Atomic Bomb Cinema

Author : Jerome F. Shapiro
Publisher : Routledge
ISBN 13 : 1135350191
Total Pages : 412 pages
Book Rating : 4.92/5 ( download)

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Download or read book Atomic Bomb Cinema written by Jerome F. Shapiro and published by Routledge. This book was released on 2013-05-13 with total page 412 pages. Available in PDF, EPUB and Kindle. Book excerpt: Unfathomably merciless and powerful, the atomic bomb has left its indelible mark on film. In Atomic Bomb Cinema, Jerome F. Shapiro unearths the unspoken legacy of the bombing of Nagasaki and Hiroshima and its complex aftermath in American and Japanese cinema. According to Shapiro, a "Bomb film" is never simply an exercise in ideology or paranoia. He examines hundreds of films like Godzilla, Dr. Strangelove, and The Terminator as a body of work held together by ancient narrative and symbolic traditions that extol survival under devastating conditions. Drawing extensively on both English-language and Japanese-language sources, Shapiro argues that such films not only grapple with our nuclear anxieties, but also offer signs of hope that humanity is capable of repairing a damaged and divided world. www.atomicbombcinema.com

Author : Matthew Edwards
Publisher : McFarland
ISBN 13 : 1476620202
Total Pages : 299 pages
Book Rating : 4.06/5 ( download)

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Download or read book The Atomic Bomb in Japanese Cinema written by Matthew Edwards and published by McFarland. This book was released on 2018-07-24 with total page 299 pages. Available in PDF, EPUB and Kindle. Book excerpt: Seventy years after the nuclear attacks on Hiroshima and Nagasaki, Japan is still dealing with the effects of the bombings on the national psyche. From the Occupation Period to the present, Japanese cinema had offered a means of coming to terms with one of the most controversial events of the 20th century. From the monster movies Gojira (1954) and Mothra (1961) to experimental works like Go Shibata's NN-891102 (1999), atomic bomb imagery features in all genres of Japanese film. This collection of new essays explores the cultural aftermath of the bombings and its expression in Japanese cinema. The contributors take on a number of complex issues, including the suffering of the survivors (hibakusha), the fear of future holocausts and the danger of nuclear warfare. Exclusive interviews with Go Shibata and critically acclaimed directors Roger Spottiswoode (Hiroshima) and Steven Okazaki (White Light/Black Rain) are included.

Author : Mick Broderick
Publisher : Routledge
ISBN 13 : 1136883258
Total Pages : 324 pages
Book Rating : 4.55/5 ( download)

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Download or read book Hibakusha Cinema written by Mick Broderick and published by Routledge. This book was released on 2013-11-05 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt: First Published in 1996. This collection of works is in response to American film scholar and long-term resident of Japan, Donald Richie, words:’ The Japanese failure to come to terms with Hiroshima is one which is shared by everybody in the world today,’ from over thirty years ago, when responding to the Japanese subgenre of cinema which had dealt with the atom bombings of Hiroshima and Nagasaki. Three decades on, the question lingers, does this appraisal remain valid? Hibakusha Cinema is an attempt - perhaps momentarily - to reorient critical focus upon a rarely discussed, yet important feature of Japanese cinema. The essays collected here represent a mix of Japanese and western (pan-Pacific) scholarship harnessing multidisciplinary methodologies, ranging from close textual analysis, archival and historical argument, anthropological assessment, literary and film comparative analyses to psychological and ideological hermeneutics.

Author : Jerome F. Shapiro
Publisher :
ISBN 13 :
Total Pages : 386 pages
Book Rating : 4.09/5 ( download)

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Download or read book Atomic Bomb Cinema written by Jerome F. Shapiro and published by . This book was released on 2011 with total page 386 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Author : Mick Broderick
Publisher : Routledge
ISBN 13 : 1136883185
Total Pages : 268 pages
Book Rating : 4.87/5 ( download)

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Download or read book Hibakusha Cinema written by Mick Broderick and published by Routledge. This book was released on 2013-11-05 with total page 268 pages. Available in PDF, EPUB and Kindle. Book excerpt: First Published in 1996. This collection of works is in response to American film scholar and long-term resident of Japan, Donald Richie, words:’ The Japanese failure to come to terms with Hiroshima is one which is shared by everybody in the world today,’ from over thirty years ago, when responding to the Japanese subgenre of cinema which had dealt with the atom bombings of Hiroshima and Nagasaki. Three decades on, the question lingers, does this appraisal remain valid? Hibakusha Cinema is an attempt - perhaps momentarily - to reorient critical focus upon a rarely discussed, yet important feature of Japanese cinema. The essays collected here represent a mix of Japanese and western (pan-Pacific) scholarship harnessing multidisciplinary methodologies, ranging from close textual analysis, archival and historical argument, anthropological assessment, literary and film comparative analyses to psychological and ideological hermeneutics.

Author : John Joseph Collins
Publisher :
ISBN 13 :
Total Pages : 280 pages
Book Rating : 4.08/5 ( download)

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Download or read book The Apocalyptic Imagination written by John Joseph Collins and published by . This book was released on 1984 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Author : Yuko Shibata
Publisher : University of Hawaii Press
ISBN 13 : 0824876253
Total Pages : 177 pages
Book Rating : 4.58/5 ( download)

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Download or read book Producing Hiroshima and Nagasaki written by Yuko Shibata and published by University of Hawaii Press. This book was released on 2018-08-31 with total page 177 pages. Available in PDF, EPUB and Kindle. Book excerpt: National, disciplinary, and linguistic boundaries all play a role in academic study and nowhere is this more apparent than in traditional humanities scholarship surrounding the atomic bombing of Hiroshima and Nagasaki. How would our understanding of this seminal event change if we read Japanese and Euro-American texts together and across disciplines? In Producing Hiroshima and Nagasaki, Yuko Shibata juxtaposes literary and cinematic texts usually considered separately to highlight the “connected divides” in the production of knowledge on Hiroshima and Nagasaki, shedding new light on both texts and contexts in the process. Shibata takes up two canonical works—American journalist John Hersey’s account, Hiroshima, and French director Alain Resnais’ avant-garde film, Hiroshima Mon Amour—that are traditionally excluded from study in Japanese literature and cinema. By examining Hersey’s Hiroshima in conjunction with The Bells of Nagasaki (Nagai Takashi) and Children of the A-Bomb (Osada Arata), both Japanese bestsellers, Shibata demonstrates how influential Hersey’s Hiroshima has been in forging the normative narrative of the hibakusha experience in Japan. She also compares Hiroshima Mon Amour with Kamei Fumio’s documentary, Still It’s Good to Live, whose footage Resnais borrowed to depict atomic bomb victimhood. Resnais’ avant-garde masterpiece, she contends, is the palimpsest of Kamei’s surrealist documentary; both blur the binaries between realist and avant-garde representations. Reading Hiroshima Mon Amour in its historical context enables Shibata to offer an entirely new analysis of Renais’ work. She also delineates how Japanese films came to produce the martyrdom narrative of the hibakusha in the early postwar period. Producing Hiroshima and Nagasaki allows us to trace the complex and entangled political threads that link representations of Hiroshima and Nagasaki, reminding us that narratives and images deploy different effects in different places and times. This highly original approach establishes a new kind of transnational and transpacific studies on Hiroshima and Nagasaki and raises the possibility of a comparative area studies to match the age of world literature.

Author : Mike Bogue
Publisher : McFarland
ISBN 13 : 1476668418
Total Pages : 314 pages
Book Rating : 4.13/5 ( download)

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Download or read book Apocalypse Then written by Mike Bogue and published by McFarland. This book was released on 2017-08-31 with total page 314 pages. Available in PDF, EPUB and Kindle. Book excerpt: The United States, the only country to have dropped the bomb, and Japan, the only one to have suffered its devastation, understandably portray the nuclear threat differently on film. American science fiction movies of the 1950s and 1960s generally proclaim that it is possible to put the nuclear genie back in the bottle. Japanese films of the same period assert that once freed the nuclear genie can never again be imprisoned. This book examines genre films from the two countries released between 1951 and 1967--including Godzilla (1954), The Mysterians (1957), The Incredible Shrinking Man (1957), On the Beach (1959), The Last War (1961) and Dr. Strangelove (1964)--to show the view from both sides of the Pacific.

Author : David Deamer
Publisher : Bloomsbury Publishing USA
ISBN 13 : 1441145893
Total Pages : 344 pages
Book Rating : 4.95/5 ( download)

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Download or read book Deleuze, Japanese Cinema, and the Atom Bomb written by David Deamer and published by Bloomsbury Publishing USA. This book was released on 2014-07-31 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: David Deamer establishes the first ever sustained encounter between Gilles Deleuze's Cinema books and post-war Japanese cinema, exploring how Japanese films responded to the atomic bombings of Hiroshima and Nagasaki. From the early days of occupation political censorship to the social and cultural freedoms of the 1960s and beyond, the book examines how images of the nuclear event appear in post-war Japanese cinema. Each chapter begins by focusing upon one or more of three key Deleuzian themes – image, history and thought – before going on to look at a selection of films from 1945 to the present day. These include movies by well-known directors Kurosawa Akira, Shindo Kaneto, Oshima Nagisa and Imamura Shohei; popular and cult classics – Godzilla (1954), Akira (1988) and Tetsuo (1989); contemporary genre flicks – Ring (1998), Dead or Alive (1999) and Casshern (2004); the avant-garde and rarely seen documentaries. The author provides a series of tables to clarify the conceptual components deployed within the text, establishing a unique addition to Deleuze and cinema studies.

Author : Greg Mitchell
Publisher : The New Press
ISBN 13 : 1620975742
Total Pages : 306 pages
Book Rating : 4.49/5 ( download)

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Download or read book The Beginning or the End written by Greg Mitchell and published by The New Press. This book was released on 2020-07-07 with total page 306 pages. Available in PDF, EPUB and Kindle. Book excerpt: The shocking and significant story of how the White House and Pentagon scuttled an epic Hollywood production. Soon after atomic bombs exploded over Hiroshima and Nagasaki in 1945, MGM set out to make a movie studio chief Louis B. Mayer called “the most important story” he would ever film: a big budget dramatization of the Manhattan Project and the invention and use of the revolutionary new weapon. Over at Paramount, Hal B. Wallis was ramping up his own film version. His screenwriter: the novelist Ayn Rand, who saw in physicist J. Robert Oppenheimer the model for a character she was sketching for Atlas Shrugged. Greg Mitchell’s The Beginning or the End chronicles the first efforts of American media and culture to process the Atomic Age. A movie that began as a cautionary tale inspired by atomic scientists aiming to warn the world against a nuclear arms race would be drained of all impact due to revisions and retakes ordered by President Truman and the military—for reasons of propaganda, politics, and petty human vanity (this was Hollywood). Mitchell has found his way into the lofty rooms, from Washington to California, where it happened, unearthing hundreds of letters and dozens of scripts that show how wise intentions were compromised in favor of defending the use of the bomb and the imperatives of postwar politics. As in his acclaimed Cold War true-life thriller The Tunnels, he exposes how our implacable American myth-making mechanisms distort our history.