Early Film Theories in Italy, 1896-1922

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Publisher :
ISBN 13 : 9789089648556
Total Pages : 0 pages
Book Rating : 4.50/5 ( download)

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Book Synopsis Early Film Theories in Italy, 1896-1922 by : Francesco Casetti

Download or read book Early Film Theories in Italy, 1896-1922 written by Francesco Casetti and published by . This book was released on 2017 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: About the Editors -- Index of Names -- Index of Concepts -- Index of Films

Proibito!

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Publisher : McFarland
ISBN 13 : 1476650365
Total Pages : 281 pages
Book Rating : 4.64/5 ( download)

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Book Synopsis Proibito! by : Roberto Curti

Download or read book Proibito! written by Roberto Curti and published by McFarland. This book was released on 2023-09-20 with total page 281 pages. Available in PDF, EPUB and Kindle. Book excerpt: From its birth in 1913 to its abolition in 2021, film censorship marked the history of Italian cinema, and its evolution mirrored the social, political, and cultural travail of the country. During the Fascist regime and in the postwar period, censorship was a powerful political tool in the hands of the ruling party; many films were banned or severely cut. By the end of the 1960s, censors had to cope with the changing morals and the widespread diffusion of sexuality in popular culture, which led to the boom of hardcore pornography. With the crisis of the national industry and the growing influence of television, censorship gradually changed its focus and targets. The book analyzes Italian film censorship from its early days to the present, discussing the most controversial cases and protagonists. These include such notorious works as Last Tango in Paris and Salo, or the 120 Days of Sodom, and groundbreaking filmmakers such as Luchino Visconti, Federico Fellini and Pier Paolo Pasolini, who pushed the limits of what was acceptable on screen, causing scandal and public debate.

New Perspectives on Early Cinema History

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Publisher : Bloomsbury Publishing
ISBN 13 : 1350181994
Total Pages : 305 pages
Book Rating : 4.91/5 ( download)

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Book Synopsis New Perspectives on Early Cinema History by : Mario Slugan

Download or read book New Perspectives on Early Cinema History written by Mario Slugan and published by Bloomsbury Publishing. This book was released on 2022-06-02 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this book, editors Mario Slugan and Daniël Biltereyst present a theoretical reconceptualization of early cinema. To do so, they highlight the latest methods and tools for analysis, and cast new light on the experience of early cinema through the application of these concepts and methods. The international host of contributors evaluate examples of early cinema across the globe, including The May Irwin Kiss (1896), Un homme de têtes (1900), The Terrible Turkish Executioner (1904) and Tom Tom the Piper's Son (1905). In doing so, they address the periodization of the era, emphasizing the recent boon in the availability of primary materials, the rise of digital technologies, the developments in new cinema history, and the persistence of some conceptualizations as key incentives for rethinking early cinema in theoretical and methodological terms. They go on to highlight cutting-edge approaches to the study of early cinema, including the use of the Mediathread Platform, the formation of new datasets with the help of digital technologies, and exploring the early era in non-western cultures. Finally, the contributors revisit early cinema audiences and exhibition contexts by investigating some of the earliest screenings in Denmark and the US, exploring the details of black cinema going in Harlem, and examining exhibition practices in Germany.

The Oxford Handbook of Film Theory

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Publisher : Oxford University Press
ISBN 13 : 0190873922
Total Pages : 713 pages
Book Rating : 4.29/5 ( download)

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Book Synopsis The Oxford Handbook of Film Theory by : Kyle Stevens

Download or read book The Oxford Handbook of Film Theory written by Kyle Stevens and published by Oxford University Press. This book was released on 2022 with total page 713 pages. Available in PDF, EPUB and Kindle. Book excerpt: Despite changes in the media landscape, film remains a vital force in contemporary culture, as do our ideas of what "a movie" or "the cinematic" are. Indeed, we might say that the category of film now only exists in theory. Whereas film-theoretical discussion at the turn of the 21st century was preoccupied, understandably, by digital technology's permeation of virtually all aspects of the film object, this volume moves the conversation away from a focus on film's materiality towards timely questions concerning the ethics, politics, and even aesthetics of thinking about the medium of cinema. To put it another way, this collection narrows in on the subject of film, not with a nostalgic sensibility, but with the recognition that what constitutes a film is historically contingent, in dialogue with the vicissitudes of entertainment, art, and empire. The volume is divided into six sections: Meta-Theory; Film Theory's Project of Emancipation; Apparatus and Perception; Audiovisuality; How Close is Close Reading?; and The Turn to Experience.

Death by Laughter

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Publisher : Columbia University Press
ISBN 13 : 023155981X
Total Pages : 634 pages
Book Rating : 4.12/5 ( download)

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Book Synopsis Death by Laughter by : Maggie Hennefeld

Download or read book Death by Laughter written by Maggie Hennefeld and published by Columbia University Press. This book was released on 2024-03-19 with total page 634 pages. Available in PDF, EPUB and Kindle. Book excerpt: Can you really die from laughing too hard? Between 1870 and 1920, hundreds of women suffered such a fate—or so a slew of sensationalist obituaries would have us believe. How could laughter be fatal, and what do these reports of women’s risible deaths tell us about the politics of female joy? Maggie Hennefeld reveals the forgotten histories of “hysterical laughter,” exploring how women’s amusement has been theorized and demonized, suppressed and exploited. In nineteenth-century medicine and culture, hysteria was an ailment that afflicted unruly women on the cusp of emotional or nervous breakdown. Cinema, Hennefeld argues, made it possible for women to laugh outrageously as never before, with irreversible social and political consequences. As female enjoyment became a surefire promise of profitability, alarmist tales of women laughing themselves to death epitomized the tension between subversive pleasure and its violent repression. Hennefeld traces the social politics of women’s laughter from the heyday of nineteenth-century sentimentalism to the collective euphoria of early film spectatorship, traversing contagious dancing outbreaks, hysteria photography, madwomen’s cackling, cinematic close-ups, and screenings of slapstick movies in mental asylums. Placing little-known silent films and an archive of remarkable, often unusual texts in conversation with affect theory, comedy studies, and feminist film theory, this book makes a timely case for the power of hysterical laughter to change the world.

The Anthem Handbook of Screen Theory

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Publisher : Anthem Press
ISBN 13 : 1783088249
Total Pages : 374 pages
Book Rating : 4.49/5 ( download)

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Book Synopsis The Anthem Handbook of Screen Theory by : Hunter Vaughan

Download or read book The Anthem Handbook of Screen Theory written by Hunter Vaughan and published by Anthem Press. This book was released on 2018-07-30 with total page 374 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Anthem Handbook of Screen Theory offers a unique and progressive survey of screen theory and how it can be applied to a range of moving-image texts and sociocultural contexts. Focusing on the “handbook” angle, the book includes only original essays from established authors in the field and new scholars on the cutting edge of helping screen theory evolve for the twenty-first-century vistas of new media, social shifts and geopolitical change. This method guarantees a strong foundation and clarity for the canon of film theory, while also situating it as part of a larger genealogy of art theories and critical thought, and reveals the relevance and utility of film theories and concepts to a wide array of expressive practices and specified arguments. The Anthem Handbook of Screen Theory is at once inclusive, applicable and a chance for writers to innovate and really play with where they think the field is, can and should be heading.

Modernist Idealism

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Publisher : University of Toronto Press
ISBN 13 : 148752868X
Total Pages : 401 pages
Book Rating : 4.83/5 ( download)

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Book Synopsis Modernist Idealism by : Michael J. Subialka

Download or read book Modernist Idealism written by Michael J. Subialka and published by University of Toronto Press. This book was released on 2021-11-01 with total page 401 pages. Available in PDF, EPUB and Kindle. Book excerpt: Offering a new approach to the intersection of literature and philosophy, Modernist Idealism contends that certain models of idealist thought require artistic form for their full development and that modernism realizes philosophical idealism in aesthetic form. This comparative view of modernism employs tools from intellectual history, literary analysis, and philosophical critique, focusing on the Italian reception of German idealist thought from the mid-1800s to the Second World War. Modernist Idealism intervenes in ongoing debates about the nineteenth- and twentieth-century resurgence of materialism and spiritualism, as well as the relation of decadent, avant-garde, and modernist production. Michael J. Subialka aims to open new discursive space for the philosophical study of modernist literary and visual culture, considering not only philosophical and literary texts but also early cinema. The author’s main contention is that, in various media and with sometimes radically different political and cultural aims, a host of modernist artists and thinkers can be seen as sharing in a project to realize idealist philosophical worldviews in aesthetic form.

Performing History

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Publisher : Academic Studies PRess
ISBN 13 : 1644694468
Total Pages : 281 pages
Book Rating : 4.66/5 ( download)

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Book Synopsis Performing History by : Nancy November

Download or read book Performing History written by Nancy November and published by Academic Studies PRess. This book was released on 2020-08-25 with total page 281 pages. Available in PDF, EPUB and Kindle. Book excerpt: The fifteen essays of Performing History glimpse the diverse ways music historians “do” history, and the diverse ways in which music histories matter. This book’s chapters are structured into six key areas: historically informed performance; ethnomusicological perspectives; particular musical works that “tell,” “enact,” or “perform” war histories; operatic works that works that “tell,” “enact,” or “perform” power or enlightenment; musical works that deploy the body and a broad range of senses to convey histories; and histories involving popular music and performance. Diverse lines of evidence and manifold methodologies are represented here, ranging from traditional historical archival research to interviewing, performing, and composing. The modes of analyzing music and its associated texts represented here are as various as the kinds of evidence explored, including, for example, reading historical accounts against other contextual backdrops, and reading “between the lines” to access other voices than those provided by mainstream interpretation or traditional musicology.

Ends of Cinema

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Publisher : U of Minnesota Press
ISBN 13 : 1452965064
Total Pages : 246 pages
Book Rating : 4.62/5 ( download)

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Book Synopsis Ends of Cinema by : Richard Grusin

Download or read book Ends of Cinema written by Richard Grusin and published by U of Minnesota Press. This book was released on 2020-12-29 with total page 246 pages. Available in PDF, EPUB and Kindle. Book excerpt: At the dawn of the digital era in the final decades of the twentieth century, film and media studies scholars grappled with the prospective end of what was deemed cinema: analog celluloid production, darkened public movie theaters, festival culture. The notion of the “end of cinema” had already been broached repeatedly over the course of the twentieth century—from the introduction of sound and color to the advent of television and video—and in Ends of Cinema, contributors reinvigorate this debate to contemplate the ends, as well as directions and new beginnings, of cinema in the twenty-first century. In this volume, scholars at the forefront of film and media studies interrogate multiple potential “ends” of cinema: its goals and spaces, its relationship to postcinema, its racial dynamics and environmental implications, and its theoretical and historical conclusions. Moving beyond the predictable question of digital versus analog, the scholars gathered here rely on critical theory and historical research to consider cinema alongside its media companions: television, the gallery space, digital media, and theatrical environments. Ends of Cinema underscores the shared project of film and media studies to open up what seems closed off, and to continually reinvent approaches that seem unresponsive. Contributors: Caetlin Benson-Allott, Georgetown U; James Leo Cahill, U of Toronto; Francesco Casetti, Yale U; Mary Ann Doane, U of California Berkeley; André Gaudreault, U de Montréal; Michael Boyce Gillespie, City College of New York; Mark Paul Meyer, EYE Filmmuseum; Jennifer Lynn Peterson, Woodbury U, Los Angeles; Amy Villarejo, Cornell U.

Journeys on Screen

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Publisher : Edinburgh University Press
ISBN 13 : 1474421849
Total Pages : 312 pages
Book Rating : 4.43/5 ( download)

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Book Synopsis Journeys on Screen by : Louis Bayman

Download or read book Journeys on Screen written by Louis Bayman and published by Edinburgh University Press. This book was released on 2018-11-14 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: Addressing the appeal of the journey narrative from pre-cinema to new media and through documentary, fiction and the spaces between, this collection reveals the journey to be a persistent presence across cinema and in cultural modernity.