Contemporary Indian Dance

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Author :
Publisher : Springer
ISBN 13 : 0230321801
Total Pages : 255 pages
Book Rating : 4.09/5 ( download)

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Book Synopsis Contemporary Indian Dance by : K. Katrak

Download or read book Contemporary Indian Dance written by K. Katrak and published by Springer. This book was released on 2011-07-26 with total page 255 pages. Available in PDF, EPUB and Kindle. Book excerpt: Through discussion of a dazzling array of artists in India and the diaspora, this book delineates a new language of dance on the global stage. Myriad movement vocabularies intersect the dancers' creative landscape, while cutting-edge creative choreography parodies gender and cultural stereotypes, and represents social issues.

Does the Elephant Dance?

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Author :
Publisher : Oxford University Press
ISBN 13 : 0199552029
Total Pages : 448 pages
Book Rating : 4.23/5 ( download)

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Book Synopsis Does the Elephant Dance? by : David Malone

Download or read book Does the Elephant Dance? written by David Malone and published by Oxford University Press. This book was released on 2011-04-07 with total page 448 pages. Available in PDF, EPUB and Kindle. Book excerpt: Surveys the main features of contemporary Indian foreign policy.

Scripting Dance in Contemporary India

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Author :
Publisher : Lexington Books
ISBN 13 : 149850552X
Total Pages : 217 pages
Book Rating : 4.29/5 ( download)

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Book Synopsis Scripting Dance in Contemporary India by : Maratt Mythili Anoop

Download or read book Scripting Dance in Contemporary India written by Maratt Mythili Anoop and published by Lexington Books. This book was released on 2016-01-07 with total page 217 pages. Available in PDF, EPUB and Kindle. Book excerpt: As stories of Indian dance’s renaissance span almost a full century, there has emerged a globally dispersed community of Indian dancers, scholars and audiences who are deeply committed to keeping these traditions alive and experimenting with traditional dance languages to grapple with contemporary themes and issues. Scripting Dance in Contemporary India is an edited volume that contributes to this field of Indian dance studies. The book engages with multiple dance forms of India and their representations. The contributions are eclectic, including writings by both scholars and performers who share their experiential knowledge. There are four sections in the book – section I titled, “Representations’ has three chapters that deal with textual representations and illustrations of dance and dancers, and the significance of those representations in the present. Section II titled, “Histories in Process” consists of two chapters that engage with the historiographies of dance forms and suggest that histories are narratives that are continually created. In the third section, “Negotiations”, the four chapters address the different ways in which dance is embedded in society, and the different ways in which the aesthetics of a form has to negotiate with social, economic and political imperatives. The final section, “Other Voices/ Other Bodies” brings voices which are outside the mainstream of dance as ‘serious’ art.

Indian Classical Dance and the Making of Postcolonial National Identities

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Author :
Publisher : Routledge
ISBN 13 : 1315387328
Total Pages : 286 pages
Book Rating : 4.21/5 ( download)

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Book Synopsis Indian Classical Dance and the Making of Postcolonial National Identities by : Sitara Thobani

Download or read book Indian Classical Dance and the Making of Postcolonial National Identities written by Sitara Thobani and published by Routledge. This book was released on 2017-03-27 with total page 286 pages. Available in PDF, EPUB and Kindle. Book excerpt: Indian Classical Dance and the Making of Postcolonial National Identities explores what happens when a national-cultural production is reproduced outside the immediate social, political and cultural context of its origin. Whereas most previous studies have analysed Indian classical dance in the context of Indian history and culture, this volume situates this dance practice in the longstanding trasnational linkages between India and the UK. What is the relation between the contemporary performance of Indian classical dance and the constitution of national, diasporic and multicultural identity? Where and how does Indian dance derive its productive power in the postcolonial moment? How do diasporic and nationalist representations of Indian culture intersect with depictions of British culture and politics? It is argued that classical Indian dance has become a key aspect of not only postcolonial South Asian diasporic identities, but also of British multicultural and transnational identity. Based on an extensive ethnographic study of performances of Indian classical dance in the UK, this book will be of interest to scholars of anthropology, sociology, South Asian studies, Postcolonial, Transnational and Cultural studies, and Theatre and Performance studies.

Indian Modern Dance, Feminism and Transnationalism

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Author :
Publisher : Springer
ISBN 13 : 1137375175
Total Pages : 201 pages
Book Rating : 4.79/5 ( download)

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Book Synopsis Indian Modern Dance, Feminism and Transnationalism by : Prarthana Purkayastha

Download or read book Indian Modern Dance, Feminism and Transnationalism written by Prarthana Purkayastha and published by Springer. This book was released on 2014-10-29 with total page 201 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines modern dance as a form of embodied resistance to political and cultural nationalism in India through the works of five selected modern dance makers: Rabindranath Tagore, Uday Shankar, Shanti Bardhan, Manjusri Chaki Sircar and Ranjabati Sircar.

The People Have Never Stopped Dancing

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Publisher : U of Minnesota Press
ISBN 13 : 1452913439
Total Pages : 331 pages
Book Rating : 4.38/5 ( download)

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Book Synopsis The People Have Never Stopped Dancing by : Jacqueline Shea Murphy

Download or read book The People Have Never Stopped Dancing written by Jacqueline Shea Murphy and published by U of Minnesota Press. This book was released on 2007 with total page 331 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the past thirty years, Native American dance has emerged as a visible force on concert stages throughout North America. In this first major study of contemporary Native American dance, Jacqueline Shea Murphy shows how these performances are at once diverse and connected by common influences. Demonstrating the complex relationship between Native and modern dance choreography, Shea Murphy delves first into U.S. and Canadian federal policies toward Native performance from the late nineteenth through the early twentieth centuries, revealing the ways in which government sought to curtail authentic ceremonial dancing while actually encouraging staged spectacles, such as those in Buffalo Bill’s Wild West shows. She then engages the innovative work of Ted Shawn, Lester Horton, and Martha Graham, highlighting the influence of Native American dance on modern dance in the twentieth century. Shea Murphy moves on to discuss contemporary concert dance initiatives, including Canada’s Aboriginal Dance Program and the American Indian Dance Theatre. Illustrating how Native dance enacts, rather than represents, cultural connections to land, ancestors, and animals, as well as spiritual and political concerns, Shea Murphy challenges stereotypes about American Indian dance and offers new ways of recognizing the agency of bodies on stage. Jacqueline Shea Murphy is associate professor of dance studies at the University of California, Riverside, and coeditor of Bodies of the Text: Dance as Theory, Literature as Dance.

Traversing Tradition

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Author :
Publisher : Routledge
ISBN 13 : 1136703780
Total Pages : 278 pages
Book Rating : 4.82/5 ( download)

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Book Synopsis Traversing Tradition by : Urmimala Sarkar Munsi

Download or read book Traversing Tradition written by Urmimala Sarkar Munsi and published by Routledge. This book was released on 2012-03-12 with total page 278 pages. Available in PDF, EPUB and Kindle. Book excerpt: Dance occupies a prestigious place in Indian performing arts, yet it curiously, to a large extent, has remained outside the arena of academic discourse. This book documents and celebrates the emergence of contemporary dance practice in India. Incorporating a multidisciplinary approach, it includes contributions from scholars, writers and commentators as well as short essays and interviews with Indian artists and performers; the latter add personal perspectives and insights to the broad themes discussed. Young Indian dance artists are courageously charting out new trajectories in dance, diverging from the time-worn paths of tradition. The classical forms of Bharatnatyam, Kathak, Odissi and Manipuri, to name a few, are rich resources for choreographers exploring contemporary dance. This volume speaks about their struggles of working within and outside tradition as they grapple with national and international audience expectations as well as their own values and sense of identity. The artists represented here continue to question the uneasy relationship that exists between the insular world of dance and outside reality. Simultaneously, they are actively creating new dance languages that are both articulate in a performative context and demand examination by researchers and critics.

Illicit Worlds of Indian Dance

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Author :
Publisher : Hurst & Company
ISBN 13 : 9781849042789
Total Pages : 0 pages
Book Rating : 4.80/5 ( download)

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Book Synopsis Illicit Worlds of Indian Dance by : Anna Morcom

Download or read book Illicit Worlds of Indian Dance written by Anna Morcom and published by Hurst & Company. This book was released on 2013 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Until the 1930s no woman could perform in public and retain respectability in India. Professional female performers were courtesans and dancing girls who lived beyond the confines of marriage, but were often powerful figures in social and cultural life. Women's roles were often also taken by boys and men, some of whom were simply female impersonators, others transgender. Since the late nineteenth century the status, livelihood and identity of these performers have all diminished, with the result that many of them have become involved in sexual transactions and sexualised performances. Meanwhile, upper-class, upper-caste women have taken control of the classical performing arts and also entered the film industry, while a Bollywood dance and fitness craze has recently swept middle class India. In her historical on-the-ground study, Anna Morcom investigates the emergence of illicit worlds of dance in the shadow of India's official performing arts. She explores over a century of marginalisation of courtesans, dancing girls, bar girls and transgender performers, and de- scribes their lives as they struggle with stigmatisation, derision and loss of livelihood.

Indian Contemporary Dance Extravaganza

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Publisher :
ISBN 13 : 9788182902046
Total Pages : 0 pages
Book Rating : 4.45/5 ( download)

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Book Synopsis Indian Contemporary Dance Extravaganza by : Utpal Kumar Banerjee

Download or read book Indian Contemporary Dance Extravaganza written by Utpal Kumar Banerjee and published by . This book was released on 2010 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Heat and Alterity in Contemporary Dance

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Author :
Publisher : Springer Nature
ISBN 13 : 3030439127
Total Pages : 305 pages
Book Rating : 4.25/5 ( download)

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Book Synopsis Heat and Alterity in Contemporary Dance by : Ananya Chatterjea

Download or read book Heat and Alterity in Contemporary Dance written by Ananya Chatterjea and published by Springer Nature. This book was released on 2020-10-28 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book argues that contemporary dance, imagined to have a global belonging, is vitiated by euro-white constructions of risk and currency that remain at its core. Differently, the book reimagines contemporary dance along a “South-South” axis, as a poly-centric, justice-oriented, aesthetic-temporal category, with intersectional understandings of difference as a central organizing principle. Placing alterity and heat, generated via multiple pathways, at its center, it foregrounds the work of South-South artists, who push against constructions of “tradition” and white-centered aesthetic imperatives, to reinvent their choreographic toolkit and respond to urgent questions of their times. In recasting the grounds for a different “global stage,” the argument widens its scope to indicate how dance-making both indexes current contextual inequities and broader relations of social, economic, political, and cultural power, and inaugurates future dimensions of justice. Winner of the 2022 Oscar G. Brockett Prize for Dance Research