Absolute Music, Mechanical Reproduction

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Author :
Publisher : Univ of California Press
ISBN 13 : 0520264797
Total Pages : 333 pages
Book Rating : 4.93/5 ( download)

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Book Synopsis Absolute Music, Mechanical Reproduction by : Arved Mark Ashby

Download or read book Absolute Music, Mechanical Reproduction written by Arved Mark Ashby and published by Univ of California Press. This book was released on 2010 with total page 333 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Arved Ashby writes with a keen sense of the historical processes, ironies, and reversals that seem to characterize the ways that musicologists think about, and contemporary listeners experience, works and performance. This book is a major contribution to the burgeoning body of critical musicological literature on recordings; anybody interested in that field, or in the question of the 'artwork' in the contemporary world, needs to read this book--which fortunately, is a great pleasure to do."--Adam Krims, author of Music and Urban Geography "The relationship between classical music and recording is strangely conflicted: on the one hand recorded music is the perfect realization of aesthetic autonomy, on the other hand it commodifies music and transforms its role within society. Ashby's book offers a penetrating analysis of these cultural conflicts, showing how technological developments from the phonogram to the mp3 have changed our basic sense of what music is as well as the ways in which we consume it. What emerges from this sustained study of the relationship between technology and values is a view of classical musical culture that is both richer and truer to life."--Nicholas Cook, author of A Guide to Musical Analysis "Lively and persuasive. Ashby has the enviable, rare ability to lead the reader comfortably through highly complex material without oversimplifying. This is a must-read for composers, music theorists, performers, musicologists, critics, and anyone with an interest in classical music beyond the elementary level."--Jonathan Dunsby, author of Performing Music

Absolute Music, Mechanical Reproduction

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Author :
Publisher : University of California Press
ISBN 13 : 9780520264809
Total Pages : 336 pages
Book Rating : 4.00/5 ( download)

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Book Synopsis Absolute Music, Mechanical Reproduction by : Arved Ashby

Download or read book Absolute Music, Mechanical Reproduction written by Arved Ashby and published by University of California Press. This book was released on 2010-06-07 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: Recordings are now the primary way we hear classical music, especially the more abstract styles of “absolute” instrumental music. In this original, provocative book, Arved Ashby argues that recording technology has transformed our understanding of art music. Contesting the laments of nostalgic critics, Ashby sees recordings as socially progressive and instruments of a musical vernacular, but also finds that recording and absolute music actually involve similar notions of removing sound from context. He takes stock of technology's impact on classical music, addressing the questions at the heart of the issue. This erudite yet concise study reveals how mechanical reproduction has transformed classical musical culture and the very act of listening, breaking down aesthetic and generational barriers and mixing classical music into the soundtrack of everyday life.

The Player Piano and Musical Labor

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Author :
Publisher : Taylor & Francis
ISBN 13 : 1000553140
Total Pages : 166 pages
Book Rating : 4.47/5 ( download)

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Book Synopsis The Player Piano and Musical Labor by : Allison Rebecca Wente

Download or read book The Player Piano and Musical Labor written by Allison Rebecca Wente and published by Taylor & Francis. This book was released on 2022-06-14 with total page 166 pages. Available in PDF, EPUB and Kindle. Book excerpt: By the early 20th century the machine aesthetic was a well-established and dominant interest that fundamentally transformed musical performance and listening practices. While numerous scholars have examined this aesthetic in art and literature, musical compositions representing industrialized labor practices and the role of the machine in music remain largely unexplored. Moreover, in recounting the history of machines in musical recording and reproduction, scholars often tend to emphasize the phonograph, rather than player piano, despite the latter’s prominence within the newly established musical marketplace. Machines and their music influenced multiple areas of early 20th-century musical culture, from film scores to popular music and even the concert hall. But the opposite was also true: industrialized labor practices changed the musical marketplace and musical culture as a whole. As consumers accepted mechanical replacements for what previously required an active human laborer, ghostly, mechanical performers labored tirelessly in parlors, businesses, and even concert halls. Although the player piano failed to maintain a stronghold in the recorded music marketplace after 1930, the widespread acceptance of recording technologies as media for storing and enjoying music indicates a much more fundamental societal shift. This book explores that shift, examining the rise and fall of the player piano in early 20th-century society and connecting it to the digital technologies of today.

Absolute Music and the Construction of Meaning

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Publisher : Cambridge University Press
ISBN 13 : 1139431358
Total Pages : 330 pages
Book Rating : 4.54/5 ( download)

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Book Synopsis Absolute Music and the Construction of Meaning by : Daniel Chua

Download or read book Absolute Music and the Construction of Meaning written by Daniel Chua and published by Cambridge University Press. This book was released on 1999-11-25 with total page 330 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is born out of two contradictions: first, it explores the making of meaning in a musical form that was made to lose its meaning at the turn of the nineteenth century; secondly, it is a history of a music that claims to have no history - absolute music. The book therefore writes against that notion of absolute music which tends to be the paradigm for most musicological and analytical studies. It is concerned not so much with what music is, but with why and how meaning is constructed in instrumental music and what structures of knowledge need to be in place for such meaning to exist. From the thought of Vincenzo Galilei to that of Theodore Adorno, Daniel Chua suggests that instrumental music has always been a critical and negative force in modernity, even with its nineteenth-century apotheosis as 'absolute music'.

In Search of Julián Carrillo and Sonido 13

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Author :
Publisher : Oxford University Press
ISBN 13 : 019021581X
Total Pages : 304 pages
Book Rating : 4.11/5 ( download)

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Book Synopsis In Search of Julián Carrillo and Sonido 13 by : Alejandro L. Madrid

Download or read book In Search of Julián Carrillo and Sonido 13 written by Alejandro L. Madrid and published by Oxford University Press. This book was released on 2015-08-04 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the 1920s, the Mexican composer Julián Carrillo (1875-1965) developed a microtonal system called El Sonido 13 (The 13th Sound). Although his pioneering role as one of the first proponents of microtonality within the Western art music tradition elevated Carrillo to iconic status among European avant-garde circles in the 1960s and 1970s, his music and legacy have remained largely overlooked by music scholars, critics, and performers. Confronting this paucity of scholarship on Carrillo and his music, Alejandro L. Madrid goes above and beyond "filling in" the historical record. Combining archival and ethnographic research with musical analysis and cultural theory, Madrid argues that Carrillo and Sonido 13 are best understood as a cultural complex: a network of moments, spaces, and articulations in which Carrillo and his music continuously re-acquire significance and meaning. Thus, Madrid explores Carrillo's music and ideas not only in relation to the historical moments of their inception, but also in relation to the various cultural projects that kept them alive and re-signified them through the beginning of the twenty-first century. Eschewing traditionally linear historical frameworks, In Search of Julián Carrillo and Sonido 13 employs an innovative transhistorical narrative in which past, present, and future are explored dialogically in order to understand the politics of performance and self-representation behind Carrillo and Sonido 13. In Search of Julián Carrillo and Sonido 13 transforms the traditional genre of the composer study, treating it not as a celebration of "masters" and "masterworks," but as a pointed postcolonial intervention that offers invaluable insight into the politics of cultural exchange, experimentalism, marginality, and cultural capital in twentieth century Mexico.

Avant-Garde on Record

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Publisher : Cambridge University Press
ISBN 13 : 1009363441
Total Pages : 337 pages
Book Rating : 4.40/5 ( download)

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Book Synopsis Avant-Garde on Record by : Jonathan Goldman

Download or read book Avant-Garde on Record written by Jonathan Goldman and published by Cambridge University Press. This book was released on 2023-11-09 with total page 337 pages. Available in PDF, EPUB and Kindle. Book excerpt: An innovative contribution to music history, cultural studies, and sound studies, Avant-garde on Record revisits post-war composers and their technologically oriented brand of musical modernism. It describes how a broad range of figures (including Pierre Boulez, Karlheinz Stockhausen, Henri Pousseur, Toshirō Mayuzumi, Claire Schapira, Anthony Braxton and Gunther Schuller) engaged with avant-garde aesthetics while responding to a rapidly changing, technologically fuelled, spatialized audio culture. Jonathan Goldman focuses on how contemporary listeners understood these composers' works in the golden age of LPs and explores how this reception was mediated through consumer-oriented sound technology that formed a prism through which listeners processed the 'music of their time'. His account reveals unexpected aspects of twentieth-century audio culture: from sonic ping-pong to son et lumière shows, from Venetian choral music by Stravinsky to the soundscape of Niagara Falls, from a Buddhist Cantata to an LP box set cast as a parlour game.

EPZ Thousand Plateaus

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Publisher : A&C Black
ISBN 13 : 9780826476944
Total Pages : 716 pages
Book Rating : 4.45/5 ( download)

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Book Synopsis EPZ Thousand Plateaus by : Gilles Deleuze

Download or read book EPZ Thousand Plateaus written by Gilles Deleuze and published by A&C Black. This book was released on 2004-09-01 with total page 716 pages. Available in PDF, EPUB and Kindle. Book excerpt: ‘A rare and remarkable book.' Times Literary Supplement Gilles Deleuze (1925-1995) was Professor of Philosophy at the University of Paris VIII. He is a key figure in poststructuralism, and one of the most influential philosophers of the twentieth century. Félix Guattari (1930-1992) was a psychoanalyst at the la Borde Clinic, as well as being a major social theorist and radical activist. A Thousand Plateaus is part of Deleuze and Guattari's landmark philosophical project, Capitalism and Schizophrenia - a project that still sets the terms of contemporary philosophical debate. A Thousand Plateaus provides a compelling analysis of social phenomena and offers fresh alternatives for thinking about philosophy and culture. Its radical perspective provides a toolbox for ‘nomadic thought' and has had a galvanizing influence on today's anti-capitalist movement. Translated by Brian Massumi>

Early Sound Recordings

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Publisher : Taylor & Francis
ISBN 13 : 1000845079
Total Pages : 279 pages
Book Rating : 4.75/5 ( download)

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Book Synopsis Early Sound Recordings by : Eva Moreda Rodriguez

Download or read book Early Sound Recordings written by Eva Moreda Rodriguez and published by Taylor & Francis. This book was released on 2023-02-28 with total page 279 pages. Available in PDF, EPUB and Kindle. Book excerpt: The use of historical recordings as primary sources is relatively well established in both musicology and performance studies and has demonstrated how early recording technologies transformed the ways in which musicians and audiences engaged with music. This edited volume offers a timely snapshot of a wide range of contemporary research in the area of performance practice and performance histories, inviting readers to consider the wide range of research methods that are used in this ever-expanding area of scholarship. The volume brings together a diverse team of researchers who all use early recordings as their primary source to research performance in its broadest sense in a wide range of repertoires within and on the margins of the classical canon – from the analysis of specific performing practices and parameters in certain repertoires, to broader contextual issues that call attention to the relationship between recorded performance and topics such as analysis, notation and composition. Including a range of accessible music examples, which allow readers to experience the music under discussion, this book is designed to engage with academic and non-academic readers alike, being an ideal research aid for students, scholars and performers, as well as an interesting read for early sound recording enthusiasts.

Semblance and Event

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Publisher : MIT Press
ISBN 13 : 0262297256
Total Pages : 233 pages
Book Rating : 4.57/5 ( download)

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Book Synopsis Semblance and Event by : Brian Massumi

Download or read book Semblance and Event written by Brian Massumi and published by MIT Press. This book was released on 2011-09-30 with total page 233 pages. Available in PDF, EPUB and Kindle. Book excerpt: An investigation of the “occurrent arts” through the concepts of the “semblance” and “lived abstraction.” Events are always passing; to experience an event is to experience the passing. But how do we perceive an experience that encompasses the just-was and the is-about-to-be as much as what is actually present? In Semblance and Event, Brian Massumi, drawing on the work of William James, Alfred North Whitehead, Gilles Deleuze, and others, develops the concept of “semblance” as a way to approach this question. It is, he argues, a question of abstraction, not as the opposite of the concrete but as a dimension of it: “lived abstraction.” A semblance is a lived abstraction. Massumi uses the category of the semblance to investigate practices of art that are relational and event-oriented—variously known as interactive art, ephemeral art, performance art, art intervention—which he refers to collectively as the “occurrent arts.” Each art practice invents its own kinds of relational events of lived abstraction, to produce a signature species of semblance. The artwork's relational engagement, Massumi continues, gives it a political valence just as necessary and immediate as the aesthetic dimension.

The Hallelujah Effect

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Author :
Publisher : Routledge
ISBN 13 : 1317029550
Total Pages : 378 pages
Book Rating : 4.57/5 ( download)

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Book Synopsis The Hallelujah Effect by : Babette Babich

Download or read book The Hallelujah Effect written by Babette Babich and published by Routledge. This book was released on 2016-03-16 with total page 378 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book studies the working efficacy of Leonard Cohen's song Hallelujah in the context of today's network culture. Especially as recorded on YouTube, k.d. lang's interpretation(s) of Cohen's Hallelujah, embody acoustically and visually/viscerally, what Nietzsche named the 'spirit of music'. Today, the working of music is magnified and transformed by recording dynamics and mediated via Facebook exchanges, blog postings and video sites. Given the sexual/religious core of Cohen's Hallelujah, this study poses a phenomenological reading of the objectification of both men and women, raising the question of desire, including gender issues and both homosexual and heterosexual desire. A review of critical thinking about musical performance as 'currency' and consumed commodity takes up Adorno's reading of Benjamin's analysis of the work of art in the age of mechanical reproduction as applied to music/radio/sound and the persistent role of 'recording consciousness'. Ultimately, the question of what Nietzsche called the becoming-human-of-dissonance is explored in terms of both ancient tragedy and Beethoven's striking deployment of dissonance as Nietzsche analyses both as playing with suffering, discontent, and pain itself, a playing for the sake not of language or sense but musically, as joy.