Classicism Of The Twenties

Author : Theodore Ziolkowski
Publisher : University of Chicago Press
ISBN 13 : 022618398X
Total Pages : 254 pages
Book Rating : 4.85/5 ( download)

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Download or read book Classicism of the Twenties written by Theodore Ziolkowski and published by University of Chicago Press. This book was released on 2015-01-08 with total page 254 pages. Available in PDF, EPUB and Kindle. Book excerpt: This title defines the theory and practice of 'classicism' as practised in the 1920s by a number of composers, writers, and artists, setting it off against other movements of the period that are customarily grouped together under the general heading of 'modernism'. It argues that classicism is a more precise term than neo-classicism during this period, since every classicism from antiquity to the present shares certain common qualities as well as characteristics of its own time.

Author : Theodore Ziolkowski
Publisher : University of Chicago Press
ISBN 13 : 022618403X
Total Pages : 254 pages
Book Rating : 4.36/5 ( download)

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Download or read book Classicism of the Twenties written by Theodore Ziolkowski and published by University of Chicago Press. This book was released on 2015-01-08 with total page 254 pages. Available in PDF, EPUB and Kindle. Book excerpt: The triumph of avant-gardes in the 1920s tends to dominate our discussions of the music, art, and literature of the period. But the broader current of modernism encompassed many movements, and one of the most distinct and influential was a turn to classicism. In Classicism of the Twenties, Theodore Ziolkowski offers a compelling account of that movement. Giving equal attention to music, art, and literature, and focusing in particular on the works of Stravinsky, Picasso, and T. S. Eliot, he shows how the turn to classicism manifested itself. In reaction both to the excesses of neoromanticism and early modernism and to the horrors of World War I—and with respectful detachment—artists, writers, and composers adapted themes and forms from the past and tried to imbue their own works with the values of simplicity and order that epitomized earlier classicisms. By identifying elements common to all three arts, and carefully situating classicism within the broader sweep of modernist movements, Ziolkowski presents a refreshingly original view of the cultural life of the 1920s.

Author : Charles Henry Conrad Wright
Publisher :
ISBN 13 : 9781436916240
Total Pages : 188 pages
Book Rating : 4.40/5 ( download)

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Download or read book French Classicism (1920) written by Charles Henry Conrad Wright and published by . This book was released on 2008-08-01 with total page 188 pages. Available in PDF, EPUB and Kindle. Book excerpt: This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Author : Klara Moricz
Publisher : University of California Press
ISBN 13 : 0520344421
Total Pages : 309 pages
Book Rating : 4.26/5 ( download)

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Download or read book In Stravinsky's Orbit written by Klara Moricz and published by University of California Press. This book was released on 2020-08-04 with total page 309 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Bolsheviks’ 1917 political coup caused a seismic disruption in Russian culture. Carried by the first wave of emigrants, Russian culture migrated West, transforming itself as it interacted with the new cultural environment and clashed with exported Soviet trends. In this book, Klára Móricz explores the transnational emigrant space of Russian composers Igor Stravinsky, Vladimir Dukelsky, Sergey Prokofiev, Nicolas Nabokov, and Arthur Lourié in interwar Paris. Their music reflected the conflict between a modernist narrative demanding innovation and a narrative of exile wedded to the preservation of prerevolutionary Russian culture. The emigrants’ and the Bolsheviks’ contrasting visions of Russia and its past collided frequently in the French capital, where the Soviets displayed their political and artistic products. Russian composers in Paris also had to reckon with Stravinsky’s disproportionate influence: if they succumbed to fashions dictated by their famous compatriot, they risked becoming epigones; if they kept to their old ways, they quickly became irrelevant. Although Stravinsky’s neoclassicism provided a seemingly neutral middle ground between innovation and nostalgia, it was also marked by the exilic experience. Móricz offers this unexplored context for Stravinsky’s neoclassicism, shedding new light on this infinitely elusive term.

Author : Leah Culligan Flack
Publisher : Bloomsbury Publishing
ISBN 13 : 1350004111
Total Pages : 191 pages
Book Rating : 4.15/5 ( download)

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Download or read book James Joyce and Classical Modernism written by Leah Culligan Flack and published by Bloomsbury Publishing. This book was released on 2020-02-06 with total page 191 pages. Available in PDF, EPUB and Kindle. Book excerpt: James Joyce and Classical Modernism contends that the classical world animated Joyce's defiant, innovative creativity and cannot be separated from what is now recognized as his modernist aesthetic. Responding to a long-standing critical paradigm that has viewed the classical world as a means of granting a coherent order, shape, and meaning to Joyce's modernist innovations, Leah Flack explores how and why Joyce's fiction deploys the classical as the language of the new. This study tracks Joyce's sensitive, on-going readings of classical literature from his earliest work at the turn of the twentieth century through to the appearance of Ulysses in 1922, the watershed year of high modernist writing. In these decades, Joyce read ancient and modern literature alongside one another to develop what Flack calls his classical modernist aesthetic, which treats the classical tradition as an ally to modernist innovation. This aesthetic first comes to full fruition in Ulysses, which self-consciously deploys the classical tradition to defend stylistic experimentation as a way to resist static, paralyzing notions of the past. Analysing Joyce's work through his career from his early essays, Flack ends by considering the rich afterlives of Joyce's classical modernist project, with particular attention to contemporary works by Alison Bechdel and Maya Lang.

Author : Theodore Ziolkowski
Publisher : Camden House (NY)
ISBN 13 : 1640140425
Total Pages : 265 pages
Book Rating : 4.24/5 ( download)

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Download or read book Stages of European Romanticism written by Theodore Ziolkowski and published by Camden House (NY). This book was released on 2018 with total page 265 pages. Available in PDF, EPUB and Kindle. Book excerpt: Employs an innovative approach by stages to offer a unified vision of European Romanticism over the half-century of its growth and decline.

Author : Graham Griffiths
Publisher : Cambridge University Press
ISBN 13 : 0521191785
Total Pages : 355 pages
Book Rating : 4.84/5 ( download)

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Download or read book Stravinsky's Piano written by Graham Griffiths and published by Cambridge University Press. This book was released on 2013-02-21 with total page 355 pages. Available in PDF, EPUB and Kindle. Book excerpt: An unprecedented exploration of Stravinsky's use of the piano as the genesis of all his music - Russian, neoclassical and serial.

Author : Alexandra Wilson
Publisher : Oxford University Press
ISBN 13 : 0190912677
Total Pages : 272 pages
Book Rating : 4.73/5 ( download)

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Download or read book Opera in the Jazz Age written by Alexandra Wilson and published by Oxford University Press. This book was released on 2018-11-30 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: Jazz, the Charleston, nightclubs, cocktails, cinema, and musical theatre: 1920s British nightlife was vibrant and exhilarating. But where did opera fit into this fashionable new entertainment world? Opera in the Jazz Age: Cultural Politics in 1920s Britain explores the interaction between opera and popular culture at a key historical moment when there was a growing imperative to categorize art forms as "highbrow," "middlebrow," or "lowbrow." Literary studies of the so-called "battle of the brows" have been numerous, but this is the first book to consider the place of opera in interwar debates about high and low culture. This study by Alexandra Wilson argues that opera was extremely difficult to pigeonhole: although some contemporary commentators believed it to be too highbrow, others thought it not highbrow enough. Opera in the Jazz Age paints a lively and engaging picture of 1920s operatic culture, and introduces a charismatic cast of early twentieth-century critics, conductors, and celebrity singers. Opera was performed during this period to socially mixed audiences in a variety of spaces beyond the conventional opera house: music halls, cinemas, cafés and schools. Performance and production standards were not always high - often quite the reverse - but opera-going was evidently great fun. Office boys whistled operatic tunes they had heard on the gramophone and there was a genuine sense that opera was for everyone. In this provocative and timely study, Wilson considers how the opera debate of the 1920s continues to shape the ways in which we discuss the art form, and draws connections between the battle of the brows and present-day discussions about elitism. The book makes a major contribution to our understanding of the cultural politics of twentieth-century Britain and is essential reading for anybody interested in the history of opera, the battle of the brows, or simply the perennially fascinating decade that was the 1920s.

Author : Charles Osborne
Publisher : Springer Science & Business Media
ISBN 13 : 1475700490
Total Pages : 278 pages
Book Rating : 4.97/5 ( download)

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Download or read book The Concert Song Companion written by Charles Osborne and published by Springer Science & Business Media. This book was released on 2012-12-06 with total page 278 pages. Available in PDF, EPUB and Kindle. Book excerpt: W HAT I H A V E attempted in this book is a survey of song; the kind of song which one finds variously described as 'concert', 'art', or sometimes even 'classical song'. 'Concert song' seems the most useful, certainly the least inexact or misleading, of some descriptions, especially since 'art song' sounds primly off putting, and 'classical song' really ought to be used only to refer to songs written during the classical period, i. e. the 18th century. Concert song clearly means the kind of songs one hears sung at concerts or recitals. Addressing myself to the general music-lover who, though he possesses no special knowledge of the song literature, is never theless interested enough in songs and their singers to attend recitals of Lieder or of songs in various languages, I have naturally confined myself to that period of time in which the vast majority of these songs was composed, though not necessarily only to those composers whose songs have survived to be remembered in recital programmes today. I suppose this to be roughly the three centuries covered by the years 1650-1950, though most of the songs we, as audiences, know and love were composed in the middle of this period, in other words in the 19th century.

Author : Patrick Deane
Publisher : McGill-Queen's Press - MQUP
ISBN 13 : 0773564845
Total Pages : 267 pages
Book Rating : 4.48/5 ( download)

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Download or read book At Home in Time written by Patrick Deane and published by McGill-Queen's Press - MQUP. This book was released on 1994-09-13 with total page 267 pages. Available in PDF, EPUB and Kindle. Book excerpt: The presence of these values, Deane contends, is not a curiosity but part of a vital and discernible tradition of modern neo-Augustanism that has been previously overlooked. By tracing these writers' common interest in Horace, John Dryden, and Samuel Johnson, he uncovers important links between seemingly diverse modern poets. Deane challenges the whole interpretation of literary modernism, which has traditionally linked the modern poets to the Romantics and seen both as anti-Augustan. Deane concludes that these modern poets share a ready and pragmatic acceptance of linear time, within which all acts of artistic and social creativity must take place - a crucial factor in both the form and substance of their writings. That art, language, and society are inseparable under such conditions was a bracing thought for the young Auden, but a potentially disturbing one for more recent poets.