An Economic Approach to the Plagiarism of Music

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Author :
Publisher : Palgrave Pivot
ISBN 13 : 9783030421083
Total Pages : 141 pages
Book Rating : 4.82/5 ( download)

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Book Synopsis An Economic Approach to the Plagiarism of Music by : Samuel Cameron

Download or read book An Economic Approach to the Plagiarism of Music written by Samuel Cameron and published by Palgrave Pivot. This book was released on 2020-07-16 with total page 141 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is an economic analysis of plagiarism in music, focusing on social efficiency and questions of inequity in the revenue of authors/artists. The organisation into central chapters on the traditional literary aspect of composition and the technocratic problem of ‘sampling’ will help clarify disputes about social efficiency and equity. It will also be extremely helpful as an expository method where the text is used in courses on the music business. These issues have been explored to a great extent in other areas of musical content—notably piracy, copying and streaming. Therefore it is extremely helpful to exclude consumer use of musical content from the discussion to focus solely on the production side. This book also looks at the policy options in terms of the welfare economics of policy analysis.

An Economic Approach to the Plagiarism of Music

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Author :
Publisher : Springer Nature
ISBN 13 : 3030421090
Total Pages : 149 pages
Book Rating : 4.90/5 ( download)

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Book Synopsis An Economic Approach to the Plagiarism of Music by : Samuel Cameron

Download or read book An Economic Approach to the Plagiarism of Music written by Samuel Cameron and published by Springer Nature. This book was released on 2020-06-23 with total page 149 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is an economic analysis of plagiarism in music, focusing on social efficiency and questions of inequity in the revenue of authors/artists. The organisation into central chapters on the traditional literary aspect of composition and the technocratic problem of ‘sampling’ will help clarify disputes about social efficiency and equity. It will also be extremely helpful as an expository method where the text is used in courses on the music business. These issues have been explored to a great extent in other areas of musical content—notably piracy, copying and streaming. Therefore it is extremely helpful to exclude consumer use of musical content from the discussion to focus solely on the production side. This book also looks at the policy options in terms of the welfare economics of policy analysis.

Music in the Marketplace

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Author :
Publisher : Routledge
ISBN 13 : 1317934725
Total Pages : 322 pages
Book Rating : 4.21/5 ( download)

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Book Synopsis Music in the Marketplace by : Samuel Cameron

Download or read book Music in the Marketplace written by Samuel Cameron and published by Routledge. This book was released on 2015-03-24 with total page 322 pages. Available in PDF, EPUB and Kindle. Book excerpt: Much recent economic work on the music industry has been focused on the impact of technology on demand, with predictions being made of digital copyright infringement leading to the demise of the industry. In fact, there have always been profound cyclical swings in music media sales owing to the fact that music always has been, and continues to be, a discretionary purchase. This entertaining and accessible book offers an analysis of the production and consumption of music from a social economics approach. Locating music within the economic analysis of social behaviour, this books guides the reader through issues relating to production, supply, consumption and trends, wider considerations such as the international trade in music, and in particular through divisions of age, race and gender. Providing an engaging overview of this fascinating topic, this book will be of interest and relevance to students and scholars of cultural economics, management, musicology, cultural studies and those with an interest in the music industry more generally.

Cultural Appropriation in Fashion and Entertainment

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Publisher : Bloomsbury Publishing
ISBN 13 : 1350170569
Total Pages : 184 pages
Book Rating : 4.68/5 ( download)

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Book Synopsis Cultural Appropriation in Fashion and Entertainment by : Yuniya Kawamura

Download or read book Cultural Appropriation in Fashion and Entertainment written by Yuniya Kawamura and published by Bloomsbury Publishing. This book was released on 2022-06-16 with total page 184 pages. Available in PDF, EPUB and Kindle. Book excerpt: Is it ever appropriate to “borrow” culturally inspired ideas? Who has ownership over intangible culture? What role does power inequality play? These questions are often at the center of heated public debates around cultural appropriation, with new controversies breaking seemingly every day. Cultural Appropriation in Fashion and Entertainment offers a sociological perspective on the debate, exploring appropriation of cultures embedded in race, ethnicity, class, sexuality, and religion in entertainment as well as the clothing, textiles, jewelry, accessories, hairstyles, and tattoos we wear. Case studies are drawn from K-pop, Bollywood dance, J-pop, Bhangra music, Jamaican reggae, hip hop and EDM fashion to explore how, when, and why cultural borrowing or appreciation can become cultural appropriation. There's also discussion of subcultural territories that extend beyond geography, race and ethnicity, such as cosplay and LGBTQI+ communities. By providing a range of global perspectives on the adoption, adaptation, and application of both tangible and intangible cultural objects, Kawamura and de Jong help move the conversation beyond simply criticizing designers and creators to encourage nuanced discussion and raise awareness of diverse cultures in the creative industries.

Economic Analysis of Music Copyright

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Author :
Publisher : Springer Science & Business Media
ISBN 13 : 1441963189
Total Pages : 186 pages
Book Rating : 4.85/5 ( download)

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Book Synopsis Economic Analysis of Music Copyright by : Ivan L. Pitt

Download or read book Economic Analysis of Music Copyright written by Ivan L. Pitt and published by Springer Science & Business Media. This book was released on 2010-07-16 with total page 186 pages. Available in PDF, EPUB and Kindle. Book excerpt: Chris Anderson's initial `Long Tail' analysis was released in 2004 just as the wave of mergers and acquisitions was sweeping the music publishing and radio industries. Music industry executives began looking for Anderson’s ‘Long Tail’ effect and with it the implied redistribution of royalty income from popular songs to long dormant and forgotten works in their catalogs. These music publishers had hoped to further maximize the value of their copyright assets (lyrics and melody) in their existing music catalogs as the sale of compact disks diminished, and consumers switched their purchasing and listening habits to new digital formats in music technology such as the iPod. This book deals with the measurement of skewness, heavy tails and asymmetry in performance royalty income data in the music industry, an area that has received very little academic attention for various reasons. For example, the pay packages, including signing bonuses, of some `superstars' in the sports world are often announced when they join a team. In the art world, the value of an artist's work is sometimes revealed when the work is sold at auction. The main reason it is difficult to study art and culture from a royalty income perspective is that most of the income data at the individual level is often proprietary, and generally not made publicly available for economic analysis. As a Senior Economist for the American Society of Composers, Authors, and Publishers (ASCAP) using both internal and licensed external proprietary data, the author found that the so-called `superstar effects' are still present in performance royalty income. Success is still concentrated on a relatively few copyright holders or members who can be grouped into `heavy tails' of the empirical income distribution in a departure from Anderson's `long tail' analysis. This book is divided into two parts. The first part is a general introduction to the many supply and demand economic factors that are related to music performance royalty payments. The second part is an applied econometrics section that provides modeling and in-depth analysis of income data from a songwriter, music publisher and blanket licensing perspective. In an era of declining income from CD album sales, data collection, mining and analysis are becoming increasingly important in terms of understanding the listening, buying and music use habits of consumers. The economic impact on songwriters, publishers, music listeners, and Performance Rights Organizations (PROs) is discussed and future business models are evaluated. The book will appeal to researchers and students in cultural economics, media and statistics as well as general readers and professionals in the music publishing industry.

The Economics of Books and Reading

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Author :
Publisher : Springer
ISBN 13 : 9783031182013
Total Pages : 0 pages
Book Rating : 4.14/5 ( download)

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Book Synopsis The Economics of Books and Reading by : Samuel Cameron

Download or read book The Economics of Books and Reading written by Samuel Cameron and published by Springer. This book was released on 2023-11-16 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book gives an overview of the key issues related to books and reading within the field of cultural economics and identifies additional lacunae in this area of research. The field of cultural economics is surprisingly short on research on the book market and on the activity of reading compared with other more recently invented media such as films and musical recordings. In addition, books and reading are strongly impacted by the disruptive innovations of digital technology and the use of online distribution platforms that fuel much of the research on the more recently invented cultural media. This book shows that the area of books and reading has had contributions in historically established areas of cultural economics and those currently exciting attention - chiefly with respect to digital disruption. Finally, it explains how books and reading are a fully developed rational addition model rather than something just based on the addition of past behaviour. Previously published in Journal of Cultural Economics Volume 43, issue 4, December 2019

Music Analysis for Expert Testimony in Copyright Infringement Litigation

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Publisher :
ISBN 13 :
Total Pages : 850 pages
Book Rating : 4.38/5 ( download)

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Book Synopsis Music Analysis for Expert Testimony in Copyright Infringement Litigation by : M. Fletcher Reynolds

Download or read book Music Analysis for Expert Testimony in Copyright Infringement Litigation written by M. Fletcher Reynolds and published by . This book was released on 1991 with total page 850 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Rethinking the Music Business

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Author :
Publisher : Springer
ISBN 13 : 9783031095313
Total Pages : 0 pages
Book Rating : 4.16/5 ( download)

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Book Synopsis Rethinking the Music Business by : Guy Morrow

Download or read book Rethinking the Music Business written by Guy Morrow and published by Springer. This book was released on 2022-10-02 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: COVID-19 had a global impact on health, communities, and the economy. As a result of COVID-19, music festivals, gigs, and events were canceled or postponed across the world. This directly affected the incomes and practices of many artists and the revenue for many entities in the music business. Despite this crisis, however, there are pre-existing trends in the music business – the rise of the streaming economy, technological change (virtual and augmented reality, blockchain, etc.), and new copyright legislation. Some of these trends were impacted by the COVID-19 crisis while others were not. This book addresses these challenges and trends by following a two-pronged approach: the first part focuses on the impact of COVID-19 on the music business, and the second features general perspectives. Throughout both parts, case studies bring various themes to life. The contributors address issues within the music business before and during COVID-19. Using various critical approaches for studying the music business, this research-based book addresses key questions concerning music contexts, rights, data, and COVID-19. Rethinking the music business is a valuable study aid for undergraduate and postgraduate students in subjects including the music business, cultural economics, cultural management, creative and cultural industries studies, business and management studies, and media and communications.

Deep Learning Techniques for Music Generation

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Author :
Publisher : Springer
ISBN 13 : 3319701630
Total Pages : 284 pages
Book Rating : 4.39/5 ( download)

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Book Synopsis Deep Learning Techniques for Music Generation by : Jean-Pierre Briot

Download or read book Deep Learning Techniques for Music Generation written by Jean-Pierre Briot and published by Springer. This book was released on 2019-11-08 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is a survey and analysis of how deep learning can be used to generate musical content. The authors offer a comprehensive presentation of the foundations of deep learning techniques for music generation. They also develop a conceptual framework used to classify and analyze various types of architecture, encoding models, generation strategies, and ways to control the generation. The five dimensions of this framework are: objective (the kind of musical content to be generated, e.g., melody, accompaniment); representation (the musical elements to be considered and how to encode them, e.g., chord, silence, piano roll, one-hot encoding); architecture (the structure organizing neurons, their connexions, and the flow of their activations, e.g., feedforward, recurrent, variational autoencoder); challenge (the desired properties and issues, e.g., variability, incrementality, adaptability); and strategy (the way to model and control the process of generation, e.g., single-step feedforward, iterative feedforward, decoder feedforward, sampling). To illustrate the possible design decisions and to allow comparison and correlation analysis they analyze and classify more than 40 systems, and they discuss important open challenges such as interactivity, originality, and structure. The authors have extensive knowledge and experience in all related research, technical, performance, and business aspects. The book is suitable for students, practitioners, and researchers in the artificial intelligence, machine learning, and music creation domains. The reader does not require any prior knowledge about artificial neural networks, deep learning, or computer music. The text is fully supported with a comprehensive table of acronyms, bibliography, glossary, and index, and supplementary material is available from the authors' website.

Refusals to License Intellectual Property

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Publisher : Bloomsbury Publishing
ISBN 13 : 1847318509
Total Pages : 298 pages
Book Rating : 4.03/5 ( download)

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Book Synopsis Refusals to License Intellectual Property by : Ian Eagles

Download or read book Refusals to License Intellectual Property written by Ian Eagles and published by Bloomsbury Publishing. This book was released on 2011-12-15 with total page 298 pages. Available in PDF, EPUB and Kindle. Book excerpt: Economic analysis rarely appears on the judicial horizon in intellectual property litigation. In competition cases, by contrast, economists are familiar figures in the courtroom and the language of economics is scattered throughout the judgments of even the highest courts. One might expect, therefore, that refusals to license intellectual property would generate the same fruitful symbiosis between law and economics when those refusals surface in competition proceedings. This however, has not been how the law on this subject has developed in most jurisdictions. Courts and enforcement agencies faced with a unilateral refusal to license have instead tended to retreat into sketchily articulated black letter rules and presumptions which then have to be fenced off from the rest of competition law by economically irrelevant qualifications and distinctions based on private law categorisations of, and rationales for, individual intellectual property rights. This bypassing of case-by-case analysis in favour of more traditional modes of legal reasoning is not entirely the fault of lawyers. Economists have contributed to this state of affairs by urging judges and regulators to convert empirically undernourished theories about the proper role of intellectual property in a market economy into rules of law and evidentiary presumptions intended to be binding in future cases. How this came about and what it means for the future of effective competition enforcement globally are the twin concerns of this book.