Blacks in Classical Music II

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Publisher :
ISBN 13 : 9780984413492
Total Pages : 0 pages
Book Rating : 4.99/5 ( download)

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Book Synopsis Blacks in Classical Music II by : John Gray

Download or read book Blacks in Classical Music II written by John Gray and published by . This book was released on 2023-05 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: People of African descent have been active in Western art music since its inception. Black performers were valued members of court orchestras starting in the early 1500s, and since the 18th century have been acclaimed as both performers and composers in locales ranging from Europe and the United States to sub-Saharan Africa, the Caribbean and Latin America. However, this rich legacy remains little known. This monumental new work seeks to correct that oversight. A long-awaited sequel to John Gray¿s acclaimed Blacks in Classical Music it draws on more than three decades of research to survey the vast amount of print, digital and archival material that has emerged since the late 1980s. Fully annotated and cross-referenced it offers a comprehensive overview of all scholarly writings on the subject as well as a more selective representation of reportage from the mainstream and Black press.

Blacks in Classical Music

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Author :
Publisher : Greenwood
ISBN 13 : 0313260567
Total Pages : 0 pages
Book Rating : 4.68/5 ( download)

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Book Synopsis Blacks in Classical Music by :

Download or read book Blacks in Classical Music written by and published by Greenwood. This book was released on 1988-06-20 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first in a projected series of idiom-specific bibliographies in black music, this work treats classical music. It is a comprehensive index to newspaper and periodical indexes, biographical dictionaries, bibliographies, dissertations and theses, music collections, and published discographies. . . . Scholars, researchers, students, and reference librarians will find that this guide makes searching easier; bibliographers will welcome its detailed and helpful bibliographies. . . . A very fine addition for all music and academic libraries. Choice This comprehensive guide is the first to cover the full range of black activity in classical music, with more than 4,000 references to over 300 performers and ensembles. Compiler John Gray has organized a wealth of resources spanning from the mid-eighteenth century to the present, and ranging geographically from Europe and Africa to the United States, Latin America, and the Caribbean. Containing sections on composers, conductors, individual instrumentalists, symphony orchestras, opera singers and companies, the work builds on earlier research in this long-neglected subject, and brings the black musical legacy to new levels of prominence and accessibility.

Blacks in Classical Music

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Author :
Publisher : Dodd Mead
ISBN 13 :
Total Pages : 294 pages
Book Rating : 4.51/5 ( download)

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Book Synopsis Blacks in Classical Music by : Raoul Abdul

Download or read book Blacks in Classical Music written by Raoul Abdul and published by Dodd Mead. This book was released on 1977 with total page 294 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the moment that Joseph Boulogne Saint-Georges poised his violin to play at the court of Louis XVI in eighteenth-century France, the Black presence has been felt in the world of classical music. Today, the names of Leontyne Price and Andre Watts are household words. These are only two of the hundreds of Blacks who have made important contributions to the concert and opera scene. For over a quarter of a century, the author's provocative and often witty review of musical events have appeared in the Black press. In this informal history, he uses some of these pieces as a point of departure for discussion of Blacks in classical music from the eighteenth century to the present day. Included are composers, singers, operas and opera companies, keyboard artists, instrumentalists, conductors, orchestras, choruses, and critics.

Blacks in classical music

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Publisher :
ISBN 13 :
Total Pages : pages
Book Rating : 4.41/5 ( download)

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Book Synopsis Blacks in classical music by :

Download or read book Blacks in classical music written by and published by . This book was released on 1988 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:

What Do You Know about Blacks in Classical Music?

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Publisher :
ISBN 13 :
Total Pages : 212 pages
Book Rating : 4.66/5 ( download)

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Book Synopsis What Do You Know about Blacks in Classical Music? by : Henry V. S. Thomas

Download or read book What Do You Know about Blacks in Classical Music? written by Henry V. S. Thomas and published by . This book was released on 1989 with total page 212 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Blacks in Classical Music

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Author :
Publisher :
ISBN 13 :
Total Pages : 254 pages
Book Rating : 4.77/5 ( download)

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Book Synopsis Blacks in Classical Music by : Raoul Abdul

Download or read book Blacks in Classical Music written by Raoul Abdul and published by . This book was released on 1977 with total page 254 pages. Available in PDF, EPUB and Kindle. Book excerpt:

ITS OUR MUSIC TOO

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Publisher : Middle Passage Press
ISBN 13 : 9780692781876
Total Pages : 128 pages
Book Rating : 4.70/5 ( download)

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Book Synopsis ITS OUR MUSIC TOO by : Earl Ofari Hutchinson

Download or read book ITS OUR MUSIC TOO written by Earl Ofari Hutchinson and published by Middle Passage Press. This book was released on 2016-10-14 with total page 128 pages. Available in PDF, EPUB and Kindle. Book excerpt: Groundbreaking Book Explores the Black Impact on Classical Music Earl Ofari Hutchinson meticulously details in his It's Our Music Too The Black Experience in Classical Music the black impact on classical music. Hutchinson notes that there are numerous books which have dissected and re-dissected every possible aspect of classical music-the composers, performers, their compositions, the musical structure, the history, and even the gossip and minutiae about the composers and performers. Yet, there are almost no books that focus on the significant part that black composers and performers played in influencing and in turn being influenced by classical music "The list of Africans, African-Americans and Afro-European composers, conductors, instrumental performers, and singers," says Hutchinson, "is and always has been, rich, varied, and deep. Sadly, the recognition of this has almost always come in relation to the work of a major European or white American composer." Hutchinson's aim in It's Our Music Too The Black Experience in Classical Music is not to update a book on blacks and classical music, or list the many notable individual breakthroughs of top flight black classical music performers and composers through the years. Instead he tells the story of how blacks have actually influenced the development, history and structure of classical music in its major varied forms; opera, chamber pieces, symphonies, and concertos. It's a story that's filled with tragedy and triumph, heart break and heroism. Hutchinson gives an exciting and entertaining glimpse into Mozart's "borrowing" a musical idea from the black violin virtuoso Chevalier Saint-Georges in the eighteenth century, Dvorak's basing a major part of his New World Symphony on Negro Spirituals in the nineteenth century, and composers such as Gershwin, Copeland. Stravinsky and Ravel, wildly embracing jazz and blues in some of their popular and acclaimed works in the twentieth century. It's Our Music Too The Black Experience in Classical Music is a fast paced, reader friendly, easy to understand look at just exactly what and how the greats in classical music have borrowed from and paid homage to jazz, blues, ragtime, boogie woogie and Negro spirituals. "Throughout I name and recommend many pieces to listen to by the greats of classical music," notes Hutchinson, "who were directly inspired by black musical forms as well as the works of black composers who have written exceptional works that have influenced the works of other classical composers." Hutchinson also tells how black performers such as Roland Hayes with his unique interpretations of German leider, and Marian Anderson and Jessye Norman with their distinctive tones and vibrant, fresh renderings of, and subsequent path breaking performances in the major works of opera giants, Giuseppi Verdi and Richard Wagner have greatly altered how these master's works are heard today. It's Our Music Too The Black Experience in Classical Music, takes the reader on an exciting, eye opening, and revealing journey through the world of classical music in which the major critics, composers and performers tell in their words their appreciation of the major contribution blacks made to classical music. "It is no exaggeration or overstatement to say that classical music does owe a debt to the black experience in classical music," says Hutchinson, "And the goal is to show music lovers and readers how that debt continues to be paid in concert halls everywhere."

Music of Sub-Saharan Africa

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Publisher :
ISBN 13 : 9780984413478
Total Pages : 1136 pages
Book Rating : 4.72/5 ( download)

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Book Synopsis Music of Sub-Saharan Africa by : John Gray

Download or read book Music of Sub-Saharan Africa written by John Gray and published by . This book was released on 2018-03-26 with total page 1136 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Singing Like Germans

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Publisher : Cornell University Press
ISBN 13 : 150175985X
Total Pages : 434 pages
Book Rating : 4.57/5 ( download)

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Book Synopsis Singing Like Germans by : Kira Thurman

Download or read book Singing Like Germans written by Kira Thurman and published by Cornell University Press. This book was released on 2021-10-15 with total page 434 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Singing Like Germans, Kira Thurman tells the sweeping story of Black musicians in German-speaking Europe over more than a century. Thurman brings to life the incredible musical interactions and transnational collaborations among people of African descent and white Germans and Austrians. Through this compelling history, she explores how people reinforced or challenged racial identities in the concert hall. Throughout the nineteenth and twentieth centuries, audiences assumed the categories of Blackness and Germanness were mutually exclusive. Yet on attending a performance of German music by a Black musician, many listeners were surprised to discover that German identity is not a biological marker but something that could be learned, performed, and mastered. While Germans and Austrians located their national identity in music, championing composers such as Bach, Beethoven, and Brahms as national heroes, the performance of their works by Black musicians complicated the public's understanding of who had the right to play them. Audiences wavered between seeing these musicians as the rightful heirs of Austro-German musical culture and dangerous outsiders to it. Thurman explores the tension between the supposedly transcendental powers of classical music and the global conversations that developed about who could perform it. An interdisciplinary and transatlantic history, Singing Like Germans suggests that listening to music is not a passive experience, but an active process where racial and gendered categories are constantly made and unmade.

Jamaican Popular Music, from Mento to Dancehall Reggae

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Publisher :
ISBN 13 : 9780984413416
Total Pages : 435 pages
Book Rating : 4.13/5 ( download)

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Book Synopsis Jamaican Popular Music, from Mento to Dancehall Reggae by : John Gray

Download or read book Jamaican Popular Music, from Mento to Dancehall Reggae written by John Gray and published by . This book was released on 2011 with total page 435 pages. Available in PDF, EPUB and Kindle. Book excerpt: Despite its global popularity, reggae, and the myriad Jamaican popular music forms which led up to it creation, has long lacked a bibliographic resource that could assist its legion of fans, students and scholars. Until now.Based on 15 years of research Jamaican Popular Music offers nearly 3700 entries on the evolution of the island'¿¿s commercial music scene from the calypso-like mento of the late-1940s and '¿¿50s to the roots reggae revolution of the 1970s and the dancehall boom of the 1980s and beyond. It also provides in-depth coverage of the music'¿¿s diffusion to more than 51 countries abroad along with a biographical section documenting the careers of some 800 individual artists, producers, dancers, filmmakers, and others. Sources range from fanzine interviews and newspaper reportage to scholarly theses and journal articles published in Jamaica, Australia, Asia, Europe, Africa, and North and South America. Much of this material is cited here for the first time based on the author'¿¿s analytic indexing of some 150 arts, music, humanities and social science journals.The result is a ground-breaking effort offering insights into all facets of the local, regional and transnational impact of Jamaican popular music.