Art And Eloquence In Byzantium

Author : Henry Maguire
Publisher : Princeton University Press
ISBN 13 : 0691655219
Total Pages : 244 pages
Book Rating : 4.15/5 ( download)

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Download or read book Art and Eloquence in Byzantium written by Henry Maguire and published by Princeton University Press. This book was released on 2019-01-15 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this interdisciplinary study, Henry Maguire examines the influence of several literary genres and rhetorical techniques on the art of narration in Byzantium. He reveals the important and wide-reaching influence of literature on the visual arts. In particular, he shows that the literary embellishments of the sermons and hymns of the church nourished the imaginations of artists, and fundamentally affected the iconography, style, and arrangement of their work. Using provocative material previously unfamiliar to art historians, he concentrates on religious art from A.D. 843 to 1453. Professor Maguire first considers the Byzantine view of the link between oratory and painting, and then the nature of rhetoric and its relationship to Christian literature. He demonstrates how four rhetorical genres and devices—description, antithesis, hyperbole, and lament—had a special affinity with the visual arts and influenced several scenes in the Byzantine art, including the Annunciation, the Nativity, the Massacre of the Innocents, the Presentation, Christ's Passion, and the Dormition of the Virgin. Through the literature of the church, Professor Maguire concludes, the methods of rhetoric indirectly helped Byzantine artists add vividness to their narratives, structure their compositions, and enrich their work with languages. Once translated into visual language, the artifices of rhetoric could be appreciated by many. Henry Maguire is Assistant Professor of Art History at the University of Illinois at Urbana-Champaign. Originally published in 1982. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Author : Andrea Olsen Lam
Publisher : Routledge
ISBN 13 : 1351185578
Total Pages : 485 pages
Book Rating : 4.78/5 ( download)

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Download or read book The Eloquence of Art written by Andrea Olsen Lam and published by Routledge. This book was released on 2020-04-14 with total page 485 pages. Available in PDF, EPUB and Kindle. Book excerpt: For those within the fields of art history and Byzantine studies, Professor Henry Maguire needs no introduction. His publications transformed the way art historians approach medieval art through his insightful integration of rhetoric, poetry and non-canonical objects into the study of Byzantine art. His ground-breaking studies of Byzantine art that consider the natural world, magic and imperial imagery, among other themes, have redefined the ways medieval art is interpreted. From notable monuments to small-scale and privately used objects, Maguire’s work has guided a generation of scholars to new conclusions about the place of art and its function in Byzantium. In this volume, 23 of Henry Maguire’s colleagues and friends have contributed papers in his honour, resulting in studies that reflect the broad range of his scholarly interests.

Author : Henry Maguire
Publisher : Princeton University Press
ISBN 13 : 0691194440
Total Pages : 248 pages
Book Rating : 4.48/5 ( download)

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Download or read book Art and Eloquence in Byzantium written by Henry Maguire and published by Princeton University Press. This book was released on 2019-01-15 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this interdisciplinary study, Henry Maguire examines the influence of several literary genres and rhetorical techniques on the art of narration in Byzantium. He reveals the important and wide-reaching influence of literature on the visual arts. In particular, he shows that the literary embellishments of the sermons and hymns of the church nourished the imaginations of artists, and fundamentally affected the iconography, style, and arrangement of their work. Using provocative material previously unfamiliar to art historians, he concentrates on religious art from A.D. 843 to 1453. Professor Maguire first considers the Byzantine view of the link between oratory and painting, and then the nature of rhetoric and its relationship to Christian literature. He demonstrates how four rhetorical genres and devices—description, antithesis, hyperbole, and lament—had a special affinity with the visual arts and influenced several scenes in the Byzantine art, including the Annunciation, the Nativity, the Massacre of the Innocents, the Presentation, Christ's Passion, and the Dormition of the Virgin. Through the literature of the church, Professor Maguire concludes, the methods of rhetoric indirectly helped Byzantine artists add vividness to their narratives, structure their compositions, and enrich their work with languages. Once translated into visual language, the artifices of rhetoric could be appreciated by many. Henry Maguire is Assistant Professor of Art History at the University of Illinois at Urbana-Champaign. Originally published in 1982. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Author : Eunice Dauterman Maguire
Publisher : Princeton University Press
ISBN 13 : 0691258872
Total Pages : 574 pages
Book Rating : 4.74/5 ( download)

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Download or read book Other Icons written by Eunice Dauterman Maguire and published by Princeton University Press. This book was released on 2023-11-14 with total page 574 pages. Available in PDF, EPUB and Kindle. Book excerpt: A winged centaur with the spotted body of a leopard playing a lute; a naked man with an animal head; a goat-footed Pan; a four-bodied lion; sphinxes, and hippocamps. Few would associate these forms of art with the Byzantine era, a period dominated by religious art. However, an art of strikingly secular expression was not only common to Byzantine culture, but also key to defining it. In Other Icons, Eunice Dauterman Maguire and Henry Maguire offer the first comprehensive view of this "unofficial" Byzantine art, demonstrating the role it played and its dialogue with traditional Christian Byzantine art. This beautifully illustrated book creates an entirely new understanding of the whole of Byzantine art and culture. With its wide-ranging examples, the book vividly demonstrates how the surprise of this "profane" art is not only in its subjects of mythic creatures, exotic imagery, and eroticism, but also in the ubiquity and beauty of their placement--within churches and without, woven into silk, illuminated on manuscripts, engraved into pottery, painted in frescoes, and taking life in marble, bone, and ivory. By presenting and exploring this profane art for the first time in a scholarly book in English, Other Icons will change the way we look at the art of an entire era.

Author : Henry Maguire
Publisher : Princeton University Press
ISBN 13 : 0691050074
Total Pages : 240 pages
Book Rating : 4.72/5 ( download)

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Download or read book The Icons of Their Bodies written by Henry Maguire and published by Princeton University Press. This book was released on 2000-05-28 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Byzantines surrounded themselves with their saints, invisible but constant companions, who were made visible by dreams, visions, and art. The composition and presentation of this imagined gallery followed a logical structure, a construct that was itself a collective work of art created by Byzantine society. The purpose of this book is to analyze the logic of the saint's image in Byzantium, both in portraits and in narrative scenes. Here Henry Maguire argues that the Byzantines gave to their images differing formal characteristics of movement, modeling, depth, and differentiation, according to the tasks that the icons were called upon to perform in the all-important business of communication between the visible and the invisible worlds. The book draws extensively on sources that have been relatively little utilized by art historians. It considers both domestic and ecclesiastical artifacts, showing how the former raised the problem of access by lay men and women to the supernatural and fueled the debates concerning the role of images in the Christian cult. Special attention is paid to the poems inscribed by the Byzantines upon their icons, and to the written lives of their saints, texts that offer the most direct and vivid insight into the everyday experience of art in Byzantium. The overall purpose of the book is to provide a new view of Byzantine art, one that integrates formal analysis with both theology and social history.

Author : Henry Maguire
Publisher : Oxford University Press
ISBN 13 : 0199766606
Total Pages : 219 pages
Book Rating : 4.04/5 ( download)

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Download or read book Nectar and Illusion written by Henry Maguire and published by Oxford University Press. This book was released on 2012-08-16 with total page 219 pages. Available in PDF, EPUB and Kindle. Book excerpt: Nature and Illusion is the first extended study of the portrayal of nature in Byzantine art and literature. It provides a new view of Byzantine art in relation to the medieval art of Western Europe.

Author : Metropolitan Museum of Art (New York, N.Y.)
Publisher : Metropolitan Museum of Art
ISBN 13 : 030011141X
Total Pages : 13 pages
Book Rating : 4.15/5 ( download)

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Download or read book Byzantium, Faith, and Power (1261-1557) written by Metropolitan Museum of Art (New York, N.Y.) and published by Metropolitan Museum of Art. This book was released on 2006 with total page 13 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume publishes twelve papers that were delivered at an academic symposium held at The Metropolitan Museum of Art, New York, on April 16-18, 2004, in conjunction with the exhibition, "Byzantium: Faith and Power (1261-1557)" (held at The Metropolitan Museum of Art from March 23 to July 5, 2004).

Author : M. Hatzaki
Publisher : Springer
ISBN 13 : 0230245307
Total Pages : 196 pages
Book Rating : 4.03/5 ( download)

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Download or read book Beauty and the Male Body in Byzantium written by M. Hatzaki and published by Springer. This book was released on 2009-10-29 with total page 196 pages. Available in PDF, EPUB and Kindle. Book excerpt: A neglected aspect of Byzantium, physical beauty appears as a quality with an unmistakable dark side, relating ambiguously to notions of power, goodness, evil, masculinity, effeminacy, life and death. Examined as an attribute of the human and, in particular, of the male body, this study of beauty refines our understanding of the Byzantine world.

Author : Robin Cormack
Publisher : Royal Academy Books
ISBN 13 : 9781905711260
Total Pages : 496 pages
Book Rating : 4.63/5 ( download)

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Download or read book Byzantium, 330-1453 written by Robin Cormack and published by Royal Academy Books. This book was released on 2008-12-01 with total page 496 pages. Available in PDF, EPUB and Kindle. Book excerpt: Byzantinisches Reich.

Author : Henry Maguire
Publisher : Penn State University Press
ISBN 13 :
Total Pages : 184 pages
Book Rating : 4.70/5 ( download)

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Download or read book Earth and Ocean written by Henry Maguire and published by Penn State University Press. This book was released on 1987 with total page 184 pages. Available in PDF, EPUB and Kindle. Book excerpt: One of the most distinctive characteristics of Byzantine art of the later fifth and the sixth centuries AD is its fondness for imagery drawn from natural history. Wherever the visitor looks in churches of this period, whether it be to the floors, the walls, the furnishing, or the ceilings and the vaults, there may be representations of birds, beasts, sea creatures, and plants. These motifs from nature raise complex questions of meaning and significance, but often the works of art do not in themselves provide clear answers to these questions, so that the modern viewer is unsure how to interpret them. The aim of this book is to draw on the great wealth of Early Christian literature on natural history incorporated into sermons and commentaries, and to show the connections between this exegetical literature and presentations of nature in art. By studying the parallels between art and literature it is possible to reveal the common patterns of thinking that may have inspired both artists (or their patrons) and writers. Most of the works of art discussed in this book are floor mosaics, but also considered are portrayals of life of the earth and the ocean displayed on walls, vaults, and ceilings. The first of seven chapters contains an introductory discussion of the language of symbolism in early Byzantine art, especially with respect to portrayals of themes from nature. Each of the six subsequent chapters is devoted to a different interpretation of terrestrial nature, as seen both in art and in literature. The second chapter is concerned with those writers and artists who interpreted the world created by God in an absolutely literal sense, reading no kind of symbolism or allegory into it, and the third chapter with those who interpreted most of Creation literally, but allegorized certain parts of it, so that they saw only some elements of natural history as Christian symbols. The next two chapters treat those who were willing to allegorize the world extensively, imposing elaborate superstructures of symbolic meaning onto the whole scheme of Creation. The sixth chapter is concerned with mosaics and commentaries which gave a moralistic purpose to their views of the earth, by portraying humanity's role in nature. Finally, the seventh chapter shows how portrayals of Earth and Ocean could also have had an imperial significance in early Byzantine art, in the decoration of churches as well as of palaces.