introduction, which summarizes and extends previous scholarship, is followed by textual notes, recording substantive departures from the control-text, variants between early texts, press-variants, discussions of emendations, and (for plays) an exact transcription of all original stage directions. Cross-references make it easy to move between the two volumes. This authoritative account of the early texts includes some extraordinarily complicated cases, which have never before been systematically collated: 'Hence, all you vain delights' (the most popular song lyric from the Renaissance stage), The Two Gates of Salvation, The Peacemaker, and A Game at Chess (the most complex editorial problem in early modern drama, with eight extant texts and numerous reports of the early performances).

Author : John Harley
Publisher : Routledge
ISBN 13 : 135153694X
Total Pages : 332 pages
Book Rating : 4.43/5 ( download)

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Download or read book William Byrd written by John Harley and published by Routledge. This book was released on 2017-07-05 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first comprehensive study of William Byrds life (1540-1623) and works to appear for sixty years, and fully takes into consideration recent scholarship. The biographical section includes many newly discovered facts about Byrd and his family, while in the chapters dealing with his music an attempt is made for the first time to outline the chronology of all his compositions. The book begins with a detailed account of Byrd's life, based on a completely fresh examination of original documents, which are quoted extensively. Several previously known documents have now been identified as being in Byrds hand, and some fresh holographs have been discovered. A number of questions such as his parentage and date of birth have been conclusively settled. The book continues with a survey of Byrds music which pays particular attention to its chronological development, and links it where possible to the events and background of his life. A series of appendices includes additional texts of important documents, and a summary catalogue of works. A bibliography and index complete the book. Besides musical illustrations there is a series of plates illustrating documents and places associated with Byrd.

Author : Linda Phyllis Austern
Publisher : Taylor & Francis
ISBN 13 : 1040117457
Total Pages : 416 pages
Book Rating : 4.53/5 ( download)

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Download or read book Music in English Children's Drama of the Later Renaissance written by Linda Phyllis Austern and published by Taylor & Francis. This book was released on 2024-09-30 with total page 416 pages. Available in PDF, EPUB and Kindle. Book excerpt: Originally published in 1992, Music in English Children’s Drama of the Later Renaissance is the first book-length study to examine the Elizabethan and Jacobean children’s drama, not only from a musicological perspective, but also drawing on the histories of literature, culture, and the theater. It gives the children’s companies new historical significance, showing that they were an integral and ultimately influential part of the London theatrical world. These companies originated important features of later drama, such as music before and between acts, and the exploitation of different timbres for specific effects. Those interested in music history, English literature, theater history, and cultural history will find this a comprehensive and fascinating study. Of special note are the appendices, which offer a unique and important reference source by providing the only definitive list of the plays and songs used by the children.

Author : Joseph M. Ortiz
Publisher : Routledge
ISBN 13 : 1351799002
Total Pages : 166 pages
Book Rating : 4.03/5 ( download)

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Download or read book On the Origin and Progress of the Art of Music by John Taverner written by Joseph M. Ortiz and published by Routledge. This book was released on 2018-09-13 with total page 166 pages. Available in PDF, EPUB and Kindle. Book excerpt: John Taverner’s lectures on music constitute the only extant version of a complete university course in music in early modern England. Originally composed in 1611 in both English and Latin, they were delivered at Gresham College in London between 1611 and 1638, and it is likely that Taverner intended at some point to publish the lectures in the form of a music treatise. The lectures, which Taverner collectively titled De Ortu et Progressu Artis Musicæ ("On the Origin and Progress of the Art of Music"), represent a clear attempt to ground musical education in humanist study, particularly in Latin and Greek philology. Taverner’s reliance on classical and humanist writers attests to the durability of music’s association with rhetoric and philology, an approach to music that is too often assigned to early Tudor England. Taverner is also a noteworthy player in the seventeenth-century Protestant debates over music, explicitly defending music against Reformist polemicists who see music as an overly sensuous activity. In this first published edition of Taverner’s musical writings, Joseph M. Ortiz comprehensively introduces, edits, and annotates the text of the lectures, and an appendix contains the existing Latin version of Taverner’s text. By shedding light on a neglected figure in English Renaissance music history, this edition is a significant contribution to the study of musical thought in Renaissance England, humanism, Protestant Reformism, and the history of education.

Author : Morrison Comegys Boyd
Publisher :
ISBN 13 :
Total Pages : 363 pages
Book Rating : 4.32/5 ( download)

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Download or read book Elizabethan music and musical criticicm written by Morrison Comegys Boyd and published by . This book was released on 1962 with total page 363 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Author : Suzanne Lord
Publisher : Bloomsbury Publishing USA
ISBN 13 : 0313052689
Total Pages : 264 pages
Book Rating : 4.82/5 ( download)

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Download or read book Music from the Age of Shakespeare written by Suzanne Lord and published by Bloomsbury Publishing USA. This book was released on 2003-09-30 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book introduces every important aspect of the Elizabethan music world. In ten scrupulously researched yet accessible chapters, Lord examines the lives of composers, the evolution of musical instruments, the Elizabethan system of musical notation, and the many textures and traditions of Elizabethan music. Biographical entries introduce the most significant and prolific composers as well as the members of royal society who influenced Elizabethan musical culture. Both familiar and obscure instruments of the era are described with focus on their musical and social contexts. Various types of music are defined and illustrated, along with an explanation of the musical notation used during this era. Chapter bibliographies, glossaries, and an index provide additional tools for both the novice and the experienced student of music and music history. When Elizabeth ascended to the throne in 1558, England was undergoing tremendous upheaval. Power struggles between Protestants and Catholics shaped the English music world as musicians' livelihoods were directly linked to their religious allegiances. Music became a form of strategy within court politics, and secular music evolved through the musical and poetic influences of the Italian Renaissance. Events of the day were told and retold through music, class and social differences were sung with relish, and rituals of love and life were set to story and song. When England defeated the vaunted Spanish Armada in 1588, a victorious nation expressed its jubilance through music.