Download Early Discourses On Colour And Cinema full books in PDF, epub, and Kindle. Read online Early Discourses On Colour And Cinema ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Author : Eirik Frisvold Hanssen
Publisher :
ISBN 13 :
Total Pages : 216 pages
Book Rating : 4.64/5 ( download)
Download or read book Early Discourses on Colour and Cinema written by Eirik Frisvold Hanssen and published by . This book was released on 2006 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Sarah Street
Publisher : Bloomsbury Publishing
ISBN 13 : 1838715150
Total Pages : 320 pages
Book Rating : 4.51/5 ( download)
Download or read book Colour Films in Britain written by Sarah Street and published by Bloomsbury Publishing. This book was released on 2019-07-25 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: How did the coming of colour change the British film industry? Unlike sound, the arrival of colour did not revolutionise the industry overnight. For British film-makers and enthusiasts, colour was a controversial topic. While it was greeted by some as an exciting development – with scope for developing a uniquely British aesthetic – others were deeply concerned. How would audiences accustomed to seeing black-and-white films – which were commonly regarded as being superior to their garish colour counterparts – react? Yet despite this initial trepidation, colour captivated many British inventors and film-makers. Using different colour processes, these innovators produced films that demonstrated remarkable experimentation and quality. Sarah Street's illuminating study is the first to trace the history of colour in British cinema, and analyses the use of colour in a range of films, both fiction and non-fiction, including The Open Road, The Glorious Adventure, This is Colour, Blithe Spirit, This Happy Breed, Black Narcissus, The Red Shoes, The Tales of Hoffmann and Moulin Rouge. Beautifully illustrated with full colour film stills, this important study provides fascinating insights into the complex process whereby the challenges and opportunities of new technologies are negotiated within creative practice. The book also includes a Technical Appendix by Simon Brown (Kingston University, UK), which provides further details of the range of colour processes used by British film-makers.
Author : Paul Coates
Publisher : Bloomsbury Publishing
ISBN 13 : 1838714987
Total Pages : 384 pages
Book Rating : 4.87/5 ( download)
Download or read book Cinema and Colour written by Paul Coates and published by Bloomsbury Publishing. This book was released on 2019-07-25 with total page 384 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cinema and Colour: The Saturated Image is a major new critical study of the use of colour in cinema. Using the dialectic of colour and monochrome as a starting point, Paul Coates explores the symbolic meanings that colour bears in different cultures, and engages with a range of critical approaches to filmic colour, building on the work of such theorists as Sergei Eisenstein, Rudolf Arnheim and Stanley Cavell. Coates also provides close analyses of films by directors such as Antonioni, Bergman, Godard, Hitchcock, Hou Hsiao-Hsien, Sirk, Kieslowski, Tarkovsky, Von Trier and Zhang Yimou. Coates' focus is on films that deliberately exploit the rich multiplicity of cultural meanings and associations ascribed to colour, including All That Heaven Allows, Deux ou trois choses que je sais d'elle, The Double Life of Véronique, The Flight of the Red Balloon, Red Desert, Schindler's List, Silent Light, Solaris, The Three Colours Trilogy and The Wizard of Oz.
Author : Edward Branigan
Publisher : Routledge
ISBN 13 : 1315317486
Total Pages : 376 pages
Book Rating : 4.89/5 ( download)
Download or read book Tracking Color in Cinema and Art written by Edward Branigan and published by Routledge. This book was released on 2017-10-30 with total page 376 pages. Available in PDF, EPUB and Kindle. Book excerpt: Color is one of cinema’s most alluring formal systems, building on a range of artistic traditions that orchestrate visual cues to tell stories, stage ideas, and elicit feelings. But what if color is not—or not only—a formal system, but instead a linguistic effect, emerging from the slipstream of our talk and embodiment in a world? This book develops a compelling framework from which to understand the mobility of color in art and mind, where color impressions are seen through, and even governed by, patterns of ordinary language use, schemata, memories, and narrative. Edward Branigan draws on the work of Ludwig Wittgenstein and other philosophers who struggle valiantly with problems of color aesthetics, contemporary theories of film and narrative, and art-historical models of analysis. Examples of a variety of media, from American pop art to contemporary European cinema, illustrate a theory based on a spectator’s present-time tracking of temporal patterns that are firmly entwined with language use and social intelligence.
Author : Laurence Petit
Publisher : Cambridge Scholars Publishing
ISBN 13 : 1443859338
Total Pages : 560 pages
Book Rating : 4.32/5 ( download)
Download or read book Picturing the Language of Images written by Laurence Petit and published by Cambridge Scholars Publishing. This book was released on 2014-04-11 with total page 560 pages. Available in PDF, EPUB and Kindle. Book excerpt: Picturing the Language of Images is a collection of thirty-three previously unpublished essays that explore the complex and ever-evolving interaction between the verbal and the visual. The uniqueness of this volume lies in its bringing together scholars from around the world to provide a broad synchronic and diachronic exploration of the relationship between text and image, as well as a reflection on the limits of representation through a re-thinking of the very acts of reading and viewing. While covering a variety of media—such as literature, painting, photography, film and comics—across time—from the 18th century to the 21st century—this collection also provides a special focus on the work of particular authors, such as A. S. Byatt, W. G. Sebald, and Art Spiegelman.
Author : Wendy Ellen Everett
Publisher : Peter Lang
ISBN 13 : 9783039113538
Total Pages : 248 pages
Book Rating : 4.34/5 ( download)
Download or read book Questions of Colour in Cinema written by Wendy Ellen Everett and published by Peter Lang. This book was released on 2007 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: In a series of wide-ranging critical essays, this volume explores the shifting technologies, theories, and practices of colour in cinema, highlighting the intricate relationship between technological, philosophical and artistic concerns, and making a complelling case for colour as a dominant and complex signifier in filmic discourse.
Author : Richard Misek
Publisher : John Wiley & Sons
ISBN 13 : 1444332392
Total Pages : 250 pages
Book Rating : 4.91/5 ( download)
Download or read book Chromatic Cinema written by Richard Misek and published by John Wiley & Sons. This book was released on 2010-04-26 with total page 250 pages. Available in PDF, EPUB and Kindle. Book excerpt: Chromatic Cinema Color permeates film and its history, but study of its contribution to film has so far been fragmentary. Chromatic Cinema provides the first wide-ranging historical overview of screen color, exploring the changing uses and meanings of color in moving images, from hand painting in early skirt dance films to current trends in digital color manipulation. In this richly illustrated study, Richard Misek offers both a history and a theory of screen color. He argues that cinematic color emerged from, defined itself in response to, and has evolved in symbiosis with black and white. Exploring the technological, cultural, economic, and artistic factors that have defined this evolving symbiosis, Misek provides an in-depth yet accessible account of color’s spread through, and ultimate effacement of, black-and-white cinema.
Author : Lenny Lipton
Publisher : Springer Nature
ISBN 13 : 1071609513
Total Pages : 795 pages
Book Rating : 4.14/5 ( download)
Download or read book The Cinema in Flux written by Lenny Lipton and published by Springer Nature. This book was released on 2021-04-07 with total page 795 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first of its kind, this book traces the evolution of motion picture technology in its entirety. Beginning with Huygens' magic lantern and ending in the current electronic era, it explains cinema’s scientific foundations and the development of parallel enabling technologies alongside the lives of the innovators. Product development issues, business and marketplace factors, the interaction of aesthetic and technological demands, and the patent system all play key roles in the tale. The topics are covered sequentially, with detailed discussion of the transition from the magic lantern to Edison’s invention of the 35mm camera, the development of the celluloid cinema, and the transition from celluloid to digital. Unique and essential reading from a lifetime innovator in the field of cinema technology, this engaging and well-illustrated book will appeal to anyone interested in the history and science of cinema, from movie buffs to academics and members of the motion picture industry.
Author : Joshua Yumibe
Publisher : Rutgers University Press
ISBN 13 : 0813552982
Total Pages : 215 pages
Book Rating : 4.89/5 ( download)
Download or read book Moving Color written by Joshua Yumibe and published by Rutgers University Press. This book was released on 2012-07-17 with total page 215 pages. Available in PDF, EPUB and Kindle. Book excerpt: Color was used in film well before The Wizard of Oz. Thomas Edison, for example, projected two-colored films at his first public screening in New York City on April 23, 1896. These first colors of early cinema were not photographic; they were applied manually through a variety of laborious processes—most commonly by the hand-coloring and stenciling of prints frame by frame, and the tinting and toning of films in vats of chemical dyes. The results were remarkably beautiful. Moving Color is the first book-length study of the beginnings of color cinema. Looking backward, Joshua Yumibe traces the legacy of color history from the beginning of the nineteenth century to the cinema of the early twentieth century. Looking forward, he explores the implications of this genealogy on experimental and contemporary digital cinemas in which many colors have become, once again, vividly unhinged from photographic reality. Throughout this history, Moving Color revolves around questions pertaining to the sensuousness of color: how color moves us in the cinema—visually, emotionally, and physically.
Author : Jennifer Lynn Peterson
Publisher : Duke University Press
ISBN 13 : 0822378914
Total Pages : 402 pages
Book Rating : 4.14/5 ( download)
Download or read book Education in the School of Dreams written by Jennifer Lynn Peterson and published by Duke University Press. This book was released on 2013-05-22 with total page 402 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the earliest years of cinema, travelogues were a staple of variety film programs in commercial motion picture theaters. These short films, also known as "scenics," depicted tourist destinations and exotic landscapes otherwise inaccessible to most viewers. Scenics were so popular that they were briefly touted as the future of film. But despite their pervasiveness during the early twentieth century, travelogues have been overlooked by film historians and critics. In Education in the School of Dreams, Jennifer Lynn Peterson recovers this lost archive. Through innovative readings of travelogues and other nonfiction films exhibited in the United States between 1907 and 1915, she offers fresh insights into the aesthetic and commercial history of early cinema and provides a new perspective on the intersection of American culture, imperialism, and modernity in the nickelodeon era. Peterson describes the travelogue's characteristic form and style and demonstrates how imperialist ideologies were realized and reshaped through the moving image. She argues that although educational films were intended to legitimate filmgoing for middle-class audiences, travelogues were not simply vehicles for elite ideology. As a form of instructive entertainment, these technological moving landscapes were both formulaic and also wondrous and dreamlike. Considering issues of spectatorship and affect, Peterson argues that scenics produced and disrupted viewers' complacency about their own place in the world.
