Countercultures And Popular Music

Author : Sheila Whiteley
Publisher : Routledge
ISBN 13 : 131715892X
Total Pages : 316 pages
Book Rating : 4.29/5 ( download)

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Download or read book Countercultures and Popular Music written by Sheila Whiteley and published by Routledge. This book was released on 2016-05-13 with total page 316 pages. Available in PDF, EPUB and Kindle. Book excerpt: ’Counterculture’ emerged as a term in the late 1960s and has been re-deployed in more recent decades in relation to other forms of cultural and socio-political phenomena. This volume provides an essential new academic scrutiny of the concept of ’counterculture’ and a critical examination of the period and its heritage. Recent developments in sociological theory complicate and problematise theories developed in the 1960s, with digital technology, for example, providing an impetus for new understandings of counterculture. Music played a significant part in the way that the counterculture authored space in relation to articulations of community by providing a shared sense of collective identity. Not least, the heady mixture of genres provided a socio-cultural-political backdrop for distinctive musical practices and innovations which, in relation to counterculture ideology, provided a rich experiential setting in which different groups defined their relationship both to the local and international dimensions of the movement, so providing a sense of locality, community and collective identity.

Author : Jedediah Sklower
Publisher :
ISBN 13 : 9781315574479
Total Pages : 295 pages
Book Rating : 4.70/5 ( download)

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Download or read book Countercultures and Popular Music written by Jedediah Sklower and published by . This book was released on 2014 with total page 295 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Author : William Osgerby
Publisher : Cambridge Scholars Publishing
ISBN 13 : 1443867373
Total Pages : 330 pages
Book Rating : 4.75/5 ( download)

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Download or read book Subcultures, Popular Music and Social Change written by William Osgerby and published by Cambridge Scholars Publishing. This book was released on 2014-09-18 with total page 330 pages. Available in PDF, EPUB and Kindle. Book excerpt: Style-based subcultures, scenes and tribes have pulsated through the history of social, economic and political change. From 1940s zoot-suiters and hepcats; through 1950s rock ’n’ rollers, beatniks and Teddy boys; 1960s surfers, rudeboys, mods, hippies and bikers; 1970s skinheads, soul boys, rastas, glam rockers, funksters and punks; on to the heavy metal, hip-hop, casual, goth, rave, hipster and clubber styles of the 1980s, 90s, noughties and beyond; distinctive blends of fashion and music have become a defining feature of the cultural landscape. Research into these phenomena has traversed the social sciences and humanities, and Subcultures, Popular Music and Social Change assembles important theoretical interventions and empirical studies from this rich, interdisciplinary field. Featuring contributions from major scholars and new researchers, the book explores the historical and cultural significance of subcultural styles and their related music genres. Particular attention is given to the relation between subcultures and their historical context, the place of subcultures within patterns of cultural and political change, and their meaning for participants, confederates and opponents. As well as Anglo-American developments, the book considers experiences across a variety of global sites and locales, giving reference to issues such as class, ethnicity, gender, sexuality, creativity, commerce, identity, resistance and deviance.

Author : James E. Perone
Publisher : Greenwood
ISBN 13 : 0313326894
Total Pages : 0 pages
Book Rating : 4.99/5 ( download)

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Download or read book Music of the Counterculture Era written by James E. Perone and published by Greenwood. This book was released on 2004-05-30 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Presents a history of popular music during the 1960s and 1970s and weighs its influence on the art, politics, and culture of the era.

Author : Nadya Zimmerman
Publisher : University of Michigan Press
ISBN 13 : 047203572X
Total Pages : 241 pages
Book Rating : 4.24/5 ( download)

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Download or read book Counterculture Kaleidoscope written by Nadya Zimmerman and published by University of Michigan Press. This book was released on 2013-07-22 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: A bold reconsideration of the meaning of 1960s San Francisco counterculture

Author : JOHN. ROBERTS
Publisher :
ISBN 13 : 9781570273643
Total Pages : 200 pages
Book Rating : 4.42/5 ( download)

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Download or read book Red Days written by JOHN. ROBERTS and published by . This book was released on 2020-06-25 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt: Red Days presents how music and action, music and discourse, experienced a profound re-functioning as definitions of the popular unmoored themselves from the condescending judgements of post-1950s high culture and the sentiment of the old popular culture and the musicologically conformist rock 'n' roll seeking to displace it.

Author : Phil Ford
Publisher : Oxford University Press
ISBN 13 : 0199939926
Total Pages : 336 pages
Book Rating : 4.23/5 ( download)

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Download or read book Dig written by Phil Ford and published by Oxford University Press. This book was released on 2013-07-16 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: Hipness has been an indelible part of America's intellectual and cultural landscape since the 1940s. But the question What is hip? remains a kind of cultural koan, equally intriguing and elusive. In Dig, Phil Ford argues that while hipsters have always used clothing, hairstyle, gesture, and slang to mark their distance from consensus culture, music has consistently been the primary means of resistance, the royal road to hip. Hipness suggests a particular kind of alienation from society--alienation due not to any specific political wrong but to something more radical, a clash of perception and consciousness. From the vantage of hipness, the dominant culture constitutes a system bent on excluding creativity, self-awareness, and self-expression. The hipster's project is thus to define himself against this system, to resist being stamped in its uniform, squarish mold. Ford explores radio shows, films, novels, poems, essays, jokes, and political manifestos, but argues that music more than any other form of expression has shaped the alienated hipster's identity. Indeed, for many avant-garde subcultures music is their raison d'être. Hip intellectuals conceived of sound itself as a way of challenging meaning--that which is cognitive and abstract, timeless and placeless--with experience--that which is embodied, concrete and anchored in place and time. Through Charlie Parker's "Ornithology," Ken Nordine's "Sound Museum," Bob Dylan's "Ballad of a Thin Man," and a range of other illuminating examples, Ford shows why and how music came to be at the center of hipness. Shedding new light on an enigmatic concept, Dig is essential reading for students and scholars of popular music and culture, as well as anyone fascinated by the counterculture movement of the mid-twentieth-century. Publication of this book was supported by the AMS 75 PAYS Endowment of the American Musicological Society, funded in part by the National Endowment for the Humanities and the Andrew W. Mellon Foundation.

Author : Peter Doggett
Publisher : Canongate Books
ISBN 13 : 1847676456
Total Pages : 609 pages
Book Rating : 4.50/5 ( download)

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Download or read book There's A Riot Going On written by Peter Doggett and published by Canongate Books. This book was released on 2007-10-04 with total page 609 pages. Available in PDF, EPUB and Kindle. Book excerpt: Between 1965 and 1972, political activists around the globe prepared to mount a revolution, from the Black Panthers to the Gay Liberation Front, from the Yippies to the IRA. Rock and soul music supplied the revolutionary tide with anthems and iconic imagery; and renowned musicians such as John Lennon, Mick Jagger and Bob Dylan were particularly influential in the movement. This is the definitive account of this unique period in modern history; a compelling portrait of an era when revolutionaries turned into rock stars, and rock stars dressed up as revolutionaries.

Author : Sheila Whiteley
Publisher : Routledge
ISBN 13 : 1134916620
Total Pages : 151 pages
Book Rating : 4.27/5 ( download)

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Download or read book The Space Between the Notes written by Sheila Whiteley and published by Routledge. This book was released on 2003-09-02 with total page 151 pages. Available in PDF, EPUB and Kindle. Book excerpt: A study of sixties and seventies popular music and its related counter-culture. Whiteley illuminates her theories with analysis of key recordings by artists such as The Rolling Stones, Cream and Jimi Hendrix.

Author : Titus Hjelm
Publisher : Equinox Publishing (UK)
ISBN 13 : 9781845539412
Total Pages : 0 pages
Book Rating : 4.19/5 ( download)

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Download or read book Heavy Metal written by Titus Hjelm and published by Equinox Publishing (UK). This book was released on 2013 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Heavy metal is now over 40 years old. It emerged at the tail end of the 1960s in the work of bands including Iron Butterfly, Vanilla Fudge, Jimi Hendrix, Deep Purple, Led Zeppelin and - most importantly - Black Sabbath. In the 1970s and early 1980s, heavy metal crystallised as a genre as bands such as Judas Priest and Iron Maiden removed most of the blues influence on the genre, codifying a set of basic metal characteristics that endure to this day: distorted guitars, aggressive vocals, denim, leather and spikes. In broad terms, wherever it is found and however it is played, metal tends to be dominated by a distinctive commitment to 'transgressive' themes and musicality causing it to be frequently seen as controversial music. Controversies surrounding the alleged (and often documented) connection between heavy metal and, variously, sexual promiscuity, occultism and Satanism, subliminal messages, suicide and violence have all made heavy metal a target of moral panics over popular culture. Metal has variously embraced, rejected, played with and tried to ignore this controversy. At times, the controversy dies down and the previously transgressive becomes relatively harmless - as in the transformation of Ozzy Osbourne from public enemy to loveable dad. Still, metal remains irrevocably marked by its controversial, transgressive tendencies. Indeed, the various moral panics that metal has been subjected to are not only constitutive, at least in part, of metal scenes, but are encoded in metal's transgression itself. As with hiphop's "ghetto" roots, metal's history of extreme sonic, lyrical and visual messages continue to give it credibility with new generations of fans today. The aim of this anthology is to analyse the relationship between heavy metal and society within a global context. It provides a thorough investigation of how and why metal becomes controversial, how metal 'scenes' are formed and examines the relationship between metal and society, including how fans, musicians and the media create the culture of heavy metal. Reviews: "A powerful addition to the metal studies literature, this book is overflowing with insights into the cultural politics of heavy metal music. With lively writing, interdisciplinary approaches, and a global perspective, these chapters offer ideas that have broad implications for the study of popular music scenes and their dynamics, media scandals, the relationship between music and affect, and the role of culture in social life." -- Professor Harris M. BergerTexas A & M University "Heavy Metal: Controversies and Countercultures grants a deeper understanding of how metal's transgressive qualities have come to define how the genre is viewed from both the outside and within...its interdisciplinary and global focus, along with its often enthusiastic and engaging viewpoints, present a fascinating portrait of how the controversy surrounding metal operates within wider society." -- Craig Hayes, PopMatters "The essays...are surprisingly sophisticated conceptually and theoretically, and they demonstrate what can be accomplished by turning high-culture terms and methods on a supposedly low-culture form like heavy metal. Anthropologists have profitably studied other popular culture/music practices, like the 'rave' phenomenon or psytrance events (see for example Graham St. John's Global Tribe: Technology, Spirituality, and Psytrance, reviewed elsewhere in ARD), and I look forward to reading ethnographic studies of heavy metal concerts, performers, and scenes." -- Jack David Eller, Anthropology Review Database, 2013