Download Dramatic Theories Of Voice In The Twentieth Century full books in PDF, epub, and Kindle. Read online Dramatic Theories Of Voice In The Twentieth Century ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Author : Andrew Kimbrough
Publisher : Cambria Press
ISBN 13 : 1621969371
Total Pages : 334 pages
Book Rating : 4.72/5 ( download)
Download or read book Dramatic Theories of Voice in the Twentieth Century written by Andrew Kimbrough and published by Cambria Press. This book was released on 2010 with total page 334 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Jelena Novak
Publisher : Routledge
ISBN 13 : 1317077202
Total Pages : 192 pages
Book Rating : 4.06/5 ( download)
Download or read book Postopera: Reinventing the Voice-Body written by Jelena Novak and published by Routledge. This book was released on 2016-03-09 with total page 192 pages. Available in PDF, EPUB and Kindle. Book excerpt: Both in opera studies and in most operatic works, the singing body is often taken for granted. In Postopera: Reinventing the Voice-Body, Jelena Novak reintroduces an awareness of the physicality of the singing body to opera studies. Arguing that the voice-body relationship itself is a producer of meaning, she furthermore posits this relationship as one of the major driving forces in recent opera. She takes as her focus six contemporary operas - La Belle et la Bête (Philip Glass), Writing to Vermeer (Louis Andriessen, Peter Greenaway), Three Tales (Steve Reich, Beryl Korot), One (Michel van der Aa), Homeland (Laurie Anderson), and La Commedia (Louis Andriessen, Hal Hartley) - which she terms 'postoperas'. These pieces are sites for creative exploration, where the boundaries of the opera world are stretched. Central to this is the impact of new media, a de-synchronization between image and sound, or a redefinition of body-voice-gender relationships. Novak dissects the singing body as a set of rules, protocols, effects, and strategies. That dissection shows how the singing body acts within the world of opera, what interventions it makes, and how it constitutes opera’s meanings.
Author : Sonia Massai
Publisher : Cambridge University Press
ISBN 13 : 1108429629
Total Pages : 251 pages
Book Rating : 4.27/5 ( download)
Download or read book Shakespeare's Accents written by Sonia Massai and published by Cambridge University Press. This book was released on 2020-04-09 with total page 251 pages. Available in PDF, EPUB and Kindle. Book excerpt: A history of the reception of Shakespeare on the English stage focusing on the vocal dimensions of theatrical performance.
Author : Tara McAllister-Viel
Publisher : Routledge
ISBN 13 : 1351613901
Total Pages : 218 pages
Book Rating : 4.03/5 ( download)
Download or read book Training Actors' Voices written by Tara McAllister-Viel and published by Routledge. This book was released on 2018-08-06 with total page 218 pages. Available in PDF, EPUB and Kindle. Book excerpt: Contemporary actor training in the US and UK has become increasingly multicultural and multilinguistic. Border-crossing, cross-cultural exchange in contemporary theatre practices, and the rise of the intercultural actor has meant that actor training today has been shaped by multiple modes of training and differing worldviews. How might mainstream Anglo-American voice training for actors address the needs of students who bring multiple worldviews into the training studio? When several vocal training traditions are learned simultaneously, how does this shift the way actors think, talk, and perform? How does this change the way actors understand what a voice is? What it can/should do? How it can/should do it? Using adaptations of a traditional Korean vocal art, p’ansori, with adaptations of the "natural" or "free" voice approach, Tara McAllister-Viel offers an alternative approach to training actors’ voices by (re)considering the materials of training: breath, sound, "presence," and text. This work contributes to ongoing discussions about the future of voice pedagogy in theatre, for those practitioners and scholars interested in performance studies, ethnomusicology, voice studies, and intercultural theories and practices.
Author : Lisa Peck
Publisher : Taylor & Francis
ISBN 13 : 1040092853
Total Pages : 301 pages
Book Rating : 4.59/5 ( download)
Download or read book Critical Acting Pedagogy written by Lisa Peck and published by Taylor & Francis. This book was released on 2024-08-01 with total page 301 pages. Available in PDF, EPUB and Kindle. Book excerpt: Critical Acting Pedagogy: Intersectional Approaches invites readers to think about pedagogy in actor training as a research field in its own right: to sit with the complex challenges, risks, and rewards of the acting studio; to recognise the shared vulnerability, courage, and love that defines our field and underpins our practices. This collection of chapters, from a diverse group of acting teachers at different points in their careers, working in conservatoires and universities, illuminates current developments in decolonising studios to foreground multiple and intersecting identities in the pedagogic exchange. In acknowledging how their positionality affects their practices and materials, 20 acting teachers from the United Kingdom, the United States, Europe, and Oceania offer practical tools for the social justice acting classroom, with rich insights for developing critical acting pedagogies. Authors test and develop research approaches, drawn from social sciences, to tackle dominant ideologies in organisation, curriculum, and methodologies of actor training. This collection frames current efforts to promote equality, diversity, and inclusivity in the studio. It contributes to the collective movement to improve current educational practice in acting, prioritising well-being, and centering the student experience.
Author :
Publisher : BRILL
ISBN 13 : 9004304401
Total Pages : 359 pages
Book Rating : 4.06/5 ( download)
Download or read book Sound Effects: The Object Voice in Fiction written by and published by BRILL. This book was released on 2015-09-01 with total page 359 pages. Available in PDF, EPUB and Kindle. Book excerpt: Sound Effects combines literary criticism and psychoanalytic theory in eleven original articles which explore the potential of the object voice as an analytic tool to approach fiction. Alongside the gaze, the voice is Jacques Lacan’s original addition to the set of partial objects of classical psychoanalysis, and has only recently been theorised by Mladen Dolar in A Voice and Nothing More (2006). With notable exceptions like Garrett Stewart’s Reading Voices (1990), the sonorous element in fiction has received little scholarly attention in comparison with poetry and drama. Sound Effects is a contribution to the burgeoning field of sound studies, and sets out to fill this gap through selective readings of English and American fiction of the last two hundred years. Contributors: Fred Botting, Natalja Chestopalova, Mladen Dolar, Matt Foley, Alex Hope, Phillip Mahoney, Sylvia Mieszkowski, Jorge Sacido-Romero, Marcin Stawiarski, Garrett Stewart, Peter Weise, and Bruce Wyse.
Author : M. Inchley
Publisher : Springer
ISBN 13 : 1137432330
Total Pages : 190 pages
Book Rating : 4.39/5 ( download)
Download or read book Voice and New Writing, 1997-2007 written by M. Inchley and published by Springer. This book was released on 2015-03-14 with total page 190 pages. Available in PDF, EPUB and Kindle. Book excerpt: In New Labour's empathetic regime, how did diverse voices scrutinize its etiquettes of articulation and audibility? Using the voice as cultural evidence, Voice and New Writing explores what it means to 'have' a voice in mainstream theatre and for newly included voices to negotiate with the institutions that 'find' and 'represent' their identities.
Author : Mladen Ovadija
Publisher : McGill-Queen's Press - MQUP
ISBN 13 : 0773588671
Total Pages : 261 pages
Book Rating : 4.77/5 ( download)
Download or read book Dramaturgy of Sound in the Avant-garde and Postdramatic Theatre written by Mladen Ovadija and published by McGill-Queen's Press - MQUP. This book was released on 2013-07-01 with total page 261 pages. Available in PDF, EPUB and Kindle. Book excerpt: Sound is born and dies with action. In this surprising, resourceful study, Mladen Ovadija makes a case for the centrality of sound as an integral element of contemporary theatre. He argues that sound in theatre inevitably "betrays" the dramatic text, and that sound is performance. Until recently, theatrical sound has largely been regarded as supplemental to the dramatic plot. Now, however, sound is the subject of renewed interest in theatrical discourse. Dramaturgy of sound, Ovadija argues, reads and writes a theatrical idiom based on two inseparable, intertwined strands - the gestural, corporeal power of the performer’s voice and the structural value of stage sound. His extensive research in experimental performance and his examination of the pioneering work by Futurists, Dadaists, and Expressionists enable Ovadija to create a powerful study of autonomous sound as an essential element in the creation of synesthetic theatre. Dramaturgy of Sound in the Avant-garde and Postdramatic Theatre presents a cogent argument about a continuous tradition in experimental theatre running from early modernist to contemporary works.
Author : Brad Krumholz
Publisher : Bloomsbury Publishing
ISBN 13 : 1350236985
Total Pages : 225 pages
Book Rating : 4.81/5 ( download)
Download or read book Why Do Actors Train? written by Brad Krumholz and published by Bloomsbury Publishing. This book was released on 2023-01-26 with total page 225 pages. Available in PDF, EPUB and Kindle. Book excerpt: How are we to understand the actor's work as a fully embodied process? 'Embodied cognition' is a branch of contemporary philosophy which attempts to frame human understanding as fully embodied interaction with the environment. Engaging with ideas of contemporary significance from neuroscience, psychology, linguistics, and philosophy, Why Do Actors Train? challenges the outmoded dualistic notions of body and mind that permeate common conceptions of how actors work. Theories of embodiment are drawn up to shed important light on the ways and reasons actors do what they do. Through detailed, step-by-step analyses of specific actor-training exercises, the author examines the tools that actors use to bring life and meaning to the stage. This book provides theatre practitioners and scholars alike with a new lens to re-examine the craft of acting, offering a framework to understand the art form as one that is fundamentally grounded in embodied experience.
Author : Susan Bennett
Publisher : Bloomsbury Publishing
ISBN 13 : 1474246451
Total Pages : 168 pages
Book Rating : 4.53/5 ( download)
Download or read book Theory for Theatre Studies: Sound written by Susan Bennett and published by Bloomsbury Publishing. This book was released on 2019-05-16 with total page 168 pages. Available in PDF, EPUB and Kindle. Book excerpt: Sound provides a lively and engaging overview of relevant critical theory for students and researchers in theatre and performance studies. Addressing sound across history and through progressive developments in relevant technologies, the volume opens up the study of theatrical production and live performance to understand conceptual and pragmatic concerns about the sonic. By way of developed case studies (including Aristophanes's The Frogs, Shakespeare's The Tempest, Cocteau's The Human Voice, and Rimini Protokoll's Situation Rooms), readers can explore new methodologies and approaches for their own work on sound as a performance component. In an engagement with the burgeoning interdisciplinary field of sound studies, this book samples exciting new thinking relevant to theatre and performance studies. Part of the Theory for Theatre Studies series which introduces core theoretical concepts that underpin the discipline, Sound provides a balance of essential background information and new scholarship, and is grounded in detailed examples that illuminate and equip readers for their own sonic explorations. Volumes follow a consistent three-part structure: a historical overview of how the term has been understood within the discipline; more recent developments illustrated by substantive case studies; and emergent trends and interdisciplinary connections. Volumes are supported by further online resources including chapter overviews, illustrative material and guiding questions. Online resources to accompany this book are available at: https://bloomsbury.com/uk/theory-for-theatre-studies-sound-9781474246460/
