Cuban Music From A To Z

Author : Helio Orovio
Publisher : Duke University Press
ISBN 13 : 9780822332121
Total Pages : 252 pages
Book Rating : 4.24/5 ( download)

DOWNLOAD NOW!

Download or read book Cuban Music from A to Z written by Helio Orovio and published by Duke University Press. This book was released on 2004-03-12 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: DIVThe definitive guide to the composers, artists, bands, musical instruments, dances, and institutions of Cuban music./div

Author :
Publisher :
ISBN 13 :
Total Pages : 199 pages
Book Rating : 4.35/5 ( download)

DOWNLOAD NOW!

Download or read book Popular Cuban Music 80 written by and published by . This book was released on 1939 with total page 199 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Author : Emilio Grenet
Publisher :
ISBN 13 :
Total Pages : 199 pages
Book Rating : 4.92/5 ( download)

DOWNLOAD NOW!

Download or read book Popular Cuban Music written by Emilio Grenet and published by . This book was released on 1934 with total page 199 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Author : Rebecca M. Bodenheimer
Publisher : Univ. Press of Mississippi
ISBN 13 : 1626746842
Total Pages : 328 pages
Book Rating : 4.48/5 ( download)

DOWNLOAD NOW!

Download or read book Geographies of Cubanidad written by Rebecca M. Bodenheimer and published by Univ. Press of Mississippi. This book was released on 2015-07-10 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: Derived from the nationalist writings of José Martí, the concept of Cubanidad (Cubanness) has always imagined a unified hybrid nation where racial difference is nonexistent and nationality trumps all other axes identities. Scholars have critiqued this celebration of racial mixture, highlighting a gap between the claim of racial harmony and the realities of inequality faced by Afro-Cubans since independence in 1898. In this book, Rebecca M. Bodenheimer argues that it is not only the recognition of racial difference that threatens to divide the nation, but that popular regional sentiment further contests the hegemonic national discourse. Given that the music is a prominent symbol of Cubanidad, musical practices play an important role in constructing regional, local, and national identities. This book suggests that regional identity exerts a significant influence on the aesthetic choices made by Cuban musicians. Through the examination of several genres, Bodenheimer explores the various ways that race and place are entangled in contemporary Cuban music. She argues that racialized notions which circulate about different cities affect both the formation of local identity and musical performance. Thus, the musical practices discussed in the book--including rumba, timba, eastern Cuban folklore, and son--are examples of the intersections between regional identity formation, racialized notions of place, and music-making.

Author : Stuart Baker
Publisher :
ISBN 13 : 9781916359802
Total Pages : 180 pages
Book Rating : 4.09/5 ( download)

DOWNLOAD NOW!

Download or read book Cuba: Music and Revolution written by Stuart Baker and published by . This book was released on 2020-10-27 with total page 180 pages. Available in PDF, EPUB and Kindle. Book excerpt: Spanning Cuban music from rumba to salsa, and graphic styles from socialist realist to geometric abstraction, this volume of Cuban record cover art traces a musical form in constant revolution. The first ever book about Cuban record sleeve design, compiled by Gilles Peterson and Stuart Baker, Cuba: Music and Revolutionfeatures hundreds of rarely seen vinyl records from the start of the Cuban Revolution at the beginning of the 1960s up until 1985, when Cuba's Special Period, brought about by the dissolution of the Soviet Union and the withdrawal of Russia's financial support for the Cuban government, led to the demise of vinyl-record manufacturing in Cuba. The artwork here reflects both the cultural and musical depth of Cuba as well as the political influence of revolutionary communism. Over the past century, Cuban music has produced a seemingly endless variety of styles--rumba, mambo, son, salsa--at a dizzyingly fast rate. Since the 1940s a steady stream of Cuban musicians has also made the migration to the US, sparking changes in North American musical forms: bandleader Machito set New York's jazz and Latin scene on fire, and master drummer Chano Pozo's entry into Dizzy Gillespie's group led to the birth of Latin jazz, to name just two. After the Cuban Revolution in 1959, the new government closed American-owned nightclubs and consolidated the island's recording industry under a state-run monopoly. Out of this new socialist agenda came new musical styles, including the Nueva Trova movement of left-wing songwriters. The 1980s saw more experimentation in modernist jazz, salsa and Afro-Cuban folkloric music. Generously illustrated with hundreds of color images, Cuba: Music and Revolutionpresents the history of Cuban record cover art, including many examples previously unseen outside the island itself.

Author : John Ziff
Publisher :
ISBN 13 : 9781422279793
Total Pages : pages
Book Rating : 4.90/5 ( download)

DOWNLOAD NOW!

Download or read book Cuban Music, Dance, and Celebrations written by John Ziff and published by . This book was released on 2018 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:

Author : Raul A. Fernandez
Publisher : Univ of California Press
ISBN 13 : 0520939441
Total Pages : 216 pages
Book Rating : 4.48/5 ( download)

DOWNLOAD NOW!

Download or read book From Afro-Cuban Rhythms to Latin Jazz written by Raul A. Fernandez and published by Univ of California Press. This book was released on 2006-05-23 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores the complexity of Cuban dance music and the webs that connect it, musically and historically, to other Caribbean music, to salsa, and to Latin Jazz. Establishing a scholarly foundation for the study of this music, Raul A. Fernandez introduces a set of terms, definitions, and empirical information that allow for a broader, more informed discussion. He presents fascinating musical biographies of prominent performers Cachao López, Mongo Santamaría, Armando Peraza, Patato Valdés, Francisco Aguabella, Cándido Camero, Chocolate Armenteros, and Celia Cruz. Based on interviews that the author conducted over a nine-year period, these profiles provide in-depth assessments of the musicians’ substantial contributions to both Afro-Cuban music and Latin Jazz. In addition, Fernandez examines the links between Cuban music and other Caribbean musics; analyzes the musical and poetic foundations of the Cuban son form; addresses the salsa phenomenon; and develops the aesthetic construct of sabor, central to Cuban music. Copub: Center for Black Music Research

Author : Cristóbal Díaz Ayala
Publisher : Zinn Communications
ISBN 13 : 9780935016154
Total Pages : 266 pages
Book Rating : 4.55/5 ( download)

DOWNLOAD NOW!

Download or read book The Roots of Salsa written by Cristóbal Díaz Ayala and published by Zinn Communications. This book was released on 1995 with total page 266 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Roots of Salsa is the first English version of the history of Cuban music. This book is a complete and concise history on the Afro-Cuban popular music called Salsa. It includes extensive material on the musicians who developed the musical form and were part of its evolution from Cuba to the United States and beyond.

Author : Maya Roy
Publisher :
ISBN 13 :
Total Pages : 266 pages
Book Rating : 4.58/5 ( download)

DOWNLOAD NOW!

Download or read book Cuban Music written by Maya Roy and published by . This book was released on 2002 with total page 266 pages. Available in PDF, EPUB and Kindle. Book excerpt: Native Americans supplied the maracas. African slaves brought drums and ritual music, and Spaniards brought guitars, brass instruments, and clarinets along with European ballroom dancing. The advent of blues and jazz gave new forms to styles of songs, notably feeling songs, which joined the more traditional styles of trova and bolero. Cuban culture represents a convergence of these diverse backgrounds, and the musical heritage presented in this book reflects these traditions as well. In colonial times, African ritual sounds mixed with Catholic liturgies and brass bands of the Spanish military academies. Ballroom dances, including French music from Haiti popular in 18th-century Havana society, existed side by side with the cabildos (guilds and carnival clubs) and the plantations. The son, considered the expression of Cuban musical identity, had its origins in a rural setting in which African slaves and small farmers from Andalusia worked and played music together, developing many variations over the years, including big band music. Cuban music is now experiencing a major renaissance, and is enjoyed throughout the world.

Author : Raquel Z. Rivera
Publisher : Duke University Press
ISBN 13 : 0822392321
Total Pages : 388 pages
Book Rating : 4.23/5 ( download)

DOWNLOAD NOW!

Download or read book Reggaeton written by Raquel Z. Rivera and published by Duke University Press. This book was released on 2009-04-24 with total page 388 pages. Available in PDF, EPUB and Kindle. Book excerpt: A hybrid of reggae and rap, reggaeton is a music with Spanish-language lyrics and Caribbean aesthetics that has taken Latin America, the United States, and the world by storm. Superstars—including Daddy Yankee, Don Omar, and Ivy Queen—garner international attention, while aspiring performers use digital technologies to create and circulate their own tracks. Reggaeton brings together critical assessments of this wildly popular genre. Journalists, scholars, and artists delve into reggaeton’s local roots and its transnational dissemination; they parse the genre’s aesthetics, particularly in relation to those of hip-hop; and they explore the debates about race, nation, gender, and sexuality generated by the music and its associated cultural practices, from dance to fashion. The collection opens with an in-depth exploration of the social and sonic currents that coalesced into reggaeton in Puerto Rico during the 1990s. Contributors consider reggaeton in relation to that island, Panama, Jamaica, and New York; Cuban society, Miami’s hip-hop scene, and Dominican identity; and other genres including reggae en español, underground, and dancehall reggae. The reggaeton artist Tego Calderón provides a powerful indictment of racism in Latin America, while the hip-hop artist Welmo Romero Joseph discusses the development of reggaeton in Puerto Rico and his refusal to embrace the upstart genre. The collection features interviews with the DJ/rapper El General and the reggae performer Renato, as well as a translation of “Chamaco’s Corner,” the poem that served as the introduction to Daddy Yankee’s debut album. Among the volume’s striking images are photographs from Miguel Luciano’s series Pure Plantainum, a meditation on identity politics in the bling-bling era, and photos taken by the reggaeton videographer Kacho López during the making of the documentary Bling’d: Blood, Diamonds, and Hip-Hop. Contributors. Geoff Baker, Tego Calderón, Carolina Caycedo, Jose Davila, Jan Fairley, Juan Flores, Gallego (José Raúl González), Félix Jiménez, Kacho López, Miguel Luciano, Wayne Marshall, Frances Negrón-Muntaner, Alfredo Nieves Moreno, Ifeoma C. K. Nwankwo, Deborah Pacini Hernandez, Raquel Z. Rivera, Welmo Romero Joseph, Christoph Twickel, Alexandra T. Vazquez