Contemporary Indian Theatre

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Publisher :
ISBN 13 :
Total Pages : 208 pages
Book Rating : 4.74/5 ( download)

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Book Synopsis Contemporary Indian Theatre by :

Download or read book Contemporary Indian Theatre written by and published by . This book was released on 1989 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Modern Indian Theatre

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Publisher : Oxford India Paperbacks
ISBN 13 : 9780198075066
Total Pages : 0 pages
Book Rating : 4.65/5 ( download)

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Book Synopsis Modern Indian Theatre by : Nandi Bhatia

Download or read book Modern Indian Theatre written by Nandi Bhatia and published by Oxford India Paperbacks. This book was released on 2011 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the late nineteenth century, theatre has played a significant role in shaping social and political awareness in India. It has served to raise concerns in post-Independence India as well. Modern Indian Theatre: A Reader brings together writings that speak to the historical contexts from which theatrical practices emerged-colonization, socio-cultural suppression and appropriation, intercultural transformations brought about by the impact of the colonial forces, and acute critical engagement with socio-political issues brought about by the hopes and failures of Independence. The volume addresses pertinent questions like how drama influences social change, the response of drama to the emergence and domination of mass media and the proliferation and influence of western media in India, and how mediations of gender, class, and caste influence drama, its language, forms, and aesthetics. The Introduction by Nandi Bhatia provides a comprehensive understanding of the interface between Indian theatre and 'modernity'.

Contemporary Indian Theatre

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Publisher :
ISBN 13 : 9788131608562
Total Pages : 0 pages
Book Rating : 4.65/5 ( download)

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Book Synopsis Contemporary Indian Theatre by : Ravi Chaturvedi

Download or read book Contemporary Indian Theatre written by Ravi Chaturvedi and published by . This book was released on 2017 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Crossover of various disciplines is an inherent phenomenon of Indian theatre and performing arts. With the coming of western influence during the colonial, as well as postcolonial, periods the character of modern Indian theatre has metamorphisized, which is often reflected in the theatre. The larger sections of the Indian theatre scene belong to the experimental theatre, which derives its energy and motivation from the classical and folk/tribal theatre, and is an interdisciplinary theatre. Music, dance, acrobatic movements, and gesticulation of emotions are the integral aspects of such theatre. The idea of artistic crossovers in the performing arts does not solely refer to exchanges between artistic disciplines. Art, as a whole, can be seen as a discipline in an interdisciplinary relationship with other fields, such as education or applied sciences. There are also a lot of negotiations between art and subjects that are already interdisciplinary, such as feminism, spirituality, the environment, and more. The discourses on these subjects inspire many artists to experiment in contemporary Indian theatre by mixing forms. The collection presents a varied panoramic view of these artistic crossovers. [Subject: South Asian Studies, India Studies, Theatre Studies, Cultural Studies]

Theatres of Independence

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Publisher : University of Iowa Press
ISBN 13 : 158729642X
Total Pages : 505 pages
Book Rating : 4.20/5 ( download)

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Book Synopsis Theatres of Independence by : Aparna Bhargava Dharwadker

Download or read book Theatres of Independence written by Aparna Bhargava Dharwadker and published by University of Iowa Press. This book was released on 2009-11 with total page 505 pages. Available in PDF, EPUB and Kindle. Book excerpt: Theatres of Independence is the first comprehensive study of drama, theatre, and urban performance in post-independence India. Combining theatre history with theoretical analysis and literary interpretation, Aparna Dharwadker examines the unprecedented conditions for writing and performance that the experience of new nationhood created in a dozen major Indian languages and offers detailed discussions of the major plays, playwrights, directors, dramatic genres, and theories of drama that have made the contemporary Indian stage a vital part of postcolonial and world theatre.The first part of Dharwadker's study deals with the new dramatic canon that emerged after 1950 and the variety of ways in which plays are written, produced, translated, circulated, and received in a multi-lingual national culture. The second part traces the formation of significant postcolonial dramatic genres from their origins in myth, history, folk narrative, sociopolitical experience, and the intertextual connections between Indian, European, British, and American drama. The book's ten appendixes collect extensive documentation of the work of leading playwrights and directors, as well as a record of the contemporary multilingual performance histories of major Indian, Western, and non-Western plays from all periods and genres. Treating drama and theatre as strategically interrelated activities, the study makes post-independence Indian theatre visible as a multifaceted critical subject to scholars of modern drama, comparative theatre, theatre history, and the new national and postcolonial literatures.

Indian Theatre

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Publisher : Motilal Banarsidass Publ.
ISBN 13 : 9788120809819
Total Pages : 518 pages
Book Rating : 4.15/5 ( download)

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Book Synopsis Indian Theatre by : Farley P. Richmond

Download or read book Indian Theatre written by Farley P. Richmond and published by Motilal Banarsidass Publ.. This book was released on 1993 with total page 518 pages. Available in PDF, EPUB and Kindle. Book excerpt: Indian Theatre expands the boundaries of what is usually regarded as theatre in order to explore the multiple dimensions of theatrical performance in India. From rural festivals to contemporary urban theatre, from dramatic rituals and devotional performances to dance-dramas and classical Sanskrit plays, this volume is a vivid introduction to the colourful and often surprising world of Indian performance. Besides mapping the vast range of performance traditions, the volume provides in-depth treatment of representative genres, including well-known forms such as Kathakali and ram lila and little-knowa performances such as tamasha. Each of these chapters explains the historical background of the theatre form under consideration and interprets its dramatic literature, probes its ritual or religious significance, and, where relevant, explores its social and political implications. Moreover, each chapter, except for those on the origins of Indian theatre, concludes with performance notes describing the actual experience of seeing a live performance in its original context. Based on extensive fieldwork, Indian Theatre is the first comprehensive account of the subject to be written by Western specialists and addressed to the needs of readers in the West. It will be a valuable resource for all students of Indian culture and a standard work in the history of theatre and performance for years to come.

Theatre of Roots

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Publisher : Seagull Books Pvt Ltd
ISBN 13 : 9781905422760
Total Pages : 436 pages
Book Rating : 4.68/5 ( download)

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Book Synopsis Theatre of Roots by : Erin B. Mee

Download or read book Theatre of Roots written by Erin B. Mee and published by Seagull Books Pvt Ltd. This book was released on 2008 with total page 436 pages. Available in PDF, EPUB and Kindle. Book excerpt: After Independence, in 1947, in their efforts to create an 'Indian' theatre that was different from the Westernized, colonial theatre, Indian theatre practitioners began returning to their 'roots' in classical dance, religious ritual, martial arts, popular entertainment and aesthetic theory. The Theatre of Roots - as this movement was known - was the first conscious effort at creating a body of work for urban audiences combining modern European theatre with traditional Indian performance while maintaining its distinction from both. By addressing the politics of aesthetics and by challenging the visual practices, performer/spectator relationships, dramaturgical structures and aesthetic goals of colonial performance, the movement offered a strategy for reassessing colonial ideology and culture and for articulating and defining a newly emerging 'India'. Theatre of Roots presents an in-depth analysis of this movement: its innovations, theories, goals, accomplishments, problems and legacies.

Indian Theatre

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Publisher : Psychology Press
ISBN 13 : 070071412X
Total Pages : 246 pages
Book Rating : 4.24/5 ( download)

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Book Synopsis Indian Theatre by : Ralph Yarrow

Download or read book Indian Theatre written by Ralph Yarrow and published by Psychology Press. This book was released on 2001 with total page 246 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work discusses why so many western theatre workers have come to India and what they were looking for. It identifies Indian theatre as a site of reappraisal and renewal both in India and in the world of performance.

Contemporary Group Theatre in Kolkata, India

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Publisher : Routledge
ISBN 13 : 1000068994
Total Pages : 251 pages
Book Rating : 4.93/5 ( download)

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Book Synopsis Contemporary Group Theatre in Kolkata, India by : Arnab Banerji

Download or read book Contemporary Group Theatre in Kolkata, India written by Arnab Banerji and published by Routledge. This book was released on 2020-05-17 with total page 251 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is the first of its kind offering a materialistic semiotic analysis of a non-Western theatre culture: Bengali group theatre. Arnab Banerji fills two lacunas in contemporary theatre scholarship. First, the materialist semiotic approach to studying a non-Western theatre event allows Banerji to critically examine the material conditions in which theatre is created and seen outside the Euro-American context. And second, by shifting the critical lens onto a contemporary urban theatre phenomenon from India, the book attempts to even out the scholastic imbalance in Indian theatre scholarship which has largely focused on folk and classical traditions. The book shows a refreshing new perspective toward a theatre culture that frequently escapes the critical lens in spite of being one of the largest urban theatre cultures in the world. Theatre events are a sum total of the conditions in which they are built and the conditions in which they are viewed. Studying the event separate from its materialistic beginnings and semiotic effects allow only a partial insight into the performance phenomenon. The materialist semiotic critical framework of this book locates the Bengali group theatre within its performative context and offers a heretofore unexplored insight into this vibrant theatre culture.

Performance and Performativity in Contemporary Indian Fiction in English

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Publisher : Hotei Publishing
ISBN 13 : 9004292608
Total Pages : 301 pages
Book Rating : 4.04/5 ( download)

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Book Synopsis Performance and Performativity in Contemporary Indian Fiction in English by : Maria-Sabina Draga Alexandru

Download or read book Performance and Performativity in Contemporary Indian Fiction in English written by Maria-Sabina Draga Alexandru and published by Hotei Publishing. This book was released on 2015-02-04 with total page 301 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book starts with a consideration of a 1997 issue of the New Yorker that celebrated fifty years of Indian independence, and goes on to explore the development of a pattern of performance and performativity in contemporary Indian fiction in English (Salman Rushdie, Arundhati Roy and Vikram Chandra). Such fiction, which constructs identity through performative acts, is built around a nomadic understanding of the self and implies an evolution of narrative language towards performativity whereby the text itself becomes nomadic. A comparison with theatrical performance (Peter Brook’s Mahabharata and Girish Karnad’s ‘theatre of roots’) serves to support the argument that in both theatre and fiction the concepts of performance and performativity transform classical Indian mythic poetics. In the mythic symbiosis of performance and storytelling in Indian tradition within a cyclical pattern of estrangement from and return to the motherland and/or its traditions, myth becomes a liberating space of consciousness, where rigid categories and boundaries are transcended.

Asides

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Publisher :
ISBN 13 :
Total Pages : 206 pages
Book Rating : 4.60/5 ( download)

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Book Synopsis Asides by : Nemicandra Jaina

Download or read book Asides written by Nemicandra Jaina and published by . This book was released on 2003 with total page 206 pages. Available in PDF, EPUB and Kindle. Book excerpt: Articles on Indian theatre.