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Author : Ron Yule
Publisher :
ISBN 13 : 9780978735869
Total Pages : 384 pages
Book Rating : 4.62/5 ( download)
Download or read book Cajun Dancehall Heyday written by Ron Yule and published by . This book was released on 2017-04-10 with total page 384 pages. Available in PDF, EPUB and Kindle. Book excerpt: A History of traditional Cajun music in the Lake Area of Southwest Louisiana and the Golden Triangle of Texas
Author : Ron Yule
Publisher :
ISBN 13 :
Total Pages : 367 pages
Book Rating : 4.02/5 ( download)
Download or read book Cajun Dancehall Heyday written by Ron Yule and published by . This book was released on 2017 with total page 367 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Sara Le Menestrel
Publisher : Univ. Press of Mississippi
ISBN 13 : 162674372X
Total Pages : 400 pages
Book Rating : 4.24/5 ( download)
Download or read book Negotiating Difference in French Louisiana Music written by Sara Le Menestrel and published by Univ. Press of Mississippi. This book was released on 2014-12-19 with total page 400 pages. Available in PDF, EPUB and Kindle. Book excerpt: Sara Le Menestrel explores the role of music in constructing, asserting, erasing, and negotiating differences based on the notions of race, ethnicity, class, and region. She discusses established notions and brings to light social stereotypes and hierarchies at work in the evolving French Louisiana music field. She also draws attention to the interactions between oppositions such as black and white, urban and rural, differentiation and creolization, and local and global. Le Menestrel emphasizes the importance of desegregating the understanding of French Louisiana music and situating it beyond ethnic or racial identifications, amplifying instead the importance of regional identity. Musical genealogy and categories currently in use rely on a racial construct that frames African and European lineage as an essential difference. Yet as the author samples music in the field and discovers ways music is actually practiced, she reveals how the insistence on origins continually interacts with an emphasis on cultural mixing and creative agency. This book finds French Louisiana musicians navigating between multiple identifications, musical styles, and legacies while market forces, outsiders’ interest, and geographical mobility also contribute to shape musicians’ career strategies and artistic choices. The book also demonstrates the decisive role of non-natives’ enthusiasm and mobility in the validation, evolution, and reconfiguration of French Louisiana music. Finally, the distinctiveness of South Louisiana from the rest of the country appears to be both nurtured and endured by locals, revealing how political domination and regionalism intertwine.
Author : Ron Yule
Publisher :
ISBN 13 : 9780978735838
Total Pages : 450 pages
Book Rating : 4.38/5 ( download)
Download or read book Cajun Dancehall Heyday written by Ron Yule and published by . This book was released on 2017-05 with total page 450 pages. Available in PDF, EPUB and Kindle. Book excerpt: A History of Cajun Music in the Lake Area of Southwest Louisiana and the Golden Triangle of Texas
Author : John Shepherd
Publisher : A&C Black
ISBN 13 : 1441160787
Total Pages : 586 pages
Book Rating : 4.82/5 ( download)
Download or read book Continuum Encyclopedia of Popular Music of the World Volume 8 written by John Shepherd and published by A&C Black. This book was released on 2012-03-08 with total page 586 pages. Available in PDF, EPUB and Kindle. Book excerpt: See:
Author :
Publisher : University of Louisiana
ISBN 13 : 9781935754855
Total Pages : 0 pages
Book Rating : 4.58/5 ( download)
Download or read book Ghosts of Good Times written by and published by University of Louisiana. This book was released on 2016 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ghosts of Good Times: South Louisiana Dance Halls Past and Present examines a world of Cajun dance halls, Zydeco clubs, Chitlin' Circuit R&B night clubs, Swamp-Pop Honkytonks and other venues that at one time were prevalent throughout the region. Photographs by Philip Gould blend architectural imagery of buildings still standing with historic photographs of the clubs that he took in their heyday. Herman Fuselier and other writers provide a rich selection of historic accounts and essays about their personal experiences in the clubs. The book also examines the dance hall scene today and how the venues have changed. The music following remains strong and people still come to dance. The surviving old dance halls and newer venues are still in full swing. Old or new, they are icons, a proud south Louisiana legacy of Good Times.
Author : Ryan A. Brasseaux
Publisher : University of Southwestern Louisiana, Center for Louisiana Studies
ISBN 13 :
Total Pages : 560 pages
Book Rating : 4.16/5 ( download)
Download or read book Accordions, Fiddles, Two Step & Swing written by Ryan A. Brasseaux and published by University of Southwestern Louisiana, Center for Louisiana Studies. This book was released on 2006 with total page 560 pages. Available in PDF, EPUB and Kindle. Book excerpt: A sweeping overview of Cajun music from early studies to the present.
Author : Stephanie Sch„fer
Publisher : Diplomica Verlag
ISBN 13 : 3842878451
Total Pages : 125 pages
Book Rating : 4.57/5 ( download)
Download or read book "Cashville" - Dilution of Original Country Music Identity Through Increasing Commercialization written by Stephanie Sch„fer and published by Diplomica Verlag. This book was released on 2012-04 with total page 125 pages. Available in PDF, EPUB and Kindle. Book excerpt: Where I come from, it?s cornbread and chicken... This line from Alan Jackson?s country hit defines the genre as the music of the American South. All its ambiguity set aside, the South stands proudly for its hospitality, politeness, sense of place and community. Family and religion are traditionally more important down there than in the rest of the country. As Southern culture becomes more and more americanized and the music of the small town Southern man (another Jackson song) is adapted for a mainstream audience, the original rustic identity that defines the true American genre loses its charm. Modern country music has become slick and professionalized and sounds more and more like common pop music to make it more profitable. This study focuses on the authentic country music identity and how it is threatened by increasing commercialization. It defines said identity and the working class culture from which it springs. It traces the history of country music and its different genres from the 19th and early 20th century cowboy music over Western Swing and Honky-Tonk of the 1930s and 1940s, the progressive movements of the 1960s and 1970s up to today?s mainstream Country Pop, and shows how its target audience has changed over time and how the opposition tries to preserve traditional sounds. Authentic Texas Country is set in contrast to the commercial Nashville recording industry and both are compared in their respective developments over the years. In the face of terrorism, which poses a threat to the American National identity, country music with its representative American values has become increasingly popular and enforces a strong collective identity on a national level. However, in doing so, it also dilutes the original identity that was once restricted to life in a small town community rather than the country as a whole. What sets country music as a genre apart is its narrative structure. Every song has a story to tell: Be it about ?The Cold Hard Facts of Life?, a prayer finally answered, or the first kiss on a Saturday night.
Author : Gage Averill
Publisher : University of Chicago Press
ISBN 13 : 9780226032931
Total Pages : 306 pages
Book Rating : 4.30/5 ( download)
Download or read book A Day for the Hunter, a Day for the Prey written by Gage Averill and published by University of Chicago Press. This book was released on 2008-04-15 with total page 306 pages. Available in PDF, EPUB and Kindle. Book excerpt: The history of Haiti throughout the twentieth century has been marked by oppression at the hands of colonial and dictatorial overlords. But set against this "day for the hunter" has been a "day for the prey," a history of resistance, and sometimes of triumph. With keen cultural and historical awareness, Gage Averill shows that Haiti's vibrant and expressive music has been one of the most highly charged instruments in this struggle—one in which power, politics, and resistance are inextricably fused. Averill explores such diverse genres as Haitian jazz, troubadour traditions, Vodou-jazz, konpa, mini-djaz, new generation, and roots music. He examines the complex interaction of music with power in contexts such as honorific rituals, sponsored street celebrations, Carnival, and social movements that span the political spectrum. With firsthand accounts by musicians, photos, song texts, and ethnographic descriptions, this book explores the profound manifestations of power and song in the day-to-day efforts of ordinary Haitians to rise above political repression.
Author : Stephanie Schäfer
Publisher : diplom.de
ISBN 13 : 3842823010
Total Pages : 113 pages
Book Rating : 4.13/5 ( download)
Download or read book Manifestations of Collective Identity in Country Music - Cultural, Regional, National written by Stephanie Schäfer and published by diplom.de. This book was released on 2011-12-01 with total page 113 pages. Available in PDF, EPUB and Kindle. Book excerpt: Inhaltsangabe:Introduction: All American music reflects the landscape from which it springs and as that landscape changes, chewed up by the developments and industry and environmental disasters, as the air we heave in and out of our lungs is filled with new particles, as the water we drink gets its fluoride levels regulated and mineral content tweaked, it makes perfect sense that American music becomes slicker, more machinated, less like reality. We are all subject to our environs, fashioned and chiseled and sanded into shapes We have highways for arteries and clouds for brains and sticks for bones, The sounds we make are Americana. As one of the first musical expressions of the United States, country music represents the values and ideals on which the nation was founded. Country music can be seen as the epitome of the American Dream. It has its origins in the 19th century, when cowboys were working in the fields and riding through the lonely prairie, an image that has been romanticized by numerous Hollywood movies. This thesis focuses on country music as a genre as well as the identity which it represents and by which audience and performers are linked. Country music can be regarded as the music of Southern working class Americans. Since before the Civil War, the South has always been looked down upon as being primitive, simple-minded, and extremely religious. Having its roots in the South, country music has had to face substantial criticism in terms of unsophistication and over-sentimentalization. Due to a shift in national economic power, the United States have become increasingly Southernized, both culturally and musically. Southern culture and identity have become desirable. This phenomenon allowed country music to shed its dubious reputation and gain popularity across the country. This paper will shine a light on the American South as a cultural region that has more to offer than what meets the eye. Southern working class culture and its core values are going to be described and put in context with country music as a form of cultural expression. Central themes in American country music are family, love, heartbreak, work, friends, religion, and patriotism. Characteristic for the country music genre are its narrative structures, which by telling a story, enhance its ability to form a collective identity as well as a connection between the narrator, the performer, and the audience. However, country musicians are not solely messengers of the [...]
