Boston National Opera Company And Boston Theatre Opera Company

Author : Quaintance Eaton
Publisher : New York : Appleton-Century
ISBN 13 :
Total Pages : 372 pages
Book Rating : 4.59/5 ( download)

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Download or read book The Boston Opera Company written by Quaintance Eaton and published by New York : Appleton-Century. This book was released on 1965 with total page 372 pages. Available in PDF, EPUB and Kindle. Book excerpt: Deals with the early days before World War I, 1909-1915: the trials of a new company, the backstage scandals, and the famous singers that appeared with the company.

Author : Guy A. Marco
Publisher : Routledge
ISBN 13 : 1135578001
Total Pages : 1037 pages
Book Rating : 4.08/5 ( download)

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Download or read book Opera written by Guy A. Marco and published by Routledge. This book was released on 2002-05-03 with total page 1037 pages. Available in PDF, EPUB and Kindle. Book excerpt: Opera is the only guide to the research writings on all aspects of opera. This second edition presents 2,833 titles--over 2,000 more than the first edition--of books, parts of books, articles and dissertations with full bibliographic descriptions and critical annotations. Users will find the core literature on the operas of 320 individual composers and details of operatic life in 43 countries. All relevant works through to November 1999 have been considered, covering more than fifteen years of literature since the first edition was published.

Author : Eugene Tompkins
Publisher :
ISBN 13 :
Total Pages : 588 pages
Book Rating : 4.13/5 ( download)

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Download or read book The History of the Boston Theatre, 1854-1901 written by Eugene Tompkins and published by . This book was released on 1908 with total page 588 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Author : Margaret Ross Griffel
Publisher : Scarecrow Press
ISBN 13 : 0810883252
Total Pages : 1015 pages
Book Rating : 4.53/5 ( download)

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Download or read book Operas in English written by Margaret Ross Griffel and published by Scarecrow Press. This book was released on 2012-12-21 with total page 1015 pages. Available in PDF, EPUB and Kindle. Book excerpt: Although many opera dictionaries and encyclopedias are available, very few are devoted exclusively to operas in a single language. In this revised and expanded edition of Operas in English: A Dictionary, Margaret Ross Griffel brings up to date her original work on operas written specifically to an English text (including works both originally prepared in English, as well as English translations). Since its original publication in 1999, Griffel has added nearly 800 entries to the 4,300 from the original volume, covering the world of opera in the English language from 1634 through 2011. Listed alphabetically by letter, each opera entry includes alternative titles, if any; a full, descriptive title; the number of acts; the composer’s name; the librettist’s name, the original language of the libretto, and the original source of the text, with the source title; the date, place, and cast of the first performance; the date of composition, if it occurred substantially earlier than the premiere date; similar information for the first U.S. (including colonial) and British (i.e., in England, Scotland, or Wales) performances, where applicable; a brief plot summary; the main characters (names and vocal ranges, where known); some of the especially noteworthy numbers cited by name; comments on special musical problems, techniques, or other significant aspects; and other settings of the text, including non-English ones, and/or other operas involving the same story or characters (cross references are indicated by asterisks). Entries also include such information as first and critical editions of the score and libretto; a bibliography, ranging from scholarly studies to more informal journal articles and reviews; a discography; and information on video recordings. Griffel also includes four appendixes, a selective bibliography, and two indexes. The first appendix lists composers, their places and years of birth and death, and their operas included in the text as entries; the second does the same for librettists; the third records authors whose works inspired or were adapted for the librettos; and the fourth comprises a chronological listing of the A–Z entries, including as well as the date of first performance, the city of the premiere, the short title of the opera, and the composer. Griffel also include a main character index and an index of singers, conductors, producers, and other key figures.

Author : George Whitney Martin
Publisher : University Rochester Press
ISBN 13 : 1580463886
Total Pages : 498 pages
Book Rating : 4.81/5 ( download)

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Download or read book Verdi in America written by George Whitney Martin and published by University Rochester Press. This book was released on 2011 with total page 498 pages. Available in PDF, EPUB and Kindle. Book excerpt: A renowned Verdi authority offers here the often-astounding first history of how Verdi's early operas -- including one of his great masterpieces, Rigoletto -- made their way into America's musical life.

Author : Frank H. Jackson
Publisher :
ISBN 13 :
Total Pages : 80 pages
Book Rating : 4.63/5 ( download)

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Download or read book Monograph of the Boston Opera House written by Frank H. Jackson and published by . This book was released on 1909 with total page 80 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Author : Kristina Bendikas
Publisher : McFarland
ISBN 13 : 1476639256
Total Pages : 206 pages
Book Rating : 4.53/5 ( download)

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Download or read book The Opera Stage of Sarah Caldwell written by Kristina Bendikas and published by McFarland. This book was released on 2020-05-14 with total page 206 pages. Available in PDF, EPUB and Kindle. Book excerpt: Sarah Caldwell, the leader of the Opera Company of Boston from 1958-1990, was a groundbreaking and idiosyncratic woman who established her own career as a conductor and stage director in an environment resistant to change. This book investigates her choices as an opera director, her influences, her philosophies, and her methods, and situates her work within the history of opera in America. Though she is remembered primarily as a conductor, her passion, and her greater influence on American opera, was through stage directing. With a repertoire that included ground-breaking interpretations of works such as Nono's Intolleranza 1960, Prokofiev's War and Peace, and Bernstein's Mass, Caldwell continually pushed her own artistic limits, provoked critics, intrigued audiences, and challenged the status quo of opera production. Her passion for opera, her creative use of new technology and her influence in bringing opera to all sectors of American society, culminated in 1997 when she was awarded the National Medal of Arts for her work as a pioneering woman in the American musical landscape, and a tireless and innovative arts entrepreneur.

Author : Bernard Taper
Publisher : Cambridge, Mass. : Harvard University Press
ISBN 13 :
Total Pages : 192 pages
Book Rating : 4.07/5 ( download)

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Download or read book The Arts in Boston written by Bernard Taper and published by Cambridge, Mass. : Harvard University Press. This book was released on 1970 with total page 192 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this lively and informed book, Bernard Taper, a writer for the New Yorker, scrutinizes the social and economic characteristics of the arts in Boston, seeking specific answers to the questions: What might be done to foster, strengthen, enrich, and invigorate the arts? What can make them more meaningful to a larger segment of the community? “The arts,” he writes, “have been more honored in Boston than in most American cities, and by ‘the best people’; but they have possibly been enjoyed rather less than they have been honored.” Throughout his book Mr. Taper stresses that the arts, both visual and performing, “should be recognized as a human need, not a luxury; nor should they be something to which we pay solemn, periodic respect—like going to church on Sunday...Ideally, the whole city should serve the purpose of satisfying the need for beauty.” And he looks forward to the day when Boston—as well as other cities—will have a daily life in which the arts are intimately involved. Included in the book are a number of vivid and informal interviews with a variety of people in the arts. Here people like Sarah Caldwell of the Opera Company of Boston, E. Virginia Williams of the Boston Ballet Company, Perry Rathbone of the Museum of Fine Arts, Elma Lewis of the National Center of Afro-American Artists, David Wheeler of the Theatre Company of Boston, and mathematician-satirist Tom Lehrer speak their minds on the condition of the arts. “All of us in the arts have one problem in common,” says Miss Caldwell in her interview. “That problem is how to survive.” Financial problems plague nearly all of Boston's arts organizations and, for many of them, each new season is a tightrope walk over Niagara Falls. Mr. Taper examines the economic situation of the arts in Boston and estimates the sums needed to sustain them in less precarious fashion. Boston's arts, he finds, still have to rely on the noble but no longer practicable tradition of private contributions. He contends that the two potential sources of subsidy most inadequately represented are corporations and government—particularly local and state government. Indeed, the city of Boston contributes less subsidy to the arts than any other major city in the United States! Yet there are things that money can't buy. Mr. Taper points out many intangible ways in which the arts may be fostered or thwarted and, citing examples from various cities, particularly New York, San Francisco, and St. Louis, he shows how much difference is made simply by the attitude of a city's administration toward the arts. He discusses what he believes is the need for a radical reorientation of the role of education and includes as well a novel proposal that would enable Boston to obtain the physical facilities grievously needed for the arts. Mr. Taper was invited to Boston by the Permanent Charity Fund in collaboration with the Joint Center for Urban Studies of M.I.T. and Harvard to make this important study of the visual and performing arts. He succeeds in evoking and illuminating the special quality and atmosphere of Boston, and, although some aspects of his study are peculiar to that city, he clearly relates his analysis to the overall situation of the arts in America.

Author : National Endowment for the Arts
Publisher :
ISBN 13 :
Total Pages : 168 pages
Book Rating : 4.77/5 ( download)

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Download or read book Annual Report written by National Endowment for the Arts and published by . This book was released on with total page 168 pages. Available in PDF, EPUB and Kindle. Book excerpt: Reports for 1980-19 also include the Annual report of the National Council on the Arts.

Author : Katherine K. Preston
Publisher : Oxford University Press
ISBN 13 : 0199371660
Total Pages : 544 pages
Book Rating : 4.62/5 ( download)

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Download or read book Opera for the People written by Katherine K. Preston and published by Oxford University Press. This book was released on 2017-10-11 with total page 544 pages. Available in PDF, EPUB and Kindle. Book excerpt: Opera for the People is an in-depth examination of a forgotten chapter in American social and cultural history: the love affair that middle-class Americans had with continental opera (translated into English) in the 1870s, 1880s, and 1890s. Author Katherine Preston reveals how-contrary to the existing historiography on the American musical culture of this period-English-language opera not only flourished in the United States during this time, but found its success significantly bolstered by the support of women impresarios, prima-donnas, managers, and philanthropists who provided financial backing to opera companies. This rich and compelling study details the lives and professional activities of several important players in American postbellum opera, including manager Effie Ober, philanthropist Jeannette Thurber, and performers/artistic directors Caroline Richings, Euphrosyne Parepa-Rosa, Clara Louise Kellogg, and "the people's prima donna" Emma Abbott. Drawing from an impressive range of primary sources, including contemporaneous music and theater periodicals, playbills, memoirs, librettos, scores, and reviews and commentary on the performances in digitized newspapers, Preston tells the story of how these and other women influenced the activities of some of the more than one hundred opera companies touring the United States during the second half of the 19th century, performing opera in English for a diverse range of audiences. Countering a pervasive and misguided historical understanding of opera reception in the United States-unduly influenced by modern attitudes about the genre as elite, exclusive, expensive, and of interest only to a niche market-Opera for the People demonstrates the important (and hitherto unsuspected) place of opera in the rich cornucopia of late-century American musical theatre, which would eventually lead to the emergence of American musical comedy.