Adapting The Eighteenth Century

Author : Srividhya Swaminathan
Publisher : Routledge
ISBN 13 : 1351800949
Total Pages : 196 pages
Book Rating : 4.45/5 ( download)

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Download or read book The Cinematic Eighteenth Century written by Srividhya Swaminathan and published by Routledge. This book was released on 2017-07-28 with total page 196 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection explores how film and television depict the complex and diverse milieu of the eighteenth century as a literary, historical, and cultural space. Topics range from adaptations of Austen’s Sense and Sensibility and Defoe's Robinson Crusoe (The Martian) to historical fiction on the subjects of slavery (Belle), piracy (Crossbones and Black Sails), monarchy (The Madness of King George and The Libertine), print culture (Blackadder and National Treasure), and the role of women (Marie Antoinette, The Duchess, and Outlander). This interdisciplinary collection draws from film theory and literary theory to discuss how film and television allows for critical re-visioning as well as revising of the cultural concepts in literary and extra-literary writing about the historical period.

Author : Maria Park Bobroff
Publisher :
ISBN 13 : 9781580469838
Total Pages : 0 pages
Book Rating : 4.33/5 ( download)

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Download or read book Adapting the Eighteenth Century written by Maria Park Bobroff and published by . This book was released on 2020 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: The eighteenth century was a golden age of adaptation: classical epics were adapted to contemporaneous mock-epics, life-writing to novels, novels to plays, and unauthorized sequels abounded. In our own time, cultural products of the long eighteenth century continue to be widely adapted. Early novels such as Robinson Crusoe and Gulliver's Travels, the founding documents of the United States, Jane Austen's novels, Mary Shelley's Frankenstein-all of these have been adapted so often that they are ubiquitous cultural mythoi, even for people who have never read them. Eighteenth-century texts appear in consumer products, comics, cult mashups, fan fiction, films, network and streaming shows, novels, theater stagings, and web serials. Adapting the Eighteenth Century provides innovative, hands-on pedagogies for teaching eighteenth-century studies and adaptation across disciplines and levels. Among the works treated in or as adaptations are novels by Austen, Defoe, and Shelley, as well as the current worldwide musical sensation Hamilton. Essays offer tested models for the teaching of practices such as close reading, collaboration, public scholarship, and research; in addition, they provide a historical grounding for discussions of such issues as the foundations of democracy, critical race and gender studies, and notions of genre. The collection as a whole demonstrates the fruitfulness of teaching about adaptation in both period-specific and generalist courses across the curriculum. SHARON HARROW is Professor of English at Shippensburg University of Pennsylvania. KIRSTEN T. SAXTON is Professor of English at Mills College.

Author : Kristine Johanson
Publisher : Rowman & Littlefield
ISBN 13 : 1611474604
Total Pages : 475 pages
Book Rating : 4.02/5 ( download)

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Download or read book Shakespeare Adaptations from the Early Eighteenth Century written by Kristine Johanson and published by Rowman & Littlefield. This book was released on 2013-12-11 with total page 475 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book presents a scholarly edition of five of the first adaptations of Shakespeare from the eighteenth century, the period when Shakespeare became “Shakespeare.” Written by men influential in early Augustan cultural spheres, these adaptations demonstrate how contemporary literary principles and contemporary politics were applied to Shakespeare’s texts. In these adaptations of Henry V, Richard II, Coriolanus, 2 Henry VI and 3 Henry VI, we see the various ways that eighteenth-century authors “righted” Shakespeare’s “wrongs”: through the addition and alteration of female characters and romantic sub-plots, the introduction of new scenes, the use of the unities of time and place, and the inclusion of overt moral and political arguments. The critical introduction contextualizes the five adaptations through its discussion of early eighteenth-century theatre and politics. First providing an overview of the state of the theatre at the beginning of the Augustan age, the introduction then examines the multiple political conspiracies that rocked the first years of George I’s reign and that provide the backdrop to these adaptations. Furthermore, the introduction draws particular attention to the importance of the actress in the early eighteenth century, highlighting how Shakespeare’s adaptors drew on actresses’ cultural capital to alter Shakespeare’s texts. Finally, the edition provides a critical introduction to each of the plays. Extensive explanatory notes are provided, which situate further these plays in their contemporary context. In its introduction and explanatory notes, Shakespeare Adaptations supplies an important critical apparatus to five plays which are often noted in the annals of Shakespearean theatrical history with derision. However, this edition reveals how these plays documented their own time and helped shape Shakespeare into the most recognizable literary icon in the Western canon.

Author : Kevin Lee Cope
Publisher : Transits: Literature, Thought
ISBN 13 : 9781611486841
Total Pages : 0 pages
Book Rating : 4.4X/5 ( download)

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Download or read book Citizens of the World written by Kevin Lee Cope and published by Transits: Literature, Thought. This book was released on 2015 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Nine authors from prominent universities around the world show how the adventurous thinkers, artists, and adventurers of the eighteenth-century period placed adaptation at the center of the quest for a modern civilization. The book will appeal to cultural historians, historians of science, and those interested in literary metamorphoses.

Author : Daniel Cook
Publisher :
ISBN 13 : 9781316319253
Total Pages : pages
Book Rating : 4.53/5 ( download)

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Download or read book The Afterlives of Eighteenth-century Fiction written by Daniel Cook and published by . This book was released on 2015 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: "The Afterlives of Eighteenth-Century Fiction probes the adaptation and appropriation of a wide range of canonical and lesser-known British and Irish novels in the long eighteenth century, from the period of Daniel Defoe and Eliza Haywood through to that of Jane Austen and Walter Scott. Major authors, including Jonathan Swift, Samuel Richardson, Henry Fielding and Laurence Sterne, are discussed alongside writers such as Sarah Fielding and Ann Radcliffe, whose literary significance is now increasingly being recognised. By uncovering this neglected aspect of the reception of eighteenth-century fiction, this new collection contributes to developing our understanding of the form of the early novel, its place in a broader culture of entertainment then and now, and its interactions with a host of other genres and media, including theatre, opera, poetry, print caricatures and film"--

Author : Karen Bloom Gevirtz
Publisher : Springer
ISBN 13 : 3319562673
Total Pages : 134 pages
Book Rating : 4.74/5 ( download)

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Download or read book Representing the Eighteenth Century in Film and Television, 2000–2015 written by Karen Bloom Gevirtz and published by Springer. This book was released on 2017-07-06 with total page 134 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book analyzes early twenty-first century film and television’s fascination with representing the Anglo-American eighteenth century. Grounded in cultural studies, film studies, and adaptation theory, the book examines how these works represented the eighteenth century to assuage anxieties about values, systems, and institutions at the start of a new millennium. The first two chapters reveal how films like Gulliver’s Travels (2010) or the remake of Poldark (2015) use history to establish the direct relationship between the eighteenth century and the twenty-first. The final chapters examine pairs of productions for how they address and legitimate different aspects of contemporary ideology such as attitudes toward race and gender, or the connection between technological and social progress.

Author : Kamilla Elliott
Publisher : Oxford University Press, USA
ISBN 13 : 0197511171
Total Pages : 377 pages
Book Rating : 4.76/5 ( download)

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Download or read book Theorizing Adaptation written by Kamilla Elliott and published by Oxford University Press, USA. This book was released on 2020 with total page 377 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Asking why adaptation has been seen as more problematic to theorize than other humanities subjects, and why it has been more theoretically problematic in the humanities than it has been in the sciences and social sciences, Theorizing Adaptation seeks to both explicate and redress "the problem of theorizing adaptation" through a metacritical history of theorizing adaptation from the late seventeenth century to the present, a metatheoretical theory of the relationship between theorization and adaptation in the humanities, and analysis of the rhetoric of theorizing adaptation. The history finds that adaptation was not always the bad theoretical object that it increasingly became from the late eighteenth century: in earlier centuries, adaptation was celebrated and valued as a means of aesthetic and cultural progress. Tracing the falling fortunes of adaptation under theorization, the history reveals that there have always been dissenting voices valorizing adaptation. Adaptation studies can learn from history not only how to theorize adaptation more positively, but also to consider "the problem of theorization" for adaptation. Metatheoretical analysis of what theorization and adaptation are and how they function in the humanities finds that they are rival, overlapping, inimical processes, each seeking to remake culture -- and each other -- in their images. It is not simply the case that adaptation has to adapt to theorization: rather, theorization needs to adapt to and through adaptation. The final section attends to the rhetoric of theorizing adaptation, analyzing how tiny pieces of rhetoric have constructed adaptation's relationship to theorization, and turning to figurative rhetoric, or figuration, as a third process that has can mediate between adaptation and theorization and refigure their relationship. Moreover, particular rhetorical figures can redress particular problems in adaptation studies and open new ways to theorize adaptation studies"--

Author : Maarten Ultee
Publisher : University Alabama Press
ISBN 13 :
Total Pages : 218 pages
Book Rating : 4.87/5 ( download)

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Download or read book Adapting to Conditions written by Maarten Ultee and published by University Alabama Press. This book was released on 1986 with total page 218 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Author : Lissette Lopez Szwydky
Publisher : Springer Nature
ISBN 13 : 3031095960
Total Pages : 312 pages
Book Rating : 4.62/5 ( download)

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Download or read book Adaptation Before Cinema written by Lissette Lopez Szwydky and published by Springer Nature. This book was released on 2023-01-19 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: Adaptation Before Cinema highlights a range of pre-cinematic media forms, including theater, novelization, painting and illustration, transmedia art, children’s media, and other literary and visual culture. The book expands the primary scholarly audience of adaptation studies from film and media scholars to literary scholars and cultural critics working across a range of historical periods, genres, forms, and media. In doing so, it underscores the creative diversity of cultural adaptation practiced before cinema came to dominate the critical conversation on adaptation. Collectively, the chapters construct critical bridges between literary history and contemporary media studies, foregrounding diverse practices of adaptation and providing a platform for innovative critical approaches to adaptation, appropriation, or transmedia storytelling popular from the Middle Ages through the invention of cinema. At the same time, they illustrate how these forms of adaptation not only influenced the cinematic adaptation industry of the twentieth century but also continue to inform adaptation practices in the twenty-first century transmedia landscape. Written by scholars with expertise in historical, literary, and cultural scholarship ranging from the medieval period through the nineteenth century, the chapters use discourses developed in contemporary adaptation studies to shed new lights on their respective historical fields, authors, and art forms.

Author : Lynne Bradley
Publisher : Routledge
ISBN 13 : 1317185439
Total Pages : 305 pages
Book Rating : 4.37/5 ( download)

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Download or read book Adapting King Lear for the Stage written by Lynne Bradley and published by Routledge. This book was released on 2016-03-16 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt: Questioning whether the impulse to adapt Shakespeare has changed over time, Lynne Bradley argues for restoring a sense of historicity to the study of adaptation. Bradley compares Nahum Tate's History of King Lear (1681), adaptations by David Garrick in the mid-eighteenth century, and nineteenth-century Shakespeare burlesques to twentieth-century theatrical rewritings of King Lear, and suggests latter-day adaptations should be viewed as a unique genre that allows playwrights to express modern subject positions with regard to their literary heritage while also participating in broader debates about art and society. In identifying and relocating different adaptive gestures within this historical framework, Bradley explores the link between the critical and the creative in the history of Shakespearean adaptation. Focusing on works such as Gordon Bottomley's King Lear's Wife (1913), Edward Bond's Lear (1971), Howard Barker's Seven Lears (1989), and the Women's Theatre Group's Lear's Daughters (1987), Bradley theorizes that modern rewritings of Shakespeare constitute a new type of textual interaction based on a simultaneous double-gesture of collaboration and rejection. She suggests that this new interaction provides constituent groups, such as the feminist collective who wrote Lear's Daughters, a strategy to acknowledge their debt to Shakespeare while writing against the traditional and negative representations of femininity they see reflected in his plays.