Art and Aesthetics in Chinese Popular Prints

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Author :
Publisher : U of M Center for Chinese Studies
ISBN 13 :
Total Pages : 224 pages
Book Rating : 4.89/5 ( download)

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Book Synopsis Art and Aesthetics in Chinese Popular Prints by : Ellen Johnston Laing

Download or read book Art and Aesthetics in Chinese Popular Prints written by Ellen Johnston Laing and published by U of M Center for Chinese Studies. This book was released on 2002 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: Traditional woodblock prints preserve a Chinese folk art that has now nearly vanished. This book explores and explains the artistic and aesthetic bases of popular prints revealed in eighty-four late nineteenth- and early twentieth-century prints belonging to the London-based Muban Foundation. Woodblock printing was the principal method of producing inexpensive and colorful single-sheet images for mass consumption in late nineteenth- and early twentieth-century China. Prints of this type are known today as "New Year pictures" because the demand for them peaked at New Year's time. However, the term "popular print" more accurately describes these works, whose subjects include deities and tutelary spirits, illustrations to stories and operas, and even contemporary political or revolutionary messages. The emphasis on the artistic aspects of these prints makes this publication uniquely appealing to Chinese art historians but also to those interested in Chinese anthropology, popular religion, Chinese and other folk art, and traditional crafts. Ellen J. Laing received a Ph.D. from the University of Michigan. She was Maude I. Kerns Distinguished Professor of Oriental Art, University of Oregon and is currently Research Associate at the Center for Chinese Studies, University of Michigan. She has published numerous scholarly articles, books, and reference works on Chinese art.

Chinese Popular Prints

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Author :
Publisher : BRILL
ISBN 13 : 9004490906
Total Pages : 390 pages
Book Rating : 4.01/5 ( download)

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Book Synopsis Chinese Popular Prints by : John Lust

Download or read book Chinese Popular Prints written by John Lust and published by BRILL. This book was released on 2021-12-06 with total page 390 pages. Available in PDF, EPUB and Kindle. Book excerpt: Chinese Popular Prints ventures into the world of Chinese blockprint illustration that had its assured niche in the rich history of Chinese popular culture from the 17th to the early 20th centuries. These prints were not considered high art in China, but were produced for the urban and rural populations. The book deals with all aspects of the Chinese popular print. In the first two chapters its invention, origins, powerful traditions and its history are described. Classical art and the Ming illustrated book were important impetuses. Three major centres of north and central China emerged. Finally the popular print took on something of the roles of the modern cinema or television. In the following four chapters the main themes are: the printmakers and printshops; society, symbolism and visual pun; categories of popular prints and their display; technical terms. A description of the workshops and their techniques, figure drawing and colouring, gives a good insight in the technical side of the print. A varied popular culture and a certain realism are strands in it, as are spirit protection of the house, recalls of the past, hopes for the future, the hold of the theatre, etc. Two elaborate appendices provide much detailed information about persons, symbols, as well as about some images in the lore of the print. A special section of 28 illustrations (8 full colour) demonstrates the potentialities of the Chinese blockprint illustration.

Chinese Popular Prints

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Publisher : BRILL
ISBN 13 : 9789004104723
Total Pages : 396 pages
Book Rating : 4.20/5 ( download)

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Book Synopsis Chinese Popular Prints by : John Lust

Download or read book Chinese Popular Prints written by John Lust and published by BRILL. This book was released on 1996 with total page 396 pages. Available in PDF, EPUB and Kindle. Book excerpt: The book is a first attempt to present the Chinese popular blockprint illustration for display, its culture, history and workshops. It shows how it blossomed out in the urban and rural scenes of recent centuries, finally to succumb to nationalism and revolution.

Folk Art and Modern Culture in Republican China

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Publisher : Lexington Books
ISBN 13 : 1498526292
Total Pages : 317 pages
Book Rating : 4.96/5 ( download)

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Book Synopsis Folk Art and Modern Culture in Republican China by : Felicity Lufkin

Download or read book Folk Art and Modern Culture in Republican China written by Felicity Lufkin and published by Lexington Books. This book was released on 2016-01-21 with total page 317 pages. Available in PDF, EPUB and Kindle. Book excerpt: Folk art is now widely recognized as an integral part of the modern Chinese cultural heritage, but in the early twentieth century, awareness of folk art as a distinct category in the visual arts was new. Internationally, intellectuals in different countries used folk arts to affirm national identity and cultural continuity in the midst of the changes of the modern era. In China, artists, critics and educators likewise saw folk art as a potentially valuable resource: perhaps it could be a fresh source of cultural inspiration and energy, representing the authentic voice of the people in contrast to what could be seen as the limited and elitist classical tradition. At the same time, many Chinese intellectuals also saw folk art as a problem: they believed that folk art, as it was, promoted superstitious and backward ideas that were incompatible with modernization and progress. In either case, folk art was too important to be left in the hands of the folk: educated artists and researchers felt a responsibility intervene, to reform folk art and create new popular art forms that would better serve the needs of the modern nation. In the early 1930s, folk art began to figure in the debates on social role of art and artists that were waged in the pages of the Chinese press, the first major exhibition of folk art was held in Hangzhou, and the new print movement claimed the print as a popular artistic medium while, for the most part, declaring its distance from contemporary folk printmaking practices. During the war against Japan, from 1937 to 1945, educated artists deployed imagery and styles drawn from folk art in morale-boosting propaganda images, but worried that this work fell short of true artistic accomplishment and pandering to outmoded tastes. The questions raised in interaction with folk art during this pivotal period, questions about heritage, about the social position of art, and the exercise of cultural authority continue to resonate into the present day.

Modern Chinese Religion II: 1850 - 2015 (2 vols)

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Publisher : BRILL
ISBN 13 : 9004304649
Total Pages : 1127 pages
Book Rating : 4.42/5 ( download)

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Book Synopsis Modern Chinese Religion II: 1850 - 2015 (2 vols) by :

Download or read book Modern Chinese Religion II: 1850 - 2015 (2 vols) written by and published by BRILL. This book was released on 2015-10-20 with total page 1127 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines the transformation of values in China since 1850, first in the “secular” realms of economics, science, medicine, aesthetics, media and gender, and then in each of the major religions (Confucianism, Buddhism, Daoism, Christianity) and in Marxist discourse.

China and the West

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Publisher : Walter de Gruyter GmbH & Co KG
ISBN 13 : 311071177X
Total Pages : 292 pages
Book Rating : 4.76/5 ( download)

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Book Synopsis China and the West by : Elisa Ambrosio

Download or read book China and the West written by Elisa Ambrosio and published by Walter de Gruyter GmbH & Co KG. This book was released on 2022-11-21 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: With contributions from outstanding specialists in glass art and East Asian art history, this edited volume opens a cross-cultural dialogue on the hitherto little-studied medium of Chinese reverse glass painting. The first major survey of this form of East Asian art, the volume traces its long history, its local and global diffusion, and its artistic and technical characteristics. Manufactured for export to Europe and for local consumption within China, the fragile artworks studied in this volume constitute a paramount part of Chinese visual culture and attest to the intensive cultural and artistic exchange between China and the West.

The Problem of a Chinese Aesthetic

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Publisher : Stanford University Press
ISBN 13 : 0804766614
Total Pages : 316 pages
Book Rating : 4.16/5 ( download)

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Book Synopsis The Problem of a Chinese Aesthetic by : Haun Saussy

Download or read book The Problem of a Chinese Aesthetic written by Haun Saussy and published by Stanford University Press. This book was released on 1995-01-01 with total page 316 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Problem of a Chinese Aesthetic calls for and applies a new model of comparative literature - one that, instead of taking for granted the commensurability of traditions and texts, gives incompatibility and contradiction their due. Exposing contemporary literary theory to the risks of ancient Chinese literature (and vice versa), this book considers a linked series of case studies. To what degree does the translation between languages and texts that we call comparative literature depend on allegory or translation within a single text or language? The author offers an important, new perspective on the reading of the Shih-ching or Book of Odes and the question of allegory and metaphor in the Chinese poetic tradition.

The Art of Modern China

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Publisher : Univ of California Press
ISBN 13 : 0520238141
Total Pages : 383 pages
Book Rating : 4.45/5 ( download)

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Book Synopsis The Art of Modern China by : Julia F. Andrews

Download or read book The Art of Modern China written by Julia F. Andrews and published by Univ of California Press. This book was released on 2012-09-24 with total page 383 pages. Available in PDF, EPUB and Kindle. Book excerpt: “The Art of Modern China is a long-awaited, much-needed survey. The authors’ combined experience in this field is exceptional. In addition to presenting key arguments for students and arts professionals, Andrews and Shen enliven modern Chinese art for all readers. The Art of Modern China gives just treatment to an expanded field of overlooked artworks that confront the challenges of modernization.”—De-nin Deanna Lee, author of The Night Banquet: A Chinese Scroll through Time.

Words and Images

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Publisher : Metropolitan Museum of Art
ISBN 13 : 0870996045
Total Pages : 615 pages
Book Rating : 4.47/5 ( download)

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Book Synopsis Words and Images by : Alfreda Murck

Download or read book Words and Images written by Alfreda Murck and published by Metropolitan Museum of Art. This book was released on 1991 with total page 615 pages. Available in PDF, EPUB and Kindle. Book excerpt: In May of 1985, an international symposium was held at The Metropolitan Museum of Art in honor of John M. Crawford, Jr., whose gifts of Chinese calligraphy and painting have constituted a significant addition to the Museum's holdings. Over a three-day period, senior scholars from China, Japan, Taiwan, Europe, and the United States expressed a wide range of perspectives on an issue central to the history of Chinese visual aesthetics: the relationships between poetry, calligraphy, and painting. The practice of integrating the three art forms-known as san-chiieh, or the three perfections-in one work of art emerged during the Sung and Yuan dynasties largely in the context of literati culture, and it has stimulated lively critical discussion ever since. This publication contains twenty-three essays based on the papers presented at the Crawford symposium. Grouped by subject matter in a roughly chronological order, these essays reflect research on topics spanning two millennia of Chinese history. The result is an interdisciplinary exploration of the complex set of relationships between words and images by art historians, literary historians, and scholars of calligraphy. Their findings provide us with a new level of understanding of this rich and complicated subject and suggest further directions for the study of Chinese art history. The essays are accompanied by 255 illustrations, some of which reproduce works rarely published. Chinese characters have been provided throughout the text for artists names, terms, titles of works of art and literature, and important historical figures, as well as for excerpts of selected poetry and prose. A chronology, also containing Chinese characters, and an extensive index contribute to making this book illuminating and invaluable to both the specialist and the layman.

The Reception of Chinese Art Across Cultures

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Publisher : Cambridge Scholars Publishing
ISBN 13 : 1443868558
Total Pages : 355 pages
Book Rating : 4.56/5 ( download)

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Book Synopsis The Reception of Chinese Art Across Cultures by : Michelle Ying Ling Huang

Download or read book The Reception of Chinese Art Across Cultures written by Michelle Ying Ling Huang and published by Cambridge Scholars Publishing. This book was released on 2014-10-02 with total page 355 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Reception of Chinese Art Across Cultures is a collection of essays examining the ways in which Chinese art has been circulated, collected, exhibited and perceived in Japan, Europe and America from the fourteenth century to the twenty-first. Scholars and curators from East Asia, Europe and North America jointly present cutting-edge research on cultural integration and aesthetic hybridisation in relation to the collecting, display, making and interpretation of Chinese art and material culture. Stimulating examples within this volume emphasise the Western understanding of Chinese pictorial art, while addressing issues concerning the consumption of Chinese art and Chinese-inspired artistic productions from early times to the contemporary period; the roles of collector, curator, museum and auction house in shaping the taste, meaning and conception of art; and the art and cultural identity of the Chinese diaspora in a global context. This book espouses a multiplicity of aesthetic, philosophical, socio-cultural, economic and political perspectives, and encourages academics, students, art and museum practitioners to re-think their encounters with the objects, practices, people and institutions surrounding the study of Chinese art and culture in the past and the present.