Cinema of Interruptions

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Publisher : Bloomsbury Publishing
ISBN 13 : 1838715061
Total Pages : 224 pages
Book Rating : 4.69/5 ( download)

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Book Synopsis Cinema of Interruptions by : Lalitha Gopalan

Download or read book Cinema of Interruptions written by Lalitha Gopalan and published by Bloomsbury Publishing. This book was released on 2019-07-25 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: A framework for understanding the distinctiveness of Indian cinema as a national cinema within a global context dominated by Hollywood is proposed by this book. With its sudden explosions into song-and-dance sequences, half-time intermissions and heavy traces of censorship, Indian cinema can be identified as a 'Cinema of Interruptions'. To the uninitiated viewer, brought up on the seamless linear plotting of Hollywood narrative, this unfamiliar tendency towards digression may appear random and superfluous, yet this book argues that such devices assist in the construction of a distinct visual and narrative time-space. In the hands of imaginative directors, the conventions of Indian cinema become opportunities for narrative play and personal expression in such films as 'Sholay' (1975), 'Nayakan' (1987), 'Parinda' (1989), 'Hathyar' (1981) and 'Hey Ram!' (1999). 'Cinema of Interruptions' places commercial Indian film within a global system of popular cinemas, but also points out its engagement with the dominant genre principles implemented by Western film. By focusing on the action-genre work of leading contemporary directors J.P. Dutta, Mani Ratnam, and Vidhu Vinod Chopra, brazen national style is shown to interact with international genre films to produce a hybrid form that reworks the gangster film, the western and the avenging woman genre. Central to this study is the relationship Indian cinema shares with its audience, and an understanding of the pleasures it offers the cinephile. In articulating this bond the book presents not only a fresh framework for understanding popular Indian cinema but also a contribution to film genre studies.

Cinema of Interruptions

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Author :
Publisher : Bloomsbury Publishing
ISBN 13 : 1838715053
Total Pages : 360 pages
Book Rating : 4.52/5 ( download)

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Book Synopsis Cinema of Interruptions by : Lalitha Gopalan

Download or read book Cinema of Interruptions written by Lalitha Gopalan and published by Bloomsbury Publishing. This book was released on 2019-07-25 with total page 360 pages. Available in PDF, EPUB and Kindle. Book excerpt: A framework for understanding the distinctiveness of Indian cinema as a national cinema within a global context dominated by Hollywood is proposed by this book. With its sudden explosions into song-and-dance sequences, half-time intermissions and heavy traces of censorship, Indian cinema can be identified as a 'Cinema of Interruptions'. To the uninitiated viewer, brought up on the seamless linear plotting of Hollywood narrative, this unfamiliar tendency towards digression may appear random and superfluous, yet this book argues that such devices assist in the construction of a distinct visual and narrative time-space. In the hands of imaginative directors, the conventions of Indian cinema become opportunities for narrative play and personal expression in such films as 'Sholay' (1975), 'Nayakan' (1987), 'Parinda' (1989), 'Hathyar' (1981) and 'Hey Ram!' (1999). 'Cinema of Interruptions' places commercial Indian film within a global system of popular cinemas, but also points out its engagement with the dominant genre principles implemented by Western film. By focusing on the action-genre work of leading contemporary directors J.P. Dutta, Mani Ratnam, and Vidhu Vinod Chopra, brazen national style is shown to interact with international genre films to produce a hybrid form that reworks the gangster film, the western and the avenging woman genre. Central to this study is the relationship Indian cinema shares with its audience, and an understanding of the pleasures it offers the cinephile. In articulating this bond the book presents not only a fresh framework for understanding popular Indian cinema but also a contribution to film genre studies.

Bombay Cinema

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Publisher : U of Minnesota Press
ISBN 13 : 9781452913025
Total Pages : 306 pages
Book Rating : 4.21/5 ( download)

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Book Synopsis Bombay Cinema by : Ranjani Mazumdar

Download or read book Bombay Cinema written by Ranjani Mazumdar and published by U of Minnesota Press. This book was released on 2007 with total page 306 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Cinemas Dark and Slow in Digital India

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Publisher : Springer Nature
ISBN 13 : 3030540960
Total Pages : 464 pages
Book Rating : 4.68/5 ( download)

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Book Synopsis Cinemas Dark and Slow in Digital India by : Lalitha Gopalan

Download or read book Cinemas Dark and Slow in Digital India written by Lalitha Gopalan and published by Springer Nature. This book was released on 2021-03-16 with total page 464 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book provides a sustained engagement with contemporary Indian feature films from outside the mainstream, including Aaranaya Kaandam, I.D., Kaul, Chauthi Koot, Cosmic Sex, and Gaali Beeja, to undercut the dominance of Bollywood focused film studies. Gopalan assembles films from Bangalore, Chennai, Delhi, Kolkata, and Trivandrum, in addition to independent productions in Bombay cinema, as a way of privileging understudied works that deserve critical attention. The book uses close readings of films and a deep investigation of film style to draw attention to the advent of digital technologies while remaining fully cognizant of ‘the digital’ as a cryptic formulation for considering the sea change in the global circulation of film and finance. This dual focus on both the techno-material conditions of Indian cinema and the film narrative offers a fulsome picture of changing narratives and shifting genres and styles.

The Cinema of India

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Publisher :
ISBN 13 : 9781905674923
Total Pages : 0 pages
Book Rating : 4.29/5 ( download)

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Book Synopsis The Cinema of India by : Lalitha Gopalan

Download or read book The Cinema of India written by Lalitha Gopalan and published by . This book was released on 2009 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work closely examines 24 landmark films.

Indian Films in Soviet Cinemas

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Publisher : Indiana University Press
ISBN 13 : 0253220998
Total Pages : 282 pages
Book Rating : 4.98/5 ( download)

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Book Synopsis Indian Films in Soviet Cinemas by : Sudha Rajagopalan

Download or read book Indian Films in Soviet Cinemas written by Sudha Rajagopalan and published by Indiana University Press. This book was released on 2008 with total page 282 pages. Available in PDF, EPUB and Kindle. Book excerpt: Understanding the Soviet public's love of Indian popular film

Bollywood and Globalization

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Publisher : Anthem Press
ISBN 13 : 0857288970
Total Pages : 211 pages
Book Rating : 4.74/5 ( download)

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Book Synopsis Bollywood and Globalization by : Rini Bhattacharya Mehta

Download or read book Bollywood and Globalization written by Rini Bhattacharya Mehta and published by Anthem Press. This book was released on 2011-06 with total page 211 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is a collection of incisive articles on the interactions between Indian Popular Cinema and the political and cultural ideologies of a new post-Global India.

Bollywood in the Age of New Media

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Publisher : Edinburgh University Press
ISBN 13 : 0748686762
Total Pages : 272 pages
Book Rating : 4.66/5 ( download)

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Book Synopsis Bollywood in the Age of New Media by : Anustup Basu

Download or read book Bollywood in the Age of New Media written by Anustup Basu and published by Edinburgh University Press. This book was released on 2012-03-14 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a study of popular Indian cinema in the age of globalisation, new media, and metropolitan Hindu fundamentalism, focusing on the period between 1991 and 2004.

Deleuze and World Cinemas

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Publisher : Bloomsbury Publishing
ISBN 13 : 1441102205
Total Pages : 281 pages
Book Rating : 4.01/5 ( download)

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Book Synopsis Deleuze and World Cinemas by : David Martin-Jones

Download or read book Deleuze and World Cinemas written by David Martin-Jones and published by Bloomsbury Publishing. This book was released on 2011-02-17 with total page 281 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shortlisted for the British Association of Film, Television and Screen Studies Annual Book Award! Deleuze's Cinema books continue to cause controversy. Although they offer radical new ways of understanding cinema, his conclusions often seem strikingly Eurocentric. Deleuze and World Cinemas explores what happens when Deleuze's ideas are brought into contact with the films he did not discuss, those from Europe and the USA (from Georges Méliès to Michael Mann) and a range of world cinemas - including Bollywood blockbusters, Hong Kong action movies, Argentine melodramas and South Korean science fiction movies. These emergent encounters demonstrate the need for the constant adaptation and reinterpretation of Deleuze's findings if they are to have continued relevance, especially for cinema's contemporary engagement with the aftermath of the Cold War and the global dominance of neoliberal globalization.

Asian Cinemas

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Publisher : University of Hawaii Press
ISBN 13 : 9780824830854
Total Pages : 490 pages
Book Rating : 4.57/5 ( download)

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Book Synopsis Asian Cinemas by : Dimitris Eleftheriotis

Download or read book Asian Cinemas written by Dimitris Eleftheriotis and published by University of Hawaii Press. This book was released on 2006-03-31 with total page 490 pages. Available in PDF, EPUB and Kindle. Book excerpt: The West’s current fascination with Asian cinema must be viewed in the context of a complex and often problematic relationship between Western scholars, students, viewers, and Asian films. This book examines a number of detailed case studies (such as the films of Ozu, Bruce Lee, Hong Kong and Turkish cinema, Hindi melodramas, Godzilla films, Taiwanese directors, and Fifth Generation Chinese cinema) and uses them to investigate the limitations of Anglo–U.S. theoretical models and critical paradigms. By engaging readers with familiar areas of critical discourse (such as postcolonial criticism, "national cinema," "genre," "authorship," and "stardom") the book aims to introduce within such contexts the "unfamiliar" case studies that will be explored in depth and detail.