Berber Art

Author : Cynthia Becker
Publisher : University of Texas Press
ISBN 13 : 0292712952
Total Pages : 241 pages
Book Rating : 4.59/5 ( download)

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Download or read book Amazigh Arts in Morocco written by Cynthia Becker and published by University of Texas Press. This book was released on 2006 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: In southeastern Morocco, around the oasis of Tafilalet, the Ait Khabbash people weave brightly colored carpets, embroider indigo head coverings, paint their faces with saffron, and wear ornate jewelry. Their extraordinarily detailed arts are rich in cultural symbolism; they are always breathtakingly beautiful—and they are typically made by women. Like other Amazigh (Berber) groups (but in contrast to the Arab societies of North Africa), the Ait Khabbash have entrusted their artistic responsibilities to women. Cynthia Becker spent years in Morocco living among these women and, through family connections and female fellowship, achieved unprecedented access to the artistic rituals of the Ait Khabbash. The result is more than a stunning examination of the arts themselves, it is also an illumination of women's roles in Islamic North Africa and the many ways in which women negotiate complex social and religious issues. One of the reasons Amazigh women are artists is that the arts are expressions of ethnic identity, and it follows that the guardians of Amazigh identity ought to be those who literally ensure its continuation from generation to generation, the Amazigh women. Not surprisingly, the arts are visual expressions of womanhood, and fertility symbols are prevalent. Controlling the visual symbols of Amazigh identity has given these women power and prestige. Their clothing, tattoos, and jewelry are public identity statements; such public artistic expressions contrast with the stereotype that women in the Islamic world are secluded and veiled. But their role as public identity symbols can also be restrictive, and history (French colonialism, the subsequent rise of an Arab-dominated government in Morocco, and the recent emergence of a transnational Berber movement) has forced Ait Khabbash women to adapt their arts as their people adapt to the contemporary world. By framing Amazigh arts with historical and cultural context, Cynthia Becker allows the reader to see the full measure of these fascinating artworks.

Author : Lisa Bernasek
Publisher : Harvard University Press
ISBN 13 : 0873654056
Total Pages : 144 pages
Book Rating : 4.50/5 ( download)

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Download or read book Artistry of the Everyday written by Lisa Bernasek and published by Harvard University Press. This book was released on 2008-12-15 with total page 144 pages. Available in PDF, EPUB and Kindle. Book excerpt: "In Artistry of the Everyday: Beauty and Craftsmanship in Berber Art, anthropologist Lisa Bernasek gives an insightful overview of Berber history and culture, focusing on the rich aesthetic traditions of Berber craftsmen and -women. She also tells the stories of the collectors whose generosity enhanced the holdings of the Peabody Museum. In a final chapter, she looks at Berber arts in the present day, examining how traditional arts are being used in new forms by Berber artists in North Africa and Europe."--BOOK JACKET.

Author : Jeanne d' Ucel
Publisher : Norman, Okla. : University of Oklahoma Press
ISBN 13 :
Total Pages : 238 pages
Book Rating : 4.80/5 ( download)

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Download or read book Berber Art written by Jeanne d' Ucel and published by Norman, Okla. : University of Oklahoma Press. This book was released on 1932 with total page 238 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Author : Cynthia Becker
Publisher : University of Texas Press
ISBN 13 : 0292756194
Total Pages : 241 pages
Book Rating : 4.99/5 ( download)

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Download or read book Amazigh Arts in Morocco written by Cynthia Becker and published by University of Texas Press. This book was released on 2014-04-15 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: In southeastern Morocco, around the oasis of Tafilalet, the Ait Khabbash people weave brightly colored carpets, embroider indigo head coverings, paint their faces with saffron, and wear ornate jewelry. Their extraordinarily detailed arts are rich in cultural symbolism; they are always breathtakingly beautiful—and they are typically made by women. Like other Amazigh (Berber) groups (but in contrast to the Arab societies of North Africa), the Ait Khabbash have entrusted their artistic responsibilities to women. Cynthia Becker spent years in Morocco living among these women and, through family connections and female fellowship, achieved unprecedented access to the artistic rituals of the Ait Khabbash. The result is more than a stunning examination of the arts themselves, it is also an illumination of women's roles in Islamic North Africa and the many ways in which women negotiate complex social and religious issues. One of the reasons Amazigh women are artists is that the arts are expressions of ethnic identity, and it follows that the guardians of Amazigh identity ought to be those who literally ensure its continuation from generation to generation, the Amazigh women. Not surprisingly, the arts are visual expressions of womanhood, and fertility symbols are prevalent. Controlling the visual symbols of Amazigh identity has given these women power and prestige. Their clothing, tattoos, and jewelry are public identity statements; such public artistic expressions contrast with the stereotype that women in the Islamic world are secluded and veiled. But their role as public identity symbols can also be restrictive, and history (French colonialism, the subsequent rise of an Arab-dominated government in Morocco, and the recent emergence of a transnational Berber movement) has forced Ait Khabbash women to adapt their arts as their people adapt to the contemporary world. By framing Amazigh arts with historical and cultural context, Cynthia Becker allows the reader to see the full measure of these fascinating artworks.

Author : Bruno Barbatti
Publisher : www.acr-edition.com
ISBN 13 : 2867701848
Total Pages : 345 pages
Book Rating : 4.49/5 ( download)

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Download or read book Berber Carpets of Morocco written by Bruno Barbatti and published by www.acr-edition.com. This book was released on 2008 with total page 345 pages. Available in PDF, EPUB and Kindle. Book excerpt: A new slant on Berber carpets, their meanings and motifs.

Author : Felix Leu
Publisher :
ISBN 13 : 9780955110955
Total Pages : 0 pages
Book Rating : 4.55/5 ( download)

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Download or read book Berber Tattooing in Morocco's Middle Atlas written by Felix Leu and published by . This book was released on 2017 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Author : James F Jereb
Publisher : National Geographic Books
ISBN 13 : 050027830X
Total Pages : 0 pages
Book Rating : 4.07/5 ( download)

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Download or read book Arts and Crafts of Morocco written by James F Jereb and published by National Geographic Books. This book was released on 2015-06-30 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Reveals the dazzling fusion of cultural influences in Moroccan arts and crafts Its unique geographical location established Morocco as a center of cultural exchange, and its remarkable arts and crafts are the product of a centuries-long intermingling of influences from other parts of Africa and the traditions of Islam and from the singular cultural alliance of the Moors and the Spaniards. Superbly illustrated with more than 150 specially commissioned color photographs, Arts and Crafts of Morocco illuminates the wonders of this thriving tradition. Dr. James F. Jereb’s pioneering account, based on his own first hand research, examines an extensive range of media: vibrantly colored textiles; jewelry in a range of exquisite configurations; original leather, wood, and metalwork; and an enormous variety of pottery and ceramics. These marvelous objects derive either from a rural lifestyle, with symbols and patterns that reflect the powerful animistic beliefs of the Berber country artisans, or from the cities, where Islamic tenets compose the cultural foundation. All of these works are thus endowed with a spiritually charged significance that determines their functions and ensures their remarkable beauty. This in-depth study is made complete with guidance on Moroccan arts and crafts from expert collectors and a revealing analysis of the belief systems, festivals, and ceremonies that inform the predominant techniques and visual motifs of Moroccan art.

Author : Susan Sinclair
Publisher : BRILL
ISBN 13 : 9047412079
Total Pages : 1508 pages
Book Rating : 4.76/5 ( download)

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Download or read book Bibliography of Art and Architecture in the Islamic World (2 vols.) written by Susan Sinclair and published by BRILL. This book was released on 2012-04-03 with total page 1508 pages. Available in PDF, EPUB and Kindle. Book excerpt: Following the tradition and style of the acclaimed Index Islamicus, the editors have created this new Bibliography of Art and Architecture in the Islamic World. The editors have surveyed and annotated a wide range of books and articles from collected volumes and journals published in all European languages (except Turkish) between 1906 and 2011. This comprehensive bibliography is an indispensable tool for everyone involved in the study of material culture in Muslim societies.

Author : Katarzyna Pieprzak
Publisher : U of Minnesota Press
ISBN 13 : 1452915202
Total Pages : 256 pages
Book Rating : 4.03/5 ( download)

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Download or read book Imagined Museums written by Katarzyna Pieprzak and published by U of Minnesota Press. This book was released on 2010-01-01 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: Imagined Museumsexamines the intertwined politics surrounding art and modernization in Morocco from 1912 to the present by considering the structure of the museum not only as a modern institution but also as a national monument to modernity, asking what happens when museum monuments start to crumble. In an analysis of museum history, exhibition policy, the lack of national museum space for modern art, and postmodern exhibit spaces in Morocco, Katarzyna Pieprzak focuses on the role that art plays in the social fabric of a modernizing Morocco. She argues that the decay of colonial and national institutions of culture has invited the rethinking of the museum and generated countermuseums to stage new narratives of art, memory, and modernity. Through these spaces she explores a range of questions: How is modernity imagined locally? How are claims to modernity articulated? How is Moroccan modernity challenged globally? In this first cultural history of modern Moroccan art and its museums, Pieprzak goes beyond the investigation of national institutions to treat the history and evolution of multiple museums—from official state and corporate exhibition spaces to informal, popular, street-level art and performance spaces—as cultural architectures that both enshrine the past and look to the future.

Author : Ignacio Brescó de Luna
Publisher : IAP
ISBN 13 : 164802663X
Total Pages : 245 pages
Book Rating : 4.38/5 ( download)

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Download or read book Reproducing, Rethinking, Resisting National Narratives written by Ignacio Brescó de Luna and published by IAP. This book was released on 2022-01-01 with total page 245 pages. Available in PDF, EPUB and Kindle. Book excerpt: In his now classic Voices of Collective Remembering, James V. Wertsch (2002) examines the extent to which certain narrative themes are embedded in the way the collective past is understood and national communities are imagined. In this work, Wertsch coined the term schematic narrative templates to refer to basic plots, such as the triumph over alien forces or quest for freedom, that are recurrently used, setting a national theme for the past, present and future. Whereas specific narratives are about particular events, dates, settings and actors, schematic narrative templates refer to more abstract structures, grounded in the same basic plot, from which multiple specific accounts of the past can be generated. As dominant and naturalised narrative structures, schematic narrative templates are typically used without being noticed, and are thus extremely conservative, impervious to evidence and resistant to change. The concept of schematic narrative templates is much needed today, especially considering the rise of nationalism and extreme-right populism, political movements that tend to tap into national narratives naturalised and accepted by large swathes of society. The present volume comprises empirical and theoretical contributions to the concept of schematic narrative templates by scholars of different disciplines (Historiography, Psychology, Education and Political Science) and from the vantage point of different cultural and social practices of remembering (viz., school history teaching, political discourses, rituals, museums, the use of images, maps, etc.) in different countries. The volume’s main goal is to provide a transdisciplinary debate around the concept of schematic narrative templates, focusing on how narratives change as well as perpetuate at times when nationalist discourses seem to be on the rise. This book will be relevant to anyone interested in history, history teaching, nationalism, collective memory and the wider social debate on how to critically reflect on the past.