Contemporary Chinese Poetry

Author : Er Zhang
Publisher : Talisman House, Publishers
ISBN 13 :
Total Pages : 486 pages
Book Rating : 4.01/5 ( download)

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Download or read book Another Kind of Nation written by Er Zhang and published by Talisman House, Publishers. This book was released on 2007 with total page 486 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Another Kind of Nation" collects works by twenty-four poets from mainland China born after 1960 who are currently writing and publishing in Chinese. Although well-known in China, most of them appear in English translation for the first time in this book. Edited by Chinese poets Zhang Er and Chen Dongdong, "Another Kind of Nation" offers an introduction to Chinese poetry today in the shadows of a long poetic tradition, the globalization of capitalism, and a renewed nationalism. The Chinese texts are presented in the original as well as in English translations prepared by American poet/translators in collaboration with Chinese writers. The book includes introductions by the editors in English and in Chinese, a preface on the translation process, and biographical notes for both poets and translators. -- From publisher's description.

Author : W. N. Herbert
Publisher : Bloodaxe Books Limited
ISBN 13 : 9781852248956
Total Pages : 359 pages
Book Rating : 4.55/5 ( download)

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Download or read book Jade Ladder written by W. N. Herbert and published by Bloodaxe Books Limited. This book was released on 2012 with total page 359 pages. Available in PDF, EPUB and Kindle. Book excerpt: Comprehensive anthology of contemporary Chinese poetry. Indispensable reading for anyone with an interest in the future not just of China, but of poetry.

Author : Nick Admussen
Publisher : University of Hawaii Press
ISBN 13 : 0824856554
Total Pages : 233 pages
Book Rating : 4.57/5 ( download)

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Download or read book Recite and Refuse written by Nick Admussen and published by University of Hawaii Press. This book was released on 2016-10-31 with total page 233 pages. Available in PDF, EPUB and Kindle. Book excerpt: Chinese prose poetry today is engaged with a series of questions that are fundamental to the modern Chinese language: What is prose? What is it good for? How should it look and sound? Millions of Chinese readers encounter prose poetry every year, both in the most official of state-sponsored magazines and in the unorthodox, experimental work of the avant-garde. Recite and Refuse makes the answers to our questions about prose legible by translating, surveying, and interpreting prose poems, and by studying the people, politics, and contexts that surround the writing of prose poetry. Author Nick Admussen argues that unlike most genres, Chinese prose poems lack a distinct size or shape. Their similarity to other prose is the result of a distinct process in which a prose form is recited with some kind of meaningful difference—an imitation that refuses to fully resemble its source. This makes prose poetry a protean, ever-changing group of works, channeling the language of science, journalism, Communist Party politics, advertisements, and much more. The poems look vastly different as products, but are made with a similar process. Focusing on the composition process allows Admussen to rewrite the standard history of prose poetry, finding its origins not in 1918 but in the obedient socialist prose poetry of the 1950s. Recite and Refuse places the work of state-sponsored writers in mutual relationship to prose poems by unorthodox and avant-garde poets, from cadre writers like Ke Lan and Guo Feng to the border-crossing intellectual and poet Liu Zaifu to experimental artists such as Ouyang Jianghe and Xi Chuan. The volume features never-before seen English translations that range from the representative to the exceptional, culminating with Ouyang Jianghe’s masterpiece “Hanging Coffin.” Reading across the spectrum enables us to see the way that artists interact with each other, how they compete and cooperate, and how their interactions, as well as their creations, continuously reinvent both poetry and prose.

Author : C. Lupke
Publisher : Springer
ISBN 13 : 0230610145
Total Pages : 238 pages
Book Rating : 4.49/5 ( download)

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Download or read book New Perspectives on Contemporary Chinese Poetry written by C. Lupke and published by Springer. This book was released on 2007-12-25 with total page 238 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book brings together fresh research from experts on contemporary Chinese poetry, built upon one of the most glorious poetic traditions of any civilization in the world yet historically neglected by scholars in English. This comprehensive volume offers readable and provocative treatments of many of the most important Chinese poets of our age.

Author : Michelle Mi-Hsi Yeh
Publisher :
ISBN 13 : 9780300059472
Total Pages : 245 pages
Book Rating : 4.77/5 ( download)

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Download or read book Anthology of Modern Chinese Poetry written by Michelle Mi-Hsi Yeh and published by . This book was released on 1994 with total page 245 pages. Available in PDF, EPUB and Kindle. Book excerpt: Presents more than three hundred poems by sixty-six poets from China, Taiwan, and Hong Kong translated into modern English.

Author : Paul Manfredi
Publisher :
ISBN 13 : 9781604978629
Total Pages : 244 pages
Book Rating : 4.27/5 ( download)

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Download or read book Modern Poetry in China written by Paul Manfredi and published by . This book was released on 2014-01 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is in the Cambria Sinophone World Series (general editor: Victor H. Mair). *Includes rare color images. Chinese poetry, along with many other art forms in China, underwent a highly self-conscious transformation in the first decades of the twentieth century. Poetry, perhaps more than any other art form, did so under the heavy burden of a voluminous literary precedent, a precedent which was in its very format of patterned words inscribed on scrolls--a mark of the Chinese literati tradition. Turning away from this tradition seemed necessary in the context of a political, social, and cultural reform movement (which was designed to strengthen China in the face of increasing international pressure as well as domestic breakdown). At the same time, reforming a poetic tradition which had served as a principal touchstone of aesthetic accomplishment--from its role in Confucian canon as object of contemplation for correct action, to its function as a test of candidate's qualifications to govern through the civil service examination, to its function as national past-time in all manner of social gathering--was a major challenge. The result of such a predicament for poets throughout the twentieth century has been the compulsion to discover a poetic style which resonates with the modern world and yet is rooted in Chinese cultural experience. One way in which poets have been able to accomplish this is by relying on poetry's visuality, be it in the graphic properties of the writing system itself, the visual context of the presentation of the poetic texts, or the acute image details in the poems. The history of approximately one century of modern Chinese poetry production has been addressed broadly in scholarship, but such broad strokes tend to miss important dynamics which fall outside of general narratives. The importance of Chinese visual tradition to modern Chinese poets is a good case in point. Accordingly, this book addresses specific manifestations of the nexus connecting modernity and visuality in Chinese poetry. It begins with a discussion of May Fourth poetics as exemplified in the groundbreaking work of Li Jinfa, China's first "Symbolist" poet. From there the book traces notable developments of visuality in the new form or free verse writing (called Xinshi or "New Poetry") through mid-century modernist experiments in Taiwan (focusing on Ji Xian). From there the book then explores the avant-garde poetry of Luo Qing and Xia Yu before returning to mainland Chinese developments of Misty poets Yan Li and his contemporaries. The work concludes with a wide variety of poet-artists writing and exhibiting in the twenty-first century. Looking across this period of modern Chinese poetry's development, one is able to observe how important the visual-verbal dynamic has been to the innovation of poetic style and method. From the twenty-first century on, such multi-media expressions will likely continue to grow; this is a function of a Chinese aesthetic tradition pairing word and image and will continue to manifest in new and more inventive ways. This is an important book for Asian literary and art history studies and history collections

Author : 明迪
Publisher :
ISBN 13 : 9781936797240
Total Pages : 0 pages
Book Rating : 4.40/5 ( download)

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Download or read book 新华夏集, 当代中国诗选 written by 明迪 and published by . This book was released on 2013 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: The most up-to-date anthology of contemporary Chinese poetry, translated by American poets and edited by the executive editor of the bilingual literary journal Poetry East West. Showcasing the achievement of Chinese poetry in the last twenty years, a time of tremendous literary ferment, this collection focuses on a diversity exciting poets from the mainland. The anthology includes interviews with the poets and a fascinating survey of their opinions on "Ten Favorite Chinese poets" and "Ten Best-Known Western poets in China."--Amazon.com.

Author : Qingping Wang
Publisher :
ISBN 13 : 9781556593307
Total Pages : 0 pages
Book Rating : 4.09/5 ( download)

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Download or read book Push Open the Window written by Qingping Wang and published by . This book was released on 2011 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: A poetic and powerful cultural exchange between the world's superpowers.

Author : Maghiel van Crevel
Publisher :
ISBN 13 :
Total Pages : 372 pages
Book Rating : 4.27/5 ( download)

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Download or read book Language Shattered written by Maghiel van Crevel and published by . This book was released on 1996 with total page 372 pages. Available in PDF, EPUB and Kindle. Book excerpt: Language Shattered is both a history of poetry from the People's Republic of China and a case study of the oeuvre of a leading Chinese poet. After the stifling orthodoxy of the 1950s and early 1960s, the terror of the Cultural Revolution (1966-1976) brought official Chinese literature to a total standstill. At the same time, disillusioned youths were more or less accidentally exposed to a varied body of foreign literature and began writing underground poetry. In the 1980s this poetry scene, now above ground, became one of pluriformity and proliferation in both official and unofficial circuits. The brutal suppression of the 1989 Protest Movement gave it an exile offshoot. The historical overview in Part I of this book is complemented in Part II by a discussion of Duoduo's poetry. Duoduo's career as a poet reflects the vicissitudes of Chinese Experimental poetry - and his beautiful, headstrong poems merit attention in themselves. They show that Chinese poetry is not just of interest as a chronicle of Chinese politics, but as literature in its own right.

Author : John A. Crespi
Publisher : University of Hawaii Press
ISBN 13 : 0824833651
Total Pages : 242 pages
Book Rating : 4.57/5 ( download)

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Download or read book Voices in Revolution written by John A. Crespi and published by University of Hawaii Press. This book was released on 2009-07-29 with total page 242 pages. Available in PDF, EPUB and Kindle. Book excerpt: China’s century of revolutionary change has been heard as much as seen, and nowhere is this more evident than in an auditory history of the modern Chinese poem. From Lu Xun’s seminal writings on literature to a recitation renaissance in urban centers today, poetics meets politics in the sounding voice of poetry. Supported throughout by vivid narration and accessible analysis, Voices in Revolution offers a literary history of modern China that makes the case for the importance of the auditory dimension of poetry in national, revolutionary, and postsocialist culture. Crespi brings the past to life by first examining the ideological changes to poetic voice during China’s early twentieth-century transition from empire to nation. He then traces the emergence of the spoken poem from the May Fourth period to the present, including its mobilization during the Anti-Japanese War, its incorporation into the student protest repertoire during China’s civil war, its role as a conflicted voice of Mao-era revolutionary passion, and finally its current adaptation to the cultural life of China’s party-guided market economy. Voices in Revolution alters the way we read by moving poems off the page and into the real time and space of literary activity. To all readers it offers an accessible yet conceptually fresh and often dramatic narration of China’s modern literary experience. Specialists will appreciate the book’s inclusion of noncanonical texts as well as its innovative interdisciplinary approach.